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See also: doctor, was See also: born at See also: Medea (See also: Algeria) on the 4th of See also: February 1849
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At school and at the Ecole normale he gave evidence of brilliant, if somewhat undisciplined, See also: powers, for which he found See also: physical vent in different directions—first as a See also: franc-tireur in the Franco-See also: German War, and afterwards as actor, sailor and stevedore—and an intellectual outlet in the writing of poems, plays and novels which vividly reflected, his erratic but unmistakable talent
.
A See also: play, L'Etoile, written by him in collaboration with See also: Andre Gill (184o-1885), was produced in 1893; but See also: Richepin was virtually unknown until the publication, in 1876, of a See also: volume of verse entitled Chanson See also: des See also: gueux, when his outspokenness resulted in his being imprisoned and fined for outrage aux See also: mew's
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The same quality has characterized his succeeding volumes of verse: See also: Les Caresses (1877), Les Blasphemes (1884), La Mer (1886), See also: Mes paradis (1894), La Bombarde (1899)
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His novels have See also: developed in See also: style from the morbidity and brutality of Les Meets bizarres (1876), La Glu (1881) and Le Pave (1883) to the more thoughtful psychology of Madame Andre (1878), Sophie See also: Monnier (1884), Cesarine (1888), L'Aime (1893), Grandes amoureuses (1896) and Lagibasse (1899), and the more See also: simple portrayal of See also: life in Miarka (1883), Les Braves Gens (1886), Truandailles (189o), La Miseloque (1892) and Flamboche (1895)
.
His plays, though occasionally marred by his characteristic proneness to violence of thought and language, constitute in many respects his best See also: work
.
The most notable are Nana See also: Sahib (1883), Monsieur Scapin (1886), Le Filibustier (1888), See also: Par le glaive (1892), Vers la foie (1894), Le Chemineau (1897), Le Chien de garde (1898), Les Truands (1899), See also: Don Quichotte (1905), most of which were produced at the Comedie frangaise
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He also wrote Miarka (1905), adapted from his novel, for the See also: music of Alexandre Georges, and Le Mage (1897) for the music of Jules Massenet
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His son, Jacques Richepin (b
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188o), the author of La Reine de See also: Tyr (1899), La See also: Cavaliere (1901), Cadet-Roussel (1903) and Falstaff (1904), based on See also: Shakespeare's See also: Henry IV., gave promise of making his mark as a dramatist
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