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JOHANN JACOB REISKE (1716-1774)

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Originally appearing in Volume V23, Page 58 of the 1911 Encyclopedia Britannica.
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JOHANN

JACOB REISKE (1716-1774)  , German scholar and physician, was born on the 25th of December 1716 at Zorbig in Electoral Saxony . From the Waisenhaus at Halle he passed in 1733 to the university of
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Leipzig, and there spent five years . He tried to find his own way in Greek literature, to which German
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schools then gave little attention; but, as he had not mastered the grammar, he soon found this a sore task and took up Arabic . He was very poor, having almost nothing beyond his allowance, which for the five years was only two
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hundred thalers . But everything of which he could cheat his appetite was spent on Arabic books, and when he had read all that was then printed he thirsted for
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manuscripts, and in March 1738 started on
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foot for
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Hamburg, joyous though totally unprovided, on his way to
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Leiden and the treasures of the Warnerianum . At Hamburg he got some
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money and letters of recommendation from the Hebraist Wolf, and took
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ship to Amsterdam . Here d'Orville, to whom he had an introduction, proposed to retain him as his amanuensis at a
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salary of six hundred guilders . Reiske refused, though he thought the offer very generous; he did not want money, he wanted manuscripts . When he reached Leiden (
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June 6, 1738) he found that the lectures were over for the
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term and that the
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MSS.were not open to him . But d'Orville and A .
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Schultens helped him to private teaching and
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reading for the press, by which he was able to live . He heard the lectures of A .

Schultens, and practised himself in Arabic with his son J . J . Schultens . Through Schultens too he got at Arabic MSS., and was even allowed sub

rosa to take them home with him . Ultimately he seems to have got
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free access to the collection, which he re-catalogued--the
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work of almost a whole summer, for which the curators rewarded him with nine guilders . Reiske's first years in Leiden were not unhappy, till he got into serious trouble by introducing emendations of his own into the second edition of Burmann's Petronius, which he had to see through the press . His patrons withdrew from him, and his chance of perhaps becoming professor was gone; d'Orville indeed soon came round, for he could not do without Reiske, who did work of which his
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patron, after dressing it up in his own style, took the credit . But A . Schultens was never the same as before to him; Reiske indeed was too
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independent, and hurt him by his open criticisms of his master's way of making Arabic mainly a handmaid of
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Hebrew . Reiske, however, himself admits that Schultens always behaved honourably to him . In 1742 by Schultens's advice Reiske took up
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medicine as a study by which he might hope to live if he could not do so by
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philology . In 1746 he graduated as M.D., the fees being remitted at Schultens's intercession .

It was Schultens too who conquered the difficulties opposed to his

graduation at the last moment by the faculty of
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theology on the ground that some of his theses had a materialistic ring . On the loth of June 1746 he
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left Holland and settled in Leipzig, where he hoped to get medical practice . But his shy, proud natuee was not fitted to gain patients, and the Leipzig doctors would not recommend one who was not a Leipzig graduate . In 1747 an Arabic dedication to the electoral prince of Saxony got him the title of professor, but neither the faculty of arts nor that of medicine was willing to admit him among them, and he never delivered a course of lectures . He had still to go on doing
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literary task-work, but his labour was much worse paid in Leipzig than in Leiden . Still he could have lived and sent his old
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mother, as his custom was, a yearly
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present of a piece of leather to be sold in
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retail if he had been a better manager . But, careless for the morrow, he was always printing at his own cost
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great books which found no buyers . His academical colleagues were hostile; and Ernesti, under a show of friendship, secretly hindered his promotion . His unsparing reviews made
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bad
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blood with the pillars of the university . At length in 1758 the magistrates of Leipzig rescued him from his misery by giving him the rectorate of St Nicolai, and, though he still made no way with the leading men of the university and suffered from the hostility of men like Ruhnken and J . D . Michaelis, he was compensated for this by the esteem of Frederick the Great, of Lessing, Karsten Niebuhr, and many
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foreign scholars .

