See also:

• ERNST, HEINRICH WILHELM (1814–1865)

ERNST See also:

• BENJAMIN
• BENJAMIN, JUDAHPHILIP (1811-1884)

BENJAMIN SALOMO See also:

• ERNST BENJAMIN SALOMO RAUPACH (1784-1852)

RAUPACH (1784-1852)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German dramatist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 21st of May 1784 at Straupitz, near See also:

• LIEGNITZ

Liegnitz in See also:

• SILESIA

Silesia, a son of the See also:

• VILLAGE

village pastor . He attended the gymnasium at Liegnitz, and studied See also:

• THEOLOGY

theology at the university of See also:

• HALLE (known as HALLE-AN-DER-SAALE, t0 distinguish it from the small town of Halle in Westphalia)
• HALLE, SIR CHARLES (originally KARL HALLE) (1819-1895)

Halle . In 1804 he obtained a tutorship in St See also:

• PETERSBURG

Petersburg . He preached at times in the German Lutheran See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church, wrote his first tragedies, and in 1817 was appointed See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of German literature and See also:

• HISTORY

history at a training See also:

• COLLEGE (Collegium)

college in connexion with the university . Owing to an outburst of See also:

• JEALOUSY (adapted from Fr. jalousie, formed from jaloux, jealous, Low Lat. zelosus, Gr. j'i os, ardour, zeal, from the root seen in '&u', to boil, ferment; cf. " yeast ")

jealousy against Germans in See also:

• RUSSIA
• RUSSIA (Rossiya)

Russia, culminating in See also:

• POLICE (Fr. police, government, civil administration, a police force, Gr. sroXumeia, constitution, condition of a state, roars, city, state)

police supervision, See also:

• RAUPACH, ERNST BENJAMIN SALOMO (1784-1852)

Raupach See also:

• LEFT

left St Petersburg in 1822 and undertook a See also:

• JOURNEY (through O. Fr. jornee or journee, mod. Fr. journee, from med. Lat. diurnata, Lat. diurnus, of or belonging to dies, day)

journey to See also:

• ITALY
• ITALY (Italia)

Italy . The See also:

• LITERARY

literary fruits of his travels were Hirsemenzels Briefe aus and fiber Italien (1823) . He next visited See also:

• WEIMAR

Weimar, but, being coldly received by See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe, abandoned his See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of living there and settled in 1824 in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin . Here he spent the See also:

• REMAINDER, REVERSION

remainder of his See also:

• LIFE

life, See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing for the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, which for twenty years he greatly influenced, if not wholly controlled, in the Prussian See also:

• CAPITAL (i.e. capital stock or fund)
• CAPITAL (Lat. caput, head)

capital . He died at Berlin on the 18th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1852 . Raupach was a prolific writer of both tragedies and comedies; of the former, See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die Fursten Chawansky (1818), Der Liebe Zauherkreis (1824), Die Leibeigenen, See also:

• ODER (Lat. Viadua; Slavonic, Vjodr)

oder Isidor and See also:

• OLGA

Olga (1826), Rafaele (1828), Der Nibelungenhort (1834) and Die Schule See also:

• DES

des Lebens (1841), and of the latter Die Schleichhandler (1828) and Der Zeitgeist (1830) are pieces which have enjoyed See also:

• GREAT

great popularity owing to their skilful dramatic handling . On the other See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand, the See also:

• HISTORICAL

historical dramas with which his name is chiefly associated, Die See also:

• HOHENSTAUFEN

Hohenstaufen (1837–38), a cyclus of 15 dramatic pieces founded on See also:

• FRIEDRICH, JOHANN (1836— )

Friedrich von See also:

• RAUMER, FRIEDRICH LUDWIG GEORG VON (1781–1873)

Raumer's Geschichte der Hohenstaufen, as also the trilogy See also:

• CROMWELL, HENRY (1628-1674)
• CROMWELL, OLIVER (1599-1658)
• CROMWELL, RICHARD (1626–1712)
• CROMWELL, THOMAS, EARL OF

Cromwell (1841–44), are superficial in treatment . Raupach had a great knowledge of theatrical effect and situations, but he contorts historical facts in See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to suit his See also:

• POLITICAL

political See also:

• HOBBY

hobby, which was the separation of church and See also:

• STATE
• STATE, GREAT OFFICERS OF

state .

Raupach's collected dramas appeared under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title Dramatische Werke ernster Gattung (16 vols.,' 1830–43) and Dramatische Werke komischer Gatiung (4 vols., 1829–35) . For his life see Pauline Raupach, Raupach, eine biographische Skizze (1853); also K . Goedeke, Grundriss zur Geschichte der deutschen Dichtung, 2nd ed . (19135), vol. viii., pp . 646–668 .