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See also: Greek dramatist, son of a See also: potter
.
He was probably a native of Syracuse and after-wards settled at See also: Tarentum
.
He invented the hilarotragoedia, a burlesque of tragic subjects
.
Such travesties were also called phlyaces(" fooleries ") and their writers phlyacographi
.
He was the author of See also: thirty-eight plays, of which only a few titles (See also: Amphitryon, Heracles, See also: Orestes) and lines have been preserved, chiefly by the grammarians, as illustrating See also: dialectic Tarentine forms
.
The metre is See also: iambic, in which the greatest licence is allowed
.
The Amphitruo of Plautus, although probably imitated from a different writer (See also: Archippus of the See also: Middle See also: Comedy), may be taken as a specimen of the manner in which such subjects were treated
.
There is no doubt that the hilarotragoedia exercised considerable influence on Latin comedy, the Rhinthonica (i.e. fabula) being mentioned by various authorities amongst other kinds of drama known to the See also: Romans
.
Scenes from these travesties are probably represented in certain See also: vase paintings from See also: Lower See also: Italy, for which see H
.
Heydemann, " Die Phlyakendarstellungen auf bemalten Vasen," in Jahrbuch See also: des archaologischen Instituts, i
.
(1886)
.
Fragments in monograph by E
.
Volker ( See also: Leipzig, 1887) ; see also E
.
Sommerbrodt, De Phlyacographia Graecorum (See also: Breslau, 1875) ; W
.
Christ, Geschichte der griechischen Litteratur (1898)
.
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