See also:

• ADELAIDE
• ADELAIDE (Ger. Adelheid) (931-999)

ADELAIDE See also:

• ADELAIDE RISTORI (1822-1906)

RISTORI (1822-1906)  , See also:

• ITALIAN

Italian actress, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Cividale del See also:

• FRIULI (in the local dialect, Furlanei)

Friuli on the 3oth of See also:

• JANUARY

January 1822, the daughter of strolling players . As a See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

child she appeared upon the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, and at fourteen made her first success as Francesca da See also:

• RIMINI

Rimini in Silvio See also:

• PELLICO, SILVIO (1788-1854)

Pellico's tragedy . She was eighteen when for the first See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time she played See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary See also:

• STUART, ARABELLA (1575-1615)
• STUART, GILBERT (1755-x828)
• STUART, JAMES EWELL BROWN (1833-1864)
• STUART, JOHN
• STUART, MOSES (1780-1852)
• STUART, SIR JOHN, COUNT

Stuart in an Italian version of See also:

• SCHILLER, JOHANN CHRISTOPH FRIEDRICH VON (1759-18o5)

Schiller's See also:

• PLAY

play . She had been a member of the Sardinian See also:

• COMPANY

company and also of the Ducal company at See also:

• PARMA

Parma for some years before her See also:

• MARRIAGE

marriage (1846) to the marchese Giuliano Capranica del Grillo (d . 1861); and after a See also:

• SHORT, FRANCIS JOB (1857– )

short retirement she returned to the stage and played regularly in See also:

• TURIN

Turin and the provinces . It was not until 1855 that she paid her first professional visit to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, where the See also:

• PART

part of Francesca was chosen for her debut . In this she was rather coldly received, but she took Paris by See also:

• STORM (in O. Eng..storm, and so in Du. and Low Ger.; in O. H. Ger. and mod. Ger. Sturm; the root is probably that seen in " stir," to rouse, move, disturb, cf. Ger. storen)
• STORM, THEODOR WOLDSEN (1817-1888)

storm in the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title role of See also:

• ALFIERI, VITTORIO, COUNT (1749-1803)

Alfieri's Myrrha . Furious partisanship was aroused by the See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance of a See also:

• RIVAL

rival to the See also:

• GREAT

great See also:

• RACHEL (1821-1858)

Rachel . Paris was divided into two camps of See also:

• OPINION (Lat. opinio, from opinari, to think)

opinion . Humble playgoers fought at See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery doors over the merits of their respective favourites . The two famous See also:

• WOMEN

women never actually met, but the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French actress seems to have been convinced that See also:

• RISTORI, ADELAIDE (1822-1906)

Ristori had no feelings towards her but those of admiration and respect . A tour in other countries. was followed (1856) by a fresh visit to Paris, when Ristori appeared in See also:

• MONTANELLI, GIUSEPPE (1813-1862)

Montanelli's Italian See also:

• TRANSLATION

translation of See also:

• LEGOUVE, GABRIEL JEAN BAPTISTE ERNEST WILFRID (1807–1903)

Legouve's See also:

• MEDEA (Gr. Mi/Seta)

Medea .

She repeated her success in this in See also:

• LONDON

London . In 1857 she visited See also:

• MADRID

Madrid, playing in See also:

• SPANISH

Spanish to enthusiastic audiences, and in 1866 she paid the first of four visits to the See also:

• UNITED

United States, where she won much See also:

• APPLAUSE (Lat. applaudere, to strike upon, clap)

applause, particularly in See also:

• GIACOMETTI, PAOLO (1816-1882)

Giacometti's See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

Elizabeth, an Italian study of the See also:

• ENGLISH

English See also:

• SOVEREIGN

sovereign . She finally retired from professional See also:

• LIFE

life in 1885, and died on the 9th of See also:

• OCTOBER

October 1906 in See also:

• ROME
• ROME (Roma)

Rome . She See also:

• LEFT

left a son, the marchese Georgio Capranica del Grillo . Her Studies and See also:

• MEMOIRS

Memoirs (1888) provide a lively See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of an interesting career, and are particularly valuable for the chapters devoted to the psychological explanation of the characters of Mary Stuart, Elizabeth, Myrrha, See also:

• PHAEDRA

Phaedra and See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady See also:

• MACBETH

Macbeth, in her See also:

• INTERPRETATION (from Lat. interpretari, to expound, explain, inter pres, an agent, go-between, interpreter; inter, between, and the root pret-, possibly connected with that seen either in Greek 4 p4'ew, to speak, or irpa-rrecv, to do)

interpretation of which Ristori combined high dramatic See also:

• INSTINCT

instinct with the keenest and most See also:

• CRITICAL (in alphabetical order of authors)

critical intellectual study . See also Kate See also:

• FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
• FIELD, CYRUS WEST (1819-1892)
• FIELD, DAVID DUDLEY (18o5-1894)
• FIELD, EUGENE (1850-1895)
• FIELD, FREDERICK (18o1—1885)
• FIELD, HENRY MARTYN (1822-1907)
• FIELD, JOHN (1782—1837)
• FIELD, MARSHALL (183 1906)
• FIELD, NATHAN (1587—1633)
• FIELD, STEPHEN JOHNSON (1816-1899)
• FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)

Field, See also:

• ADELAIDE
• ADELAIDE (Ger. Adelheid) (931-999)

Adelaide Ristori: A See also:

• BIOGRAPHY (from the Gr. (3ios, life, and yp&4 , writing)

Biography (New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, 1867) ; E . Peron See also:

• KINGSTON
• KINGSTON, ELIZABETH, DUCHESS OF (1720-1788)
• KINGSTON, WILLIAM HENRY GILES (1814-188o)

Kingston, Adelaide Ristori: A See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

Sketch of her Life (1856); Daily See also:

• TELEGRAPH (Gr. Tike, far, and rypaq5eiv, to write)

Telegraph (London, Oct. to, 1906) .