BRITON See also:

• BRITON RIVIERE (1840- )

RIVIERE (1840- )  , See also:

• ENGLISH

English artist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London on the 14th of See also:

• AUGUST (originally Sextilis)

August 184o . His See also:

• FATHER

father, See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• RIVIERE, BRITON (1840- )

Riviere, was for some years See also:

• DRAWING

drawing-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master at See also:

• CHELTENHAM

Cheltenham See also:

• COLLEGE (Collegium)

College, and afterwards an See also:

• ART

art teacher at See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford . He was educated at Cheltenham College and at Oxford, where he took his degree in 1867 . For his art training he was indebted almost entirely to his father, and See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early in See also:

• LIFE

life made for him-self a See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place of importance among the artists of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . His first pictures appeared at the See also:

• BRITISH

British Institution, and in 1857 he exhibited three See also:

• WORKS

works at the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, but it was not until 1863 that he became a See also:

• REGULAR

regular contributor to the Academy exhibitions . In that See also:

• YEAR

year he was represented by "The See also:

• EVE

Eve of the See also:

• SPANISH

Spanish See also:

• ARMADA, THE

Armada," and in 1864 by a "Romeo and Juliet." Subjects of this See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind did not, however, attract him See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long, for in 1865 he began, with a picture of a " Sleeping Deerhound," that See also:

• SERIES (a Latin word from serere, to join)

series of paintings of See also:

• ANIMAL
• ANIMAL (Lat. animalis, from anima, breath, soul)

animal-subjects which has since occupied him almost exclusively . Among the mostmemorable of his productions are: " The Poacher's See also:

• NURSE (a shortened form of the earlier " nourice," adapted through the French from Lat. nutrix, nu/rite, to nourish)

Nurse ^ (1866), " See also:

• CIRCE (Gr. Kiprcrl)

Circe " (1871), " See also:

• DANIEL
• DANIEL (DANIL)
• DANIEL, BOOK
• DANIEL, GABRIEL (1649-1728)

Daniel " (1872), " The Last of the See also:

• GARRISON
• GARRISON, WILLIAM LLOYD (1805-1879)

Garrison " (1875), " See also:

• LAZARUS (a contracted form of the Heb. name Eleazar, " God has helped," Gr. Aiq-apos)
• LAZARUS, EMMA (1849–1887)
• LAZARUS, HENRY (1815–1895)
• LAZARUS, MORITZ (1824–1903)
• LAZARUS, ST, ORDER OF

Lazarus " (1897), " See also:

• PERSEPOLIS

Persepolis " (1878), " In Manus Tuas, Domine " (1879), " The Magician's See also:

• DOORWAY (corresponding to the Gr. Iran, Lat. porte)

Doorway " (1832), " Vae Victis " (1885), " Rizpah " (1886), " An Old-See also:

• WORK

Work, Wanderer " (1887), " Of a See also:

• FOOL (O. Fr. fol, modern fou, foolish, from a Late Latin use of follis, bellows, a ball filled with air, for a stupid person, a jester, a wind-bag)

Fool and his Folly there is no End " (1889), " A Mighty See also:

• HUNTER, JOHN (1728-1793)
• HUNTER, ROBERT MERCER TALIAFERRO (r8o9-1887)
• HUNTER, SIR WILLIAM WILSON (1840-19oo)
• HUNTER, WILLIAM (1718–1783)
• HUNTER, WILLIAM ALEXANDER (1844-1898)

Hunter before the See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord " (1891), " The See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King's See also:

• LIBATION (Lat. libatio, from libare, to take a portion of something, to taste, hence to pour out as an offering to a deity, &c.; cf. Gr. Aeid3ew)

Libation " (1893), " Beyond See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man's See also:

• FOOT

Foot-steps " (1894), now in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery of British Art; See also:

• PHOEBUS (Gr. for " bright," " pure,")

Phoebus See also:

• APOLLO (Gr. 'A2r6XXwv,'Airkkhwv)

Apollo " (1895); " See also:

• AGGRAVATION (from Lat. ad, increasing, and gravis, heavy)

Aggravation " (1896), " St See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George " (19oo), and " To the Hills " (1901) . He has also painted portraits; and at the outset of his career made some See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

mark as an illustrator, beginning with See also:

• PUNCH

Punch . He was elected an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

Associate of the Royal Academy in 1878, and R.A. in 1881, and received the degree of D.C.L. at Oxford in 1891 . See See also:

• SIR

Sir See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter See also:

• ARMSTRONG, ARCHIBALD (d. 1672)
• ARMSTRONG, JOHN (1709-1779)
• ARMSTRONG, JOHN (1758—1843)
• ARMSTRONG, SAMUEL CHAPMAN (1839—1893)
• ARMSTRONG, WILLIAM GEORGE ARMSTRONG, BARON (1810—1900)

Armstrong, " Briton Riviere, R.A.; His Life and Work," Art See also:

• ANNUAL

Annual (1891) .