See also:

• EDWARD

EDWARD See also:

• EDWARD RAVENSCROFT (fl. 1671-1697)

RAVENSCROFT (fl. 1671-1697)  , See also:

• ENGLISH

English dramatist, belonged to an See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient Flintshire See also:

• FAMILY

family . He was entered at the See also:

• MIDDLE

Middle See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

Temple, but devoted his See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention mainly to literature . Among his pieces are Mamamouchi, or The See also:

• CITIZEN (a form corrupted in Eng., apparently by analogy with " denizen," from O. Fr. citeain, mod. Fr. citoyen)

Citizen turned See also:

• GENTLEMAN (from Lat. gentilis, " belonging to a race or gens," and " man "; Fr. gentilhomme, Span. gentil hombre, Ital. gentil huomo, in its original and strict signification, a term denoting a man of good family, the Lat. generosus (its invariable transl

Gentleman (See also:

• DORSET, EARLS, MARQUESSES AND DUKES OF

Dorset See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden, 1671, pr . 1675); The Careless Lovers (Dorset Garden, 1673, pr . 1673), a See also:

• COMEDY

comedy of intrigue; See also:

• SCARAMOUCH

Scaramouch a Philosopher, See also:

• HARLEQUIN

Harlequin a Schoolboy, ' See also:

• BRAVO (Ital. for " brave ")

Bravo a See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

Merchant and Magician (See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre Royal, 1677); English Lawyer (Theatre Royal, 1678), an See also:

• ADAPTATION (from Lat. adaptare. to fit to)

adaptation of See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George Ruggle's Latin See also:

• PLAY

play of See also:

• IGNORAMUS (Latin for " we do not know," " we take no notice of ")

Ignoramus, presented before See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James I. at See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge in See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1615; The See also:

• LONDON

London Cuckold (Dorset Garden, 1683), which became a stock p'ece, but was struck out of the repertory by See also:

• GARRICK, DAVID (1717-1779)

Garrick in 1751; and The See also:

• ITALIAN

Italian See also:

• HUSBAND

Husband (See also:

• LINCOLN
• LINCOLN, ABRAHAM (1809-1865)
• LINCOLN, EARLS OF

Lincoln's See also:

• INN

Inn See also:

• FIELDS, JAMES THOMAS (1817-1881)

Fields, 1697) . He wrote in all twelve plays, in which he adapted freely from See also:

• MOLIERE (1622-1673)

Moliere and others, confessing on one occasion that he " but winnowed See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare's See also:

• CORN (a common Teutonic word; cf. Lat. granum, seed, grain)
• CORN (fromm Lat. corms, horn)

corn." He ventured to decry the heroic See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama, and See also:

• DRYDEN, JOHN (1631-1700)

Dryden retaliated by satirizing his Mamamouchi, a foolish adaptation from Moliere's See also:

• BOURGEOIS
• BOURGEOIS, LEON VICTOR AUGUSTE (1851– )

Bourgeois Gentilhomme and See also:

• MONSIEUR (Fr., formed from men, my, and sieur, lord)

Monsieur de Pourceaugnac, in the See also:

• PROLOGUE (from Gr. 7rpo, before, and Myer, a word)

prologue to the Assignation (Dryden, See also:

• WORKS

Works, ed . See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott, iv . 345 seq.) .