See also:

• SAMUEL

SAMUEL See also:

• SAMUEL PROUT (1783–1852)
• PROUT, WILLIAM (1785-1850)

PROUT (1783–1852)  , See also:

• ENGLISH

English See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PLYMOUTH
• PLYMOUTH, EARLS OF

Plymouth on the 17th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1783 . He spent whole summer days, in See also:

• COMPANY

company with the See also:

• ILL

ill-fated See also:

• HAY
• HAY (a word common in various forms to Teutonic languages; cf. Ger. Heu, Dutch hooi; the root from which it is derived, meaning " to cut," is also seen in " to hew "; cf. " hoe ")
• HAY, GEORGE (1729—1811)
• HAY, GILBERT
• HAY, JOHN (1838–1905)

Hay See also:

• DON
• DON (anc. Tanais)

don, in See also:

• DRAWING

drawing the quiet cottages, rustic See also:

• BRIDGES
• BRIDGES, ROBERT (1844– )

bridges and romantic water-See also:

• MILLS, JOHN (d. 1736)
• MILLS, ROGER QUARLES (1832– )

mills of the beautiful valleys of See also:

• DEVON, EARLS OF

Devon . He even made a See also:

• JOURNEY (through O. Fr. jornee or journee, mod. Fr. journee, from med. Lat. diurnata, Lat. diurnus, of or belonging to dies, day)

journey through See also:

• CORNWALL

Cornwall to try his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand in furnishing sketches for See also:

• BRITTON
• BRITTON, JOHN (1771–1857)

Britton's Beauties of See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England . On his removal in 1803 to See also:

• LONDON

London, which became his headquarters after 1812, a new See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene of activity opened up before See also:

• PROUT, SAMUEL (1783–1852)
• PROUT, WILLIAM (1785-1850)

Prout . He now endeavoured to correct and improve his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style by the study of the See also:

• WORKS

works of the rising school of landscape . To gain a living he painted marine pieces for Palser the printseller, received pupils, and published many drawing books for learners . He was likewise one of the first who turned to See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account in his profession the newly-invented See also:

• ART

art of See also:

• LITHOGRAPHY (Gr. MOOS, a stone, and ypakecv, to write)

lithography . It was not however until about 1818 that Prout discovered his proper See also:

• SPHERE (Gr. vclsa?pa, a ball or globe)

sphere . Happening at that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time to make his first visit to the See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

Continent, and to study the See also:

• QUAINT (O. Fr. cointe, from Lat. cognitus, known, probably influenced by association with Lat. corn plus, neat)

quaint streets and See also:

• MARKET (Lat. mercatus, trade or place of trade)

market-places of See also:

• CONTINENTAL

continental cities, he suddenly found himself in a new and enchanting See also:

• PROVINCE
• PROVINCE (Lat. provincia; perhaps a contraction of providentia)

province of art . All his faculties, having found their congenial See also:

• ELEMENT (Lat. elementum)

element, sprung into unwonted See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power and activity . His See also:

• EYE
• EYE (O. Eng. edge, Ger. Auge; derived from an Indo-European root also seen in Lat. oc-ulus, the organ of vision (q.v.)

eye readily caught the picturesque features of the See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture, and his hand recorded them with unsurpassed felicity and See also:

• FINE

fine selection of See also:

• LINE

line . The See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition of his drawings was exquisitely natural; their colour exhibited " the truest and happiest association in See also:

• SUN
• SUN (0. Eng. sonne, Ger. sonne. Fr. soleil, Lat. sol, Gr. ijXior, from which comes helio- in various English compounds)

sun and shade"; the picturesque remnants of See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient architecture were rendered with the happiest breadth and largeness, with the heartiest See also:

• PERCEPTION (from Lat. percipere, to perceive)

perception and enjoyment of their time-worn ruggedness; and the solemnity of See also:

• GREAT

great cathedrals was brought out with striking effect .

At the time of his See also:

• DEATH

death, on the loth of See also:

• FEBRUARY

February 1852, there was scarcely a nook in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany, See also:

• ITALY
• ITALY (Italia)

Italy and the See also:

• NETHERLANDS

Netherlands where his quiet, benevolent, observant See also:

• FACE (from Lat. fades, derived either from facere, to make, or from a root fa-, meaning " appear "; cf. Gr. cbatvstv)

face had not been seen searching for See also:

• ANTIQUE (Lat. antiquus, old)

antique gables and sculptured pieces of See also:

• STONE
• STONE (0. Eng. shin; the word is common to Teutonic languages, cf. Ger. Stein, Du. steen, Dan. and Swed. sten; the root is also seen in Gr. aria, pebble)
• STONE, CHARLES POMEROY (1824-1887)
• STONE, EDWARD JAMES (1831-1897)
• STONE, FRANK (1800-1859)
• STONE, GEORGE (1708—1764)
• STONE, LUCY [BLACKWELL] (1818-1893)
• STONE, MARCUS (184o— )
• STONE, NICHOLAS (1586-1647)

stone . In See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice especially there was hardly a See also:

• PILLAR (0. Fr. piler, Mod. pilier, Late Lat. pilare, from pila, column)

pillar which his eye had not lovingly studied and his See also:

• PENCIL (Lat. penicillus, brush, literally little tail)

pencil had not dexterously copied . See a memoir of Prout, by See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• RUSKIN, JOHN (1819-1goo)

Ruskin, in Art See also:

• JOURNAL
• JOURNAL (through Fr. from late Lat. diurnalis, daily)

Journal for 1849, and the same author's Notes on the Fine Art Society's See also:

• LOAN (adapted from the Scandinavian form of a word common to Teutonic languages, cf. Swed. Mn, Icel. lan, Dut. leen; the O.E. laen appears in " lend," the ultimate source is seen in the root of Gr. Xeiaecv and Lat. linquere, to leave)

Loan Collection of Drawings by See also:

• SAMUEL

Samuel Prout and See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• HUNT, ALFRED WILLIAM (183o-1896)
• HUNT, HENRY (1i73-1835)
• HUNT, HENRY JACKSON (1819-1889)
• HUNT, JAMES HENRY LEIGH (1784-1859)
• HUNT, ROBERT (1807-1887)
• HUNT, THOMAS STERRY (1826-1892)
• HUNT, WILLIAM HENRY (1790—1864)
• HUNT, WILLIAM HOLMAN (1827-1910)
• HUNT, WILLIAM MORRIS (1824-1879)

Hunt (1879-188o) .