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RACAN , HONOR$ DE BUEIL, See also: MARqUIS DE (1589–1670), French poet, was See also: born at the chateau of La See also: Roche-Racan in 1589
.
He became page at the See also: court of See also: Henry IV. and then entered the army, seeing some active service
.
Racan was very poor and was practically uneducated, for, if his own account
may be credited, he had not learnt even Latin
.
But in
See also: middle See also: life he inherited some See also: property, and he was thus able to devote himself to the practice of See also: poetry, in which he was the faithful, and perhaps the most distinguished, See also: disciple of See also: Malherbe
.
He had known Malherbe when he was a page at the court of Henry IV., and had early contributed to the fashionable albums of the See also: day
.
In 1625 he published his most important See also: work, Bergeries, a dramatic pastoral in five acts, a See also: part of which, entitled Arthenice, was played in 1618
.
Racan was also the author of See also: Sept psaumes (1631), Odes sacrees tirees See also: des psaumes de See also: David (1651), Dernieres oeuvres et poesies chretiennes (166o), in all of which he was hampered by his inability to read the sacred writings except in other French paraphrases
.
He was one of the See also: original members of the French See also: Academy
.
He died in See also: February 1670
.
His fEuvres completes were edited by See also: Tenant de Latour in 1857, and the edition includes a See also: biographical See also: notice
.
See Sainte-Beuve, Causeries du lundi
.
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