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See also: English dramatist, belonged to an See also: ancient Flintshire See also: family
.
He was entered at the See also: Middle See also: Temple, but devoted his See also: attention mainly to literature
.
Among his pieces are Mamamouchi, or The Citizen turned Gentleman (Dorset Garden, 1671, pr
.
1675); The Careless Lovers (Dorset Garden, 1673, pr
.
1673), a See also: comedy
of intrigue; See also: Scaramouch a Philosopher, See also: Harlequin a Schoolboy, ' See also: Bravo a See also: Merchant and Magician (Theatre Royal, 1677); English Lawyer (Theatre Royal, 1678), an adaptation of See also: George Ruggle's Latin See also: play of Ignoramus, presented before See also: James I. at Cambridge in
See also: March 1615; The
See also: London Cuckold (Dorset Garden, 1683), which became a stock p'ece, but was struck out of the repertory by See also: Garrick in 1751; and The See also: Italian See also: Husband (Lincoln's See also: Inn See also: Fields, 1697)
.
He wrote in all twelve plays, in which he adapted freely from See also: Moliere and others, confessing on one occasion that he " but winnowed See also: Shakespeare's corn." He ventured to decry the heroic drama, and See also: Dryden retaliated by satirizing his Mamamouchi, a foolish adaptation from Moliere's Bourgeois Gentilhomme and Monsieur de Pourceaugnac, in the prologue to the Assignation (Dryden, See also: Works, ed
.
See also: Scott, iv
.
345 seq.)
.
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