The last

decade of his
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life was made cheerful by his
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marriage with Ernestine Muller, who shared all his interests and learned Greek to help him with collations . In proof of his gratitude her portrait stands beside his in the first
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volume of the Oratores Graeci . Reiske died on the 14th of August 1774, and his MS. remains passed, through Lessing's mediation, to the Danish minister Suhm, and are now in the Copenhagen library . Reiske certainly surpassed all his predecessors in the range and quality of his knowledge of Arabic literature . It was the
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history, the realia of the literature, that always interested him; he did not care for Arabic
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poetry as such, and the then much praised Hariri sewed to him a grammatical
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pedant . He read the poets less for their verses than for such scholia as supplied
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historical notices . Thus for example the scholia on Jarir furnished him with a remarkable
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notice of the prevalence of Buddhist
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doctrine and
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asceticism in '
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Irak under the Omayyads . In the Adnotationes historicae to his Abulfeda (Abulf . Annales Moslemici, s vols., Copenhagen, 1789-91), he collected a veritable treasure of sound and
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original research; he knew the
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Byzantine writers as thoroughly as the Arabic authors, and was alike at home in
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modern
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works of travel in all
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languages and in ancient and
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medieval authorities . He was interested too in numismatics, and his letters on Arabic coinage (in Eichhorn's Repertorium, vols. ix.–xi.) form, according to De Sacy, the basis of that branch of study . To comprehensive knowledge and very wide reading he added a sound historical
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judgment . He was not, like Schultens, deceived by the pretended antiquity of the Yemenite Kasidas.l Errors no doubt he made, as in the attempt to ascertain the date of the breach of the
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dam of Marib .

Though Abulfeda as a

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late epitomator did not afford a starting- point for methodical study of the
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sources, Reiske's edition with his version and notes certainly laid the foundation for research in Arabic history . The foundation of Arabic philology, however, was laid not by him but by De Sacy . Reiske's linguistic knowledge was great, but he used it only to understand his authors; he had no feeling for form, for language as language, or for metre . In Leipzig Reiske worked mainly at Greek, though he continued to draw on his Arabic stores accumulated in Leiden . Yet his merit as an Arabist was sooner recognized than the value of his Greek work . Reiske the Greek scholar has been rightly valued only in
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recent years, and it is now recognized that he was the first German since Sylburg who had a living knowledge of the Greek tongue . His reputation does not rest on his numerous
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editions, often hasty or even made to booksellers' orders, but in his remarks, especially his conjectures . He himself designates the Animadversationes in Scriptores Graecos as flos ingenii sui, and in truth these thin booklets outweigh his big editions . Closely following the author's thought he removes obstacles whenever he meets them, but he is so steeped in the language and thinks so truly like a Greek that the difficulties he feels often seem to us to lie in mere points of style . His criticism is empirical and unmethodic, based on immense and careful reading, and applied only when he feels a difficulty; and he is most successful when he has a large mass of tolerably homogeneous literature to lean on, whilst on isolated points he is often at a loss . His corrections are often hasty and false, but a surprisingly large proportion of them have since received confirmation from MSS . And, though his merits as a Grecian lie mainly in his conjectures, his realism is felt in this sphere also; his German
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translations especially show more freedom and
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practical insight, more feeling for actual life, than is
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common with the scholars of that age ?

For a

list of Reiske's writings see Meusel, xi . 192 seq . His chief Arabic works (all
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posthumous) have been mentioned above . In Greek letters his chief works are Constantini Porphyrogeniti libri II. de ceremoniis aulae Byzant., vols. i. ii . (Leipzig, 1751–66), vol. iii . (
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Bonn, 1829) ; Animadv. ad Graecos auctores (5 vols., Leipzig, 1751–66) (the rest lies upprinted at Copenhagen) ; Oratorum Graec. quae supersunt (8 vols., Leipzig, 1770–73); App. crit. ad Demosthenem (3 vols., ib., 1774–75) ; Maximus
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Tyr . (ib., i 774) ; Plutarchus(11 vols., ib., 1774–79) ; Dionys
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Italic . (6 vols., ib., 1774–77) ; Libanius (4 vols.,
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Altenburg, 1784–97) . Various reviews in the Acta eruditorum and Zuverl . Nachrichten are characteristic and worth reading . Compare D . Johann Jacob Reiskens von ihin selbst aufgesetzte Lebensbeschreibung (Leipzig, 1783) .

(J . WE.) ),

French actress, was born in Paris, the daughter of an actor . She was a pupil of Regnier at the Conservatoire, and took the second prize for
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comedy in 1874 . Her debut was made the next
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year, during which she played attractively a number of light—especially soubrette—parts . Her first great success was in
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Henri Meilhac's Ma camarade (1883), and she soon became known as an emotional actress of rare gifts, notably in Decore, Germinie Lacerteux, Ma cousine, A moureuse and Lysisirata . In 1892 she married M . Porel, the director of the
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Vaudeville theatre, but the marriage was dissolved in 1905 . Her performances in Madame Sans Gene (1893) made her as well known in England and
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America as in Paris, and in later years she appeared in characteristic parts in both countries, being particularly successful in Zaza and La Passerelle . She opened the Theatre Rejane in Paris in 1906 . The essence of French vivacity and animated expression appeared to be concentrated in Madame Rejane's acting, and made her unrivalled in the parts which she had made her own .

End of Article: JOHANN JACOB REISKE (1716-1774)
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