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JOHANN See also: German See also: scholar and physician, was See also: born on the 25th of See also: December 1716 at Zorbig in Electoral See also: Saxony
.
From the Waisenhaus at See also: Halle he passed in 1733 to the university of See also: Leipzig, and there spent five years
.
He tried to find his own way in See also: Greek literature, to which German See also: schools then gave little See also: attention; but, as he had not mastered the grammar, he soon found this a sore task and took up Arabic
.
He was very poor, having almost nothing beyond his allowance, which for the five years was only two See also: hundred thalers
.
But everything of which he could cheat his appetite was spent on Arabic books, and when he had read all that was then printed he thirsted for See also: manuscripts, and in See also: March 1738 started on
See also: foot for See also: Hamburg, joyous though totally unprovided, on his way to See also: Leiden and the treasures of the Warnerianum
.
At Hamburg he got some See also: money and letters of recommendation from the Hebraist See also: Wolf, and took See also: ship to See also: Amsterdam
.
Here d'Orville, to whom he had an introduction, proposed to retain him as his See also: amanuensis at a See also: salary of six hundred guilders
.
See also: Reiske refused, though he thought the offer very generous; he did not want money, he wanted manuscripts
.
When he reached Leiden (See also: June 6, 1738) he found that the lectures were over for the See also: term and that the See also: MSS.were not open to him
.
But d'Orville and A
.
See also: Schultens helped him to private teaching and See also: reading for the See also: press, by which he was able to live
.
He heard the lectures of A
.
Schultens, and practised himself in Arabic with his son J . J . Schultens . Through Schultens too he got at Arabic MSS., and was even allowed sub rosa to take them home with him . Ultimately he seems to have gotSee also: free See also: access to the collection, which he re-catalogued--the See also: work of almost a whole summer, for which the curators rewarded him with nine guilders
.
Reiske's first years in Leiden were not unhappy, till he got into serious trouble by introducing emendations of his own into the second edition of See also: Burmann's See also: Petronius, which he had to see through the press
.
His patrons withdrew from him, and his chance of perhaps becoming professor was gone; d'Orville indeed soon came round, for he could not do without Reiske, who did work of which his See also: patron, after dressing it up in his own See also: style, took the See also: credit
.
But A
.
Schultens was never the same as before to him; Reiske indeed was too See also: independent, and hurt him by his open criticisms of his master's way of making Arabic mainly a handmaid of See also: Hebrew
.
Reiske, however, himself admits that Schultens always behaved honourably to him
.
In 1742 by Schultens's advice Reiske took up See also: medicine as a study by which he might hope to live if he could not do so by See also: philology
.
In 1746 he graduated as M.D., the fees being remitted at Schultens's intercession
.
It was Schultens too who conquered the difficulties opposed to his See also: graduation at the last moment by the faculty of See also: theology on the ground that some of his theses had a materialistic ring
.
On the loth of June 1746 he See also: left See also: Holland and settled in Leipzig, where he hoped to get medical practice
.
But his shy, proud natuee was not fitted to gain patients, and the Leipzig doctors would not recommend one who was not a Leipzig graduate
.
In 1747 an Arabic dedication to the electoral
See also: prince of Saxony got him the title of professor, but neither the faculty of arts nor that of medicine was willing to admit him among them, and he never delivered a course of lectures
.
He had still to go on doing See also: literary task-work, but his labour was much worse paid in Leipzig than in Leiden
.
Still he could have lived and sent his old See also: mother, as his See also: custom was, a yearly See also: present of a piece of See also: leather to be sold in See also: retail if he had been a better manager
.
But, careless for the morrow, he was always printing at his own cost See also: great books which found no buyers
.
His academical colleagues were hostile; and Ernesti, under a show of friendship, secretly hindered his promotion
.
His unsparing reviews made See also: bad See also: blood with the pillars of the university
.
At length in 1758 the magistrates of Leipzig rescued him from his misery by giving him the rectorate of St Nicolai, and, though he still made no way with the leading men of the university and suffered from the hostility of men like Ruhnken and J
.
D
.
See also: Michaelis, he was compensated for this by the esteem of See also: Frederick the Great, of Lessing, Karsten Niebuhr, and many See also: foreign scholars
.
The last See also: decade of his See also: life was made cheerful by his See also: marriage with Ernestine See also: Muller, who shared all his interests and learned Greek to help him with collations
.
In proof of his gratitude her portrait stands beside his in the first
See also: volume of the Oratores Graeci
.
Reiske died on the 14th of See also: August 1774, and his MS. remains passed, through Lessing's See also: mediation, to the Danish See also: minister Suhm, and are now in the See also: Copenhagen library
.
Reiske certainly surpassed all his predecessors in the range and quality of his knowledge of Arabic literature
.
It was the See also: history, the realia of the literature, that always interested him; he did not care for Arabic See also: poetry as such, and the then much praised Hariri sewed to him a grammatical See also: pedant
.
He read the poets less for their verses than for such scholia as supplied See also: historical notices
.
