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HANS See also: born at Raab on the 4th of See also: April 1843, was the son of the kapellmeister at the See also: cathedral, and of his wife, nee Josephine Csazinsky, who was the first to perform See also: Venus in See also: Tannhauser at Vienna
.
See also: Young Hans sang either See also: soprano or See also: alto. in the cathedral choir, according to requirement, and occasionally played the See also: organ
.
But his public debut was made as a drummer in See also: Haydn's Paukenmesse
.
In 1853, at the age of ten, he appeared in a concert as pianist in See also: Hummel's E flat quintet; and in 1854, after his See also: father's See also: death, went to the choristers' school, the Convikt (where See also: Schubert was educated) in Vienna, and there became chorister in the See also: Court See also: Chapel
.
For five years from 186o See also: Richter studied under Heissler and Sechter in the Vienna Conservatorium, and he learnt the See also: horn under Kleinecke
.
A See also: year and a See also: half after his first lesson he became hornist in the old Karnthnerther Theatre at £3 a See also: month
.
Meanwhile he had devoted See also: time to conducting
.
It was not till See also: August 1868 that Richter made his first appearance as a conductor, at the See also: Hof Theater, See also: Munich (where he had just been appointed), in See also: William Tell; but in the next year he resigned this
See also: post, went first to See also: Paris, then to Brussels, and finally to Triebschen, where he copied Der Ring See also: des Nibelungen for Wagner
.
In April 1871 Richter took up his new duties as conductor of the Hungarian See also: National See also: Opera at See also: Budapest, where he remained four years, until he began in May 1875 his long connexion with the Vienna Opera, which terminated only with the century
.
In 1876
.
Richter
After his See also: mother's death he went in 1797 to See also: Leipzig, and in the following year to See also: Weimar, where he had much pleasant intercourse with Herder, by whom he was warmly appreciated
.
He did not become intimate with Goethe and Schiller, to both of whom his See also: literary methods were repugnant; but in Weimar, as elsewhere, his remarkable conversational See also: powers and his genial See also: manners made him a favourite in general society
.
In 18or he married See also: Caroline See also: Meyer, whom he met in Berlin in 1800
.
They lived first at See also: Meiningen, then at See also: Coburg; and filially, in 1804, they settled at See also: Bayreuth
.
Here Richter spent a quiet; See also: simple and happy See also: life, constantly occupied with his See also: work as a writer
.
In 18o8 he was fortunately delivered from anxibty as to outward necessities by the See also: prince-primate, K
.
T. von See also: Dalberg, who gave him a pension of a thousand florins
.
Before settling at Bayreuth, Richter had published his most ambitious novel, Titan (1800–3); and this was followed by Flegeljahre (1804-5), two See also: works which he himself regarded as his master-pieces
.
His later imaginative works were 'Dr Katzenbergers Badereise (18o9), Des Feldpredigers Schmelzle Reise nach Fldtz (1809), Leben Fibels (1812), and Der Komet, See also: oder Nikolaus Marggraf (1820-22)
.
In Vorschule der Aesthetik (1804) h'e expounded his ideas on See also: art; he discussed the principles of See also: education in Levana, oder Erziehungslehre (1807); and the opinions suggested by current events he set forth in Friedenspredigt (1808), Ddmmerungen fur Deutschland (1809), See also: Mars and Phobus Thronwechsel See also: im Jahre 1814 (2814), andPolitische Fastenpredigten (1817)
.
In his last years he began Wahrheit aus See also: Jean Pauls Leben; to which additions from his papers and other See also: sources were made after his death by C
.
See also: Otto and E
.
See also: Forster
.
In 1821 Richter lost his only son, a youth of the highest promise; and he never quite recovered from this See also: shock
.
He died of dropsy; at Bayreuth, on the 14thSee also: November
directed the rehearsals and performances of Der Ring at Bayreuth; and in 1877 paid his first visit to See also: England to conduct the Wagner Festival at the See also: Albert See also: Hall
.
There in 1879 he founded the Richter Concerts, which were a
See also: revelation to See also: London 'musical circles of the masterly See also: personality of the conductor, and his influence upon the orchestra; in 1885 he became conductor of the See also: Birmingham' Triennial Festival, . and was created See also: Mus
.
Doc
.
Oxon. honoris causa
.
In 1882 Richter also conducted a famous series of performances of Wagner'.s works (including the first in England of Die Meistersinger and See also: Tristan) at See also: Drury Lane, and in r9oo became conductor of the See also: Halle Orchestra in Manchester
.
He had established his position as one of the most richly gifted and the most experienced of See also: modern conductors, supreme in the interpretation of See also: Beethoven, Wagner and See also: Brahms
.
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