See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

JOSEPH See also:

• GABRIEL (Heb. SKns, man of God)

GABRIEL See also:

• JOSEPH GABRIEL RHEINBERGER (1839-19or)

RHEINBERGER (1839-19or)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Vaduz, See also:

• LIECHTENSTEIN

Liechtenstein, on the 17th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1839 . His musical abilities were manifested so See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early that he was appointed organist of the See also:

• PARISH (Gr. irapouda, district, neighbourhood; 7r&poucos, one dwelling near or beside, from crap&, OtKOS, house; Lat. paroecur, Late Lat. parochia; cf. Fr. paroisse)

parish See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church when he was but seven years old . A three-See also:

• PART

part See also:

• MASS (O.E. maesse; Fr. messe; Ger. Messe; Ital. messa; from eccl. Lat. missa)
• MASS, IN

Mass composed by him was. performed in the following See also:

• YEAR

year . He was taught at first by Philipp Schmutzer, See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir director at See also:

• FELDKIRCH

Feldkirch; he entered the See also:

• MUNICH (Ger. Munchen)

Munich Conservatorium in 1851, and remained there till 1854 as a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor E . Leonhard for piano, Professor See also:

• HERZOG, HANS (1819–1894)
• HERZOG, JOHANN JAKOB (1805-1882)

Herzog for See also:

• ORGAN

organ and J . J . Maier for See also:

• COUNTERPOINT (Lat. contrapunctus, " point counter point," " note against note ")

counterpoint . After leaving the school he had private lessons from See also:

• FRANZ, ROBERT (1815-1892)

Franz Lachner, and was appointed a professor in the conservatorium in See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession to Leonhard in 1859 . In 186o he became professor of See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition; and was appointed organist of the Michelskirche, a See also:

• POST

post he held till 1866 . In 1877 he succeeded Wullner as Hofkapellmeister, and from that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time his See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention was largely devoted to sacred See also:

• MUSIC

music . His compositions include See also:

• WORKS

works of importance in every See also:

• FORM (Lat. forma)

form, from the operas See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die sieben Raben (Munich, 1869) and Turmers Tochterlein (Munich, 1873) and the See also:

• ORATORIO

oratorio Christoforus, op . 120, to the well-known quartet for piano and strings in E See also:

• FLAT (a modification of O. Eng. flet, an obsolete word of Teutonic origin, meaning the ground beneath the feet)

flat, op .

38, the nonet for See also:

• WIND
• WIND (a common Teut. word, cognate with Skt. vats, Lat. ventus, cf. " weather," to be of course distinguished from to " wind," to coil or twist, O.Eng. windan, cf. "wander," "wend," &c.)

wind and strings, op . 139, and the seventeen organ sonatas, which form notable additions to the literature of the See also:

• INSTRUMENT (Lat. instrumentum, from insincere, to build up, furnish, arrange, prepare)

instrument . He died in See also:

• NOVEMBER (Lat. novem, nine)

November 1901 .