Thus for example the scholia on Jarir furnished him with a remarkable See also: notice of the prevalence of Buddhist See also: doctrine and See also: asceticism in 'See also: Irak under the Omayyads
.
In the Adnotationes historicae to his Abulfeda (Abulf
.
Annales Moslemici, s vols., Copenhagen, 1789-91), he collected a veritable treasure of See also: sound and See also: original research; he knew the See also: Byzantine writers as thoroughly as the Arabic authors, and was alike at home in See also: modern See also: works of travel in all See also: languages and in See also: ancient and See also: medieval authorities
.
He was interested too in
See also: numismatics, and his letters on Arabic coinage (in Eichhorn's Repertorium, vols. ix.–xi.) See also: form, according to De Sacy, the basis of that branch of study
.
To comprehensive knowledge and very wide reading he added a sound historical See also: judgment
.
He was not, like Schultens, deceived by the pretended antiquity of the Yemenite Kasidas.l Errors no doubt he made, as in the attempt to ascertain the date of the breach of the See also: dam of Marib
.
Though Abulfeda as a See also: late epitomator did not afford a starting-
point for methodical study of the See also: sources, Reiske's edition with his version and notes certainly laid the foundation for research in Arabic history
.
The foundation of Arabic philology, however, was laid not by him but by De Sacy
.
Reiske's linguistic knowledge was great, but he used it only to understand his authors; he had no feeling for form, for language as language, or for metre
.
In Leipzig Reiske worked mainly at Greek, though he continued to draw on his Arabic stores accumulated in Leiden
.
Yet his merit as an Arabist was sooner recognized than the value of his Greek work
.
Reiske the Greek scholar has been rightly valued only in See also: recent years, and it is now recognized that he was the first German since See also: Sylburg who had a living knowledge of the Greek See also: tongue
.
His reputation does not rest on his numerous See also: editions, often hasty or even made to booksellers' orders, but in his remarks, especially his conjectures
.
He himself designates the Animadversationes in Scriptores Graecos as flos ingenii sui, and in truth these thin booklets outweigh his big editions
.
Closely following the author's thought he removes obstacles whenever he meets them, but he is so steeped in the language and thinks so truly like a Greek that the difficulties he feels often seem to us to lie in See also: mere points of style
.
His See also: criticism is empirical and unmethodic, based on immense and careful reading, and applied only when he feels a difficulty; and he is most successful when he has a large mass of tolerably homogeneous literature to lean on, whilst on isolated points he is often at a loss
.
His corrections are often hasty and false, but a surprisingly large proportion of them have since received confirmation from MSS
.
And, though his merits as a Grecian lie mainly in his conjectures, his See also: realism is felt in this sphere also; his German See also: translations especially show more freedom and See also: practical insight, more feeling for actual life, than is See also: common with the scholars of that age
?
For a See also: list of Reiske's writings see Meusel, xi
.
192 seq
.
His chief Arabic works (all See also: posthumous) have been mentioned above
.
In Greek letters his chief works are Constantini Porphyrogeniti libri II. de ceremoniis aulae Byzant., vols. i. ii
.
(Leipzig, 1751–66), vol. iii
.
(See also: Bonn, 1829) ; Animadv. ad Graecos auctores (5 vols., Leipzig, 1751–66) (the rest lies upprinted at Copenhagen) ; Oratorum Graec. quae supersunt (8 vols., Leipzig, 1770–73); App. crit. ad Demosthenem (3 vols., ib., 1774–75) ; See also: Maximus See also: Tyr
.
(ib., i 774) ; Plutarchus(11 vols., ib., 1774–79) ; Dionys See also: Italic
.
(6 vols., ib., 1774–77) ; See also: Libanius (4 vols., See also: Altenburg, 1784–97)
.
Various reviews in the Acta eruditorum and Zuverl
.
Nachrichten are characteristic and worth reading
.
Compare D
.
Johann See also: Jacob Reiskens von ihin selbst aufgesetzte Lebensbeschreibung (Leipzig, 1783)
.
(J . WE.) ), French actress, was born inSee also: Paris, the daughter of an actor
.
She was a pupil of Regnier at the Conservatoire, and took the second prize for See also: comedy in 1874
.
Her debut was made the next See also: year, during which she played attractively a number of light—especially soubrette—parts
.
Her first great success was in See also: Henri See also: Meilhac's Ma camarade (1883), and she soon became known as an emotional actress of rare gifts, notably in Decore, Germinie Lacerteux, Ma cousine, A moureuse and Lysisirata
.
In 1892 she married M
.
Porel, the director of the See also: Vaudeville theatre, but the marriage was dissolved in 1905
.
Her performances in Madame Sans Gene (1893) made her as well known in See also: England and See also: America as in Paris, and in later years she appeared in characteristic parts in both countries, being particularly successful in Zaza and La Passerelle
.
She opened the Theatre See also: Rejane in Paris in 1906
.
The essence of French vivacity and animated expression appeared to be concentrated in Madame Rejane's acting, and made her unrivalled in the parts which she had made her own
.
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