See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

LOUIS GUSTAVE See also:

• LOUIS GUSTAVE RICARD (1823-1873)

RICARD (1823-1873)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• MARSEILLES

Marseilles in 1823, and studied first under See also:

• AUBER, DANIEL FRANCOIS ESPRIT (1782-1871)

Auber in his native See also:

• TOWN

town, and subsequently under Coignet in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . The formation of his masterly, distinguished See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style in See also:

• PORTRAITURE

portraiture was, however, due rather to ten years' intelligent copying of the old masters at the Louvre and at the See also:

• ITALIAN

Italian galleries, than to any school training . He was a See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of technique, and his portraits—about two See also:

• HUNDRED

hundred—reveal an extra-See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

ordinary insight into the See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character of his sitters . Nevertheless, for some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time after his See also:

• DEATH

death his name was almost forgotten by the public, and it is only of quite See also:

• RECENT

recent years that he has been conceded the position among the leading masters of the See also:

• MODERN

modern French school which is his due . A portrait of himself, and one of See also:

• ALFRED

Alfred de See also:

• MUSSET, LOUIS CHARLES ALFRED DE (1810-18S7)

Musset, are at the Luxembourg See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery . Among his best known See also:

• WORKS

works are the portrait of his See also:

• MOTHER

mother, and those of the painters See also:

• FROMENTIN, EUGENE (1820-1876)

Fromentin, Heilbuth and See also:

• CHAPLIN, HENRY (1841– )

Chaplin . See Gustave See also:

• RICARD, LOUIS GUSTAVE (1823-1873)

Ricard, by Camille Mauclair (Paris, Librairie de fart) .