CARL HEINRICH CARSTEN See also:

• CARL HEINRICH CARSTEN REINECKE (1824—1910)

REINECKE (1824—1910)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German composer and pianist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ALTONA

Altona on the 23rd of See also:

• JUNE

June 1824; his See also:

• FATHER

father, See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter See also:

• REINECKE, CARL HEINRICH CARSTEN (1824—1910)

Reinecke (who was also his teacher), being an accomplished musician . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of eleven he made his first See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance as a pianist, and when scarcely eighteen he went on a successful tour through See also:

• DENMARK
• DENMARK (Danmark)

Denmark and See also:

• SWEDEN
• SWEDEN [Sverige]
• SWEDEN, NORWAY AND

Sweden . After a stay in See also:

• LEIPZIG

Leipzig, where he studied under Mendelssohn and under See also:

• SCHUMANN, ROBERT ALEXANDER (1810-1856)

Schumann, Reinecke went on tour with Konigslow and Wasielewski, Schumann's biographer, in See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

North See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany and Denmark . From 1846 to 1848 Reinecke was See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court pianist to See also:

• CHRISTIAN
• CHRISTIAN, WILLIAM (1608-1663)

Christian VIII. of Denmark . After resigning this See also:

• POST

post he went first to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, and next to See also:

• COLOGNE (Ger. Koln, or officially, since 1900, Coln)

Cologne, as See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor in the Conservatorium . From 1854 to 1859 he was See also:

• MUSIC

music director at See also:

• BARMEN

Barmen, in the latter See also:

• YEAR

year filling this post at See also:

• BRESLAU (Polish Wraclaw)

Breslau University;in 186o he became conductor of the famous Leipzig Gewandhaus, a post which (together with that of professor at the Conserva torium) he held with See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour and distinction for See also:

• THIRTY

thirty-five years . He finally retired into private See also:

• LIFE

life in 1902 and died in See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1910 . During this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time Reinecke continually made See also:

• CONCERT (through the French from Lat. con-, with, and certare, to strive)

concert See also:

• TOURS

tours to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England and elsewhere . His See also:

• PIANOFORTE (Ital. piano, soft, and forte, loud)

pianoforte playing belonged to a school now almost See also:

• EXTINCT

extinct . See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

Grace and neatness were its characteristics, and at one time Reinecke was probably unrivalled as a See also:

• MOZART, WOLFGANG AMADEUS1 (1756–1791)

Mozart player and an accompanist . His See also:

• GRAND

grand See also:

• OPERA (Italian for " work ")

opera See also:

• KONIG, KARL RUDOLPH (1832-1901)

Konig See also:

• MANFRED (c. 1232–1266)

Manfred, and the comic opera Auf hohen Befehl, were at one time frequently played in Germany; and his See also:

• CANTATA (Italian for a song or story set to music)

cantata Hakon fart is melodiously beautiful, as are many of his songs; while his Friedensfeier See also:

• OVERTURE (Fr. ouverture, opening)

overture was once quite hackneyed . By far his most valuable See also:

• WORKS

works are those written for educational purposes .

His sonatinas, his " See also:

• KINDERGARTEN

Kindergarten " and much that he has ably edited will keep his name alive .