See also:

• GARCIA
• GARCIA (DEL POPOLO VICENTO), MANOEL (1775-1832)

GARCIA DE See also:

• RESENDE, ANDRE DE (1498-1573)
• GARCIA DE RESENDE (1470-1536)

RESENDE (1470-1536)  , Portuguese poet and editor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• EVORA

Evora, and began to serve See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John II. as a See also:

• PAGE
• PAGE, THOMAS NELSON (1853- )
• PAGE, WILLIAM (1811-1885)

page at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of ten, becoming his private secretary in 1491 . He was See also:

• PRESENT

present at his See also:

• DEATH

death at Alvor on the 25th of See also:

• OCTOBER

October 1495 . He continued to enjoy the same favour with See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King Manoel, whom he accompanied to See also:

• CASTILE, or CASTILLE (Castilla)

Castile in 1498, and from whom he obtained a See also:

• KNIGHTHOOD

knighthood of the See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

Order of See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ . In 1514 See also:

• RESENDE, ANDRE DE (1498-1573)
• RESENDE, GARCIA DE (1470-1536)

Resende went to See also:

• ROME
• ROME (Roma)

Rome with Tristao da Cunha, as secretary and treasurer of the famous See also:

• EMBASSY

embassy sent by the king to offer the See also:

• TRIBUTE (Lat. tributurn, a stated payment, contribution)

tribute of the See also:

• EAST
• EAST, ALFRED (1849- )

East at the feet of See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope See also:

• LEO
• LEO (THE LION)
• LEO, BROTHER (d. c. 1270)
• LEO, HEINRICH (1799-1878)
• LEO, JOHANNES (c. 1494-1552)
• LEO, LEONARDO (1694–1744)

Leo X . In 1516 he was given the See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank of a nobleman of the royal See also:

• HOUSEHOLD, ROYAL

household, and became escrivao de fazenda to See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince John, afterwards King John III., from whom he received further See also:

• PENSIONS

pensions in 1525 . Resende built a See also:

• CHAPEL

chapel in the monastery of Espinheiro near Evora, the See also:

• PANTHEON (Lat. pantheum or pantheon; Gr. srav& ov, all-holy, from re, s, all, and Oeor god)

pantheon of the See also:

• ALEMTEJO (i.e. " Beyond the Tagus ")

Alemtejo See also:

• NOBILITY

nobility, where he was buried . He began to cultivate the making of verses in the See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace of John II., and he tells us how one See also:

• NIGHT

night when the king was in See also:

• BED
• BED (a common Teutonic word, cf. German Bett, probably connected with the Indo-European root bhodh, seen in the Lat. fodere, to dig; so " a dug-out place " for safe resting, or in the same sense as a garden " bed ")

bed he caused him (Resende) to repeat some " trovas " of Jorge See also:

• MANRIQUE, GOMEZ (1412?-149o?)
• MANRIQUE, JORGE (1440?-1478)

Manrique, saying it was as needful for a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man to know them as to know the See also:

• PATER, WALTER HORATIO (1839-1894)

Pater Noster . Under these conditions, Resende See also:

• GREW, NEHEMIAH (1641-1712)

grew up no mean poet, and moreover distinguished himself by his skill in See also:

• DRAWING

drawing and See also:

• MUSIC

music; while he collected into an See also:

• ALBUM (Lat. albus, white)

album the best See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse of the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . The Cancioneiro Geral, probably begun in 1483 though not printed until 1516, includes the compositions of some three See also:

• HUNDRED

hundred fidalgos of the reigns of See also:

• KINGS, FIRST AND SECOND BOOKS OF

kings See also:

• ALPHONSO

Alphonso V., John II. and Manoel . The See also:

• MAIN (from the Aryan root which appears in " may " and " might," and Lat. magnus, great)
• MAIN (Lat. Moenus)

main subjects of its pieces are love, See also:

• SATIRE (Lat. satira, satura; see below)

satire and See also:

• EPIGRAM

epigram, and most of them are written in the See also:

• NATIONAL

national redondilha verse, but the See also:

• METRE ((terpuc?, sc. rFxvf, from Gr. Or poi', measure)

metre is irregular and the rhyming careless . The See also:

• SPANISH

Spanish See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language is largely employed, because the See also:

• LITERARY

literary progenitors of the whole collection were Juan de See also:

• MENA, JUAN DE (1411–1456)
• MENA, PEDRO DE (d. 1693)

Mena, Jorge Manrique, Boscan and Garcilasso . As a See also:

• RULE

rule the compositions were improvised at palace entertainments, at which the poets present divided into two bands, attacking and defending a given theme throughout successive evenings .

At other times these poetical soirees took the See also:

• FORM (Lat. forma)

form of a See also:

• MOCK

mock trial at See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law, in which the See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

queen of John II. acted as See also:

• JUDGE (Lat. judex, Fr. juge)

judge . Resende was much twitted by other rhymesters on his See also:

• CORPULENCE (Lat. corpus, body), or OBESITY (Lat. ob, against, and edere, to eat)

corpulence, but he repaid all their gibes with See also:

• INTEREST

interest . The See also:

• ARTISTIC

artistic value of the Cancioneiro Geral is slight . Conventional in See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone, the greater See also:

• PART

part are imitations of Spanish poets and show no trace of See also:

• INSPIRATION (Lat. inspirare, breathe upon or into)

inspiration in their authors . The Cancioneiro is redeemed from See also:

• COMPLETE

complete insipidity by Resende himself, and his See also:

• FINE

fine verses on the death of D . Ignez de See also:

• CASTRO, INEZ DE (d. 1355)
• CASTRO, JOAO DE (1500-1548)

Castro inspired the See also:

• GREAT

great See also:

• EPISODE

episode in the Lusiads of See also:

• CAMOENS [CAMOES], LUIS VAZ DE (1524-1580)

Camoens (q.v.) . Resende is the compiler of a gossiping See also:

• CHRONICLE (from Gr. Xpovos, time)

chronicle of his See also:

• PATRON

patron John II., which, though plagiarized from the chronicle by Ruy de See also:

• PINA, RUY DE (1440-1521)

Pina (q.v.), has a value of its own . The past lives again in these pages, and though Resende's anecdotes may be unimportant in themselves, they reveal much of the inner See also:

• LIFE

life of the 15th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century . Resende's Miscellanea, a rhymed commentary on the most notable events of his time, which is annexed to his Chronicle, is a document full of See also:

• HISTORICAL

historical interest, and as a poem not without merit . The See also:

• EDITIONS

editions of his Chronicle are those of 1545, 1554, 1596, 1607, 1622, 1752 and 1798 . His Cancioneiro appeared in 1516, and was reprinted by Kausler at See also:

• STUTTGART

Stuttgart in 3 vols., 1846-52 . A new edition has recently come from the university See also:

• PRESS (through Fr. presse from Lat. pressare, frequentative of premere, to crush, squeeze, press)

press at See also:

• COIMBRA

Coimbra .

For a See also:

• CRITICAL (in alphabetical order of authors)

critical study of his See also:

• WORK

work, see Excerptos, seguidos de uma noticia sobre sua See also:

• VIDA, MARCO GIROLAMO (c. 1489-1566)

vida e obras, um juizo critico, apreciafao de bellezas e defeitos e estudo da lingua, by See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio de See also:

• CASTILHO, ANTONIO FELICIANO DE (1800-1875)

Castilho (See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, 1865) . Also As sepulturas do Espinheiro, by Anselmo Braamcamp, See also:

• FREIRE, FRANCISCO JOSE (1719-1773)

Freire See also:

• LISBON (Lisboa)

Lisbon, 1901, passim, especially pp . 67-80, where the salient See also:

• DATES

dates in Resende's life are set out from documents recently discovered; and Dr See also:

• SOUSA, LUIZ DE

Sousa See also:

• VITERBO

Viterbo, Diccionario dos Architectos . . . Portuguezes, ii . 361-74 . (E .