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See also: German dramatist, was See also: born on the 21st of May 1784 at Straupitz, near See also: Liegnitz in See also: Silesia, a son of the See also: village pastor
.
He attended the gymnasium at Liegnitz, and studied See also: theology at the university of See also: Halle
.
In 1804 he obtained a tutorship
in St See also: Petersburg
.
He preached at times in the German Lutheran See also: church, wrote his first tragedies, and in 1817 was appointed professor of German literature and
See also: history at a training See also: college in connexion with the university
.
Owing to an outburst of jealousy against Germans in See also: Russia, culminating in police supervision, Raupach See also: left St Petersburg in 1822 and undertook a journey to See also: Italy
.
The See also: literary fruits of his travels were Hirsemenzels Briefe aus and fiber Italien (1823)
.
He next visited See also: Weimar, but, being coldly received by Goethe, abandoned his idea of living there and settled in 1824 in Berlin
.
Here he spent the See also: remainder of his See also: life, writing for the stage, which for twenty years he greatly influenced, if not wholly controlled, in the Prussian capital
.
He died at Berlin on the 18th of See also: March 1852
.
Raupach was a prolific writer of both tragedies and comedies; of the former, Die Fursten Chawansky (1818), Der Liebe Zauherkreis (1824), Die Leibeigenen,
See also: oder Isidor and See also: Olga (1826), Rafaele (1828), Der Nibelungenhort (1834) and Die Schule See also: des Lebens (1841), and of the latter Die Schleichhandler (1828) and Der Zeitgeist (1830) are pieces which have enjoyed See also: great popularity owing to their skilful dramatic handling
.
On the other See also: hand, the See also: historical dramas with which his name is chiefly associated, Die See also: Hohenstaufen (1837–38), a cyclus of 15 dramatic pieces founded on See also: Friedrich von Raumer's Geschichte der Hohenstaufen, as also the trilogy See also: Cromwell (1841–44), are superficial in treatment
.
Raupach had a great knowledge of theatrical effect and situations, but he contorts historical facts in See also: order to suit his See also: political See also: hobby, which was the separation of church and See also: state
.
Raupach's collected dramas appeared under the title Dramatische Werke ernster Gattung (16 vols.,' 1830–43) and Dramatische Werke komischer Gatiung (4 vols., 1829–35) . For his life see Pauline Raupach, Raupach, eine biographische Skizze (1853); also K . Goedeke, Grundriss zur Geschichte der deutschen Dichtung, 2nd ed . (19135), vol. viii., pp . 646–668 . |
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