See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

DAVID See also:

• DAVID ROBERTS (1796-1864)
• ROBERTS, FREDERICK SLEIGH ROBERTS, EARL

ROBERTS (1796-1864)  , Scottish painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• STOCKBRIDGE

Stockbridge, See also:

• EDINBURGH

Edinburgh, on the 24th of See also:

• OCTOBER

October 1796 . He was apprenticed by his See also:

• FATHER

father, a shoemaker, for seven years to a painter and See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house-decorator; and during this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he employed his evenings in the study of See also:

• ART

art . In 182o he formed the acquaintance of See also:

• CLARKSON, THOMAS (176o-1846)

Clarkson See also:

• STANFIELD, WILLIAM CLARKSON (1794–1867)

Stanfield, then See also:

• PAINTING

painting at the See also:

• PANTHEON (Lat. pantheum or pantheon; Gr. srav& ov, all-holy, from re, s, all, and Oeor god)

Pantheon, Edinburgh, at whose See also:

• SUGGESTION

suggestion he sent three pictures 111 1822 to the See also:

• EXHIBITION

Exhibition of See also:

• WORKS

Works by Living Artists, held in Edinburgh . In the same See also:

• YEAR

year he removed to See also:

• LONDON

London, where he worked for the See also:

• COBURG

Coburg See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre, and was afterwards employed, along with Stanfield, at See also:

• DRURY, SIR WILLIAM (1527-1579)

Drury See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane . In 1824 he exhibited at the See also:

• BRITISH

British Institution a view of Dryburgh See also:

• ABBEY (Lat. abbatia; from Syr. abba, father)
• ABBEY, EDWIN AUSTIN (1852– )

Abbey, and sent two works to the first exhibition of the Society of British Artists, of which he was elected See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president in 1831 . In the same autumn he visited See also:

• NORMANDY

Normandy, and the works which were the results of this excursion began to See also:

• LAY

lay the See also:

• FOUNDATION (Lat. fundatio, from fundare, to found)

foundation of the artist's reputation—one of them, a view of See also:

• ROUEN

Rouen See also:

• CATHEDRAL

Cathedral, being sold for eighty guineas . His scenes for an See also:

• OPERA (Italian for " work ")

opera, The Seraglio, executed two years later, and the scenery for a See also:

• PANTOMIME

pantomime dealing with the See also:

• NAVAL

naval victory of See also:

• NAVARINO, BATTