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See also: born at See also: Charleville, in the See also: Ardennes, on the loth of See also: October 1854
.
He was the second son of a captain in the French army, who in 186o abandoned his wife and See also: family
.
From early childhood Arthur See also: Rimbaud, who was severely brought up by his See also: mother, displayed See also: rich intellectual gifts and a. sullen, violent temperament
.
He began to write when he was ten, and some of the poems which now appear in his See also: works belong to his fifteenth See also: year
.
Before he was sixteen, in consequence of a violent See also: quarrel with his mother, the boy escaped from Charleville with a packet of his verse, was arrested as a vagabond, and for a fortnight was locked up in the Mazas prison, See also: Paris
.
A few days after being taken home Rimbaud escaped again, into Belgium, where he lived for some See also: time as a See also: tramp, almost starved, but writing verses with feverish assiduity
.
In See also: February 1871 he See also: left his mother for a third time, and made his way to Paris, where he knew no one, and whence, after very nearly dying of See also: hunger and exposure, he begged his way back to Charleville
.
There he wrote in the same year the extraordinary poem of Le Bateau ivre, which is now hailed as the See also: pioneer of the entire " symbolist " or " decadent " See also: movement in French literature in all its forms
.
He sent it to See also: Verlaine, who encouraged the boy of seventeen (whom he supposed to be a See also: man of See also: thirty) to come again to Paris
.
Rimbaud spent from October 1871 to See also: July 1872 in the capital, partly with Verlaine, partly as the See also: guest of See also: Theodore de Banville, and served in the army of the Commune
.
With Verlaine he travelled for thirteen months, after the fall of the Commune, through See also: England and Belgium, where in 1873 he published the only See also: work which he ever printed, Une Saison en Enfer, in See also: prose; in this he gives an allegorical account of his extravagant relations with Verlaine, which ended at Brussels by a See also: double attempt of the latter to See also: murder his See also: young companion
.
On the second occasion Rimbaud was dangerously wounded by Verlaine's revolver, and the elder poet was imprisoned at See also: Mons for two years
.
Meanwhile Rimbaud, deeply disillusioned, determined to abandon See also: Europe and literature, and he ceased at the age of nineteen to write See also: poetry
.
He settled for a while at See also: Stuttgart, studying See also: German, and in 1875 he disappeared
.
He set out on See also: foot for See also: Italy, and after extraordinary adventures found employment as a See also: day-labourer in the docks at Leghorn
.
Returning to Paris, he obtained a little See also: money from his mother, and then definitely vanished
.
For sixteen years nothing whatever was heard of him, but it is now known that he embarked as a Dutch soldier for the Sunda Isles, and, presently deserting, fled to See also: Sumatra and then to See also: Java, where he lived for some time in the See also: forest
.
Returning to Europe, after a vagabond See also: life in every capital, he obtained in 188o some See also: menial employment in the quarries of See also: Cyprus, and then worked his way to See also: Aden and up into
.
See also: Abyssinia, where he was one of the pioneers of See also: European commercial adventure
.
Here he settled, at See also: Harrar, as a trader in See also: coffee and perfumes, to which he afterwards added gold and ivory; for the next eleven years, during which he led many commercial expeditions into unknown parts of See also: northern See also: Africa, See also: Shoa and Harrar were his headquarters, and he lived almost entirely with the natives, and as one of themselves
.
From 1888 to 1891, having prospered greatly as a See also: merchant, he became a sort of semi-See also: independent chieftain, intriguing for See also: France, just
outside the See also: borders of See also: civilization
.
From documents which were first produced in 1902 it appears that from 1883, to 1889 Rimbaud was in close relations with the See also: Ras Maleannen and with Menelek, then only See also: king of Shea
.
At the
See also: death of the See also: Negus See also: John, in 1888, he was concerned in the formation of the
See also: empire of Ethiopia
.
From this time Rimbaud had a palace in the See also: town of Harrar, and intrigued with the French See also: government in favour of Menelek and against Italy
.
Meanwhile, in 1886, believing Rimbaud to be dead, Verlaine had published his poems, under the title ofSee also: Les Illuminations, and they had created a See also: great sensation in Paris
.
In this collection appeared the sonnet on the vowels, attributing a different colour to each: " A noir, E blanc, I See also: rouge, U vert, 0 bleu voyelles." But the author, in his Abyssinian hut of palm-leaves, was, and remained, quite unconscious of the fact
.
In See also: March 1891 a
See also: tumour in his knee obliged Rimbaud to leave Harrar and go to Europe for surgical advice
.
He reached See also: Marseilles, but the See also: case was hopeless; the See also: leg had to be amputated, and Rimbaud died there in hospital on the loth of See also: November 1891
.
The poems of Rimbaud all belong to his earliest youth
.
Their violent originality, the influence which they have exercised upon younger writers, the tumultuous existence of their author, and the See also: strange veil of mystery which still hangs over his character and adventures, have given to Rimbaud a remarkable fascination
.
His life has been written by M
.
Patel-he Berrichon (1897), and valuable reminiscences by his See also: sister, Mile Isabella Rimbaud
.
His (Euvres were collected in 1898 by MM
.
Berrichon and Delahaye, and in 1901 his statue was unveiled at Charleville
.
(E
.
G.)
See also Lettres de See also: Jean Arthur Rimbaud (Egypte, Arable, Ethiopie), 1899, edited by P
.
Berrichon; See also: Paul Verlaine, Les Poetes maudits (1884); See also: George See also: Moore, Impressions and Opinions: Two Unknown Poets (1891); and A
.
Symons, The Symbolist Movement in Literature (190o)
.
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