See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• SIMS, GEORGE ROBERT (1847– )

SIMS See also:

• JOHN SIMS REEVES (1818-1900)

REEVES (1818-1900)  , See also:

• ENGLISH

English vocalist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• WOOLWICH

Woolwich on the 26th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1818, and received his musical See also:

• EDUCATION

education from his See also:

• FATHER

father, a musician in the Royal See also:

• ARTILLERY (the O. Fr. artiller, to equip with engines of war, probably comes from Late Lat. articulum, dim. of ars, art, cf. " engine " from ingenium, or of artus, joint)

Artillery . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of fourteen he had progressed so far as to be appointed organist of See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

North Cray See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church, and could See also:

• PLAY

play the See also:

• OBOE, or HAUTBOY (Fr. hautbois, Ger. Hoboe, Ital. oboe)

oboe, See also:

• BASSOON
• BASSOON (Fr. basson; Ger. Fagott; Ital. fagotto)

bassoon, See also:

• VIOLIN

violin, and See also:

• VIOLONCELLO (Fr. violoncelle, Ger. Violoncell, Ital. violoncello)

violoncello . Heseems to have studied See also:

• MEDICINE

medicine for a See also:

• YEAR

year, but changed his mind when he gained his adult See also:

• VOICE (Fr. voix, from Lat. vox)

voice: it was at first a baritone, and he made his earliest See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance at See also:

• NEWCASTLE
• NEWCASTLE, DUKES OF

Newcastle in 1839 in various baritone parts . He studied with Hobbs and T . See also:

• COOKE, GEORGE FREDERICK (1756–1811)
• COOKE, JAY (1821–1905)
• COOKE, ROSE TERRY (1827-1892)

Cooke, and, his voice having become a See also:

• TENOR (through Fr. and It. from Lat. tenor, holding on, course, sense of a law, tone)

tenor, he appeared under See also:

• MACREADY, WILLIAM CHARLES (1793—1873)

Macready's management at See also:

• DRURY, SIR WILLIAM (1527-1579)

Drury See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane (1841—43) in sub-See also:

• ORDINATE

ordinate tenor parts in See also:

• PURCELL, HENRY (1658-1695)

Purcell's See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• ARTHUR (Fr. Arius)
• ARTHUR, CHESTER ALAN (1830 – 1886)

Arthur, Der Freischiitz, and See also:

• ACIS

Acis and Galatea, when See also:

• HANDEL, GEORGE FREDERICK (1685–1759)

Handel's See also:

• PASTORAL (from Lat. pastor, a shepherd)

pastoral was mounted on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage with See also:

• STANFIELD, WILLIAM CLARKSON (1794–1867)

Stanfield's scenery . Four years were spent in study on the See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

Continent, under Bordogni in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris and Mazzucato in See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan, and his debut in See also:

• ITALIAN

Italian See also:

• OPERA (Italian for " work ")

opera was made at the Scala as Edgardo in See also:

• LUCIA (or LucY), ST

Lucia . He reappeared in See also:

• LONDON

London in May 1847 at a benefit See also:

• CONCERT (through the French from Lat. con-, with, and certare, to strive)

concert for See also:

• VINCENT (or VINCENTIUS), ST
• VINCENT, GEORGE (1796-1831?)
• VINCENT, MARY ANN (1818-1887)

Vincent See also:

• WALLACE, ALFRED RUSSEL (1823— )
• WALLACE, LEWIS [LEW] (1827—1905)
• WALLACE, SIR RICHARD
• WALLACE, SIR WILLIAM (c. 1270-1305)
• WALLACE, WILLIAM (1768-1843)
• WALLACE, WILLIAM (1844-1897)
• WALLACE, WILLIAM VINCENT (1814-1865)

Wallace, and at one of the See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

Ancient Concerts in the following See also:

• MONTH
• MONTH (a common Teutonic word, cf. Ger. Mond, Du. maand, Dan. maaned, &c., and cognate with Lat. mensis, Gr. µi7v, &c., in other branches of the Indo-Germanic family; all ultimately from the root seen in the word for the moon in nearly all those languages

month, his career on the English operatic stage beginning at Drury Lane in See also:

• DECEMBER (Lat. decent, ten)

December 1847 in Lucia, under the conductorship of See also:

• HECTOR

Hector See also:

• BERLIOZ, HECTOR (1803-1869)

Berlioz . In See also:

• BALFE, MICHAEL WILLIAM (1808-1870)

Balfe's Maid of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour he created the See also:

• PART

part of Lyonnel in the same See also:

• SEASON (0. Fr. seson, seison, mod. saison, Lat. satio, sowing time, the spring, from serere, to sow; in Late Lat. the word is found with its present meaning, the spring being considered as particularly the season of the year)

season . In 1848 he went to Her See also:

• MAJESTY (Fr. majeste; Lat. majestas, grandeur, greatness, from the base mag-, as in magnus, great, major, greater, &c.)

Majesty's See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre, singing in Linda di Chamounix; and in the autumn of that year, at the See also:

• NORWICH
• NORWICH, GEORGE GORING, EARL OF (1583?-1663)

Norwich Festival, made a See also:

• GREAT

great sensation in " The enemy said," from See also:

• ISRAEL (Hebrew for " God strives " or " rules "; see Gen. xxxii. 28; and the allusion in Hosea xii. 4)

Israel in See also:

• EGYPT

Egypt, a See also:

• SONG

song in which the finest qualities of his ringing voice could be appreciated . From his first appearance at the Sacred See also:

• HARMONIC

Harmonic Society in the following See also:

• NOVEMBER (Lat. novem, nine)

November he was recognized as the leading English tenor; and in See also:

• COSTA, GIOVANNI (1826–1903)
• COSTA, LORENZO (146o-r535)
• COSTA, SIR MICHAEL ANDREW AGNUS (1808-1884)

Costa's See also:

• ELI (Hebrew for "high"? i Sam. chaps. i.-iv.)

Eli and Naaman the tenor parts were written for him . His first Handel Festival was that of 1857, and the effect of his wonderful declamation in the Crystal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace was a See also:

• MAIN (from the Aryan root which appears in " may " and " might," and Lat. magnus, great)
• MAIN (Lat. Moenus)

main attraction of this and of many subsequent festivals . His retirement from public See also:

• LIFE

life, at first announced as to take See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place in 1882, did not actually occur till 1891, when a farewell concert for his benefit was given at the See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall .

His savings were invested in an unfortunate See also:

• SPECULATION

speculation, and be was compelled to reappear in public for a number of years . He died at See also:

• WORTHING

Worthing on the 25th of See also:

• OCTOBER

October 1900 .