See also:

• HENRI

HENRI See also:

• HENRI REGNAULT (1843-1871)
• REGNAULT, HENRI VICTOR (1810-1878)
• REGNAULT, JEAN BAPTISTE (1754-1829)

REGNAULT (1843-1871)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 31St See also:

• OCTOBER

October 1843, was the son of See also:

• HENRI

Henri See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

Victor See also:

• REGNAULT, HENRI (1843-1871)
• REGNAULT, HENRI VICTOR (1810-1878)
• REGNAULT, JEAN BAPTISTE (1754-1829)

Regnault (q.v.) . On leaving school he successively entered the studios of See also:

• MONTFORT
• MONTFORT, SIMON DE, EARL OF LEICESTER (d. 1265)

Montfort, Lamothe and See also:

• CABANEL, ALEXANDRE (1823-1889)

Cabanel, was beaten for the See also:

• GRAND

Grand Prix (1863) by Layraud and Montchablon, and in 1864 exhibited two portraits in no See also:

• WISE, HENRY ALEXANDER (1806-1876)
• WISE, ISAAC MAYER (1819-1900)

wise remarkable at the See also:

• SALON

Salon . In 1866, however, he carried off the Grand Prix with a See also:

• WORK

work of unusual force and distinction—" See also:

• THETIS

Thetis bringing the Arms forged by See also:

• VULCAN (Volcanos)

Vulcan to See also:

• ACHILLES
• ACHILLES (Gr. 'AxtXXeus)

Achilles " (School of the See also:

• FINE

Fine Arts) . The past in See also:

• ITALY
• ITALY (Italia)

Italy did not See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch him, but his illustrations to Wey's See also:

• ROME
• ROME (Roma)

Rome show how observant he was of actual See also:

• LIFE

life and See also:

• MANNERS, CHARLES (1857– )

manners; even his " Automedon " (School of Fine Arts), executed in obedience to Academical regulations, was but a lively recollection of a See also:

• CARNIVAL (Med. Lat. carnelevarium, from taro, tarns, flesh, and levare, to lighten or put aside; the derivation from valere, to say farewell, is unsupported)

carnival See also:

• HORSE (a word common to Teutonic languages in such forms as hors, hros, ros; cf. the Ger. ross)

horse-See also:

• RACE

race . At Rome, moreover, Regnault came into contact with the See also:

• MODERN

modern Hispano-See also:

• ITALIAN

Italian school, a school highly materialistic and inclined to regard even the human subject only as one amongst many See also:

• SOURCES

sources whence to obtain amusement for the See also:

• EYE
• EYE (O. Eng. edge, Ger. Auge; derived from an Indo-European root also seen in Lat. oc-ulus, the organ of vision (q.v.)

eye . The vital, if narrow, See also:

• ENERGY (from the Gr. ivipyela; iv, in, ipyov, work)

energy of this school told on Regnault with ever-increasing force during the few remaining years of his life . In 1868 he had sent to the Salon a life-See also:

• SIZE

size portrait of a See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

lady in which he had made one of the first attempts to render the actual See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character of fashionable modern life . While making a tour in See also:

• SPAIN
• SPAIN (Espana)

Spain, he saw See also:

• PRIM, JUAN, MARQUIS DE LOS CASTILLEJOS, COUNT DE REDS (1814-187o)

Prim pass at the See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head of his troops, and received that lively See also:

• IMAGE (Lat. imago, perhaps from the same root as imitari, copy, imitate)

image of a military See also:

• DEMAGOGUE (Gr. Srlµaywybs, from iyety, to lead, and Siµos, the people)

demagogue which he afterwards put on See also:

• CANVAS

canvas, somewhat to the displeasure of his subject . But this work made an See also:

• APPEAL

appeal to the See also:

• IMAGINATION

imagination of the public, whilst all the later productions of Regnault were addressed exclusively to the eye . After a further See also:

• FLIGHT

flight to See also:

• AFRICA
• AFRICA, ROMAN

Africa, abridged by the necessities of his position as a pensioner of the school of Rome, he painted " See also:

• JUDITH, THE BOOK OF

Judith," then (187o) " See also:

• SALOME

Salome," and, as a work due from the See also:

• ROMAN

Roman school, despatched from See also:

• TANGIER (locally TANJAH)

Tangier the large canvas, " See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

Execution without See also:

• HEARING (formed from the verb " to hear," O. Eng. hyran, heron, &c., a common Teutonic verb; cf. Ger. Koren, Dutch hooren, &c.; the O. Tent. form is seen in Goth. hausjan; the initial h makes any connexion with " ear," Lat. audire, or Gr. &Kobew very doub

Hearing under the Moorish See also:

• KINGS, FIRST AND SECOND BOOKS OF

Kings," in which the painter had played with the See also:

• BLOOD

blood of the victim as if he were a jeweller toying with rubies . The See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

war arose, and found Regnault foremost in the devoted ranks of Buzenval, where he See also:

• FELL
• FELL, JOHN (1625-1686)

fell on the 19th of See also:

• JANUARY

January 1871 . See Correspondance de H .

Regnault; Duparc, H . Regnault, sa See also:

• VIE

vie et son muvre; See also:

• CAZALIS, HENRI (1840-1909)

Cazalis, H . Regnault, 1843-1871; Bailliere, See also:

• LES

Les Artistes de mon temps; C . See also:

• BLANC, (JEAN JOSEPH CHARLES) LOUIS (1811-1882)
• BLANC, MONT

Blanc, H . Regnault; P . Mantz, See also:

• GAZETTE

Gazette See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux Arts (1872) .