See also:

• JEAN

JEAN See also:

• JEAN RAOUX (1677-1734)

RAOUX (1677-1734)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MONTPELLIER

Montpellier in 1677 . After the usual course of training he became a member of the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy in 1717 as an See also:

• HISTORICAL

historical painter . His reputation had been previously established by the See also:

• CREDIT (Lat. credere, to believe)

credit of decorations executed during his three years in See also:

• ITALY
• ITALY (Italia)

Italy on the See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace of See also:

• GIUSTINIANI

Giustiniani Solini at See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice, and by some easel paintings, the Four Ages of See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man (See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery), commissioned by the See also:

• GRAND

grand See also:

• PRIOR (from Lat. prior—former, and hence superior, through O. Fr. priour)
• PRIOR, MATTHEW (1664-1721)

prior of See also:

• VENDOME
• VENDOME, LOUIS JOSEPH

Vendome . To this latter class of subject See also:

• RAOUX, JEAN (1677-1734)

Raoux devoted himself, nor did he even paint portraits except in See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character . The See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list of his See also:

• WORKS

works is a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• SERIES (a Latin word from serere, to join)

series of sets of the Seasons, of the See also:

• HOURS, CANONICAL

Hours, of the Elements, or of those scenes of amusement and gallantry in the See also:

• REPRESENTATION

representation of which he was immeasurably surpassed by his younger See also:

• RIVAL

rival See also:

• WATTEAU, ANTOINE (1684-1721)

Watteau . After his stay in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England (1720) he lived much in the See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

Temple, where he decorated several rooms . He died in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1734 . His best pupils were See also:

• CHEVALIER, ALBERT (1861– )
• CHEVALIER, MICHEL (1806-1879)
• CHEVALIER, ULYSSE (1841– )

Chevalier and See also:

• MONTDIDIER

Montdidier . His works, of which there is a poor specimen in the Louvre, were much engraved by Poilly, Moyreau, See also:

• DUPUIS, CHARLES FRANCOIS (1742-1809)

Dupuis, &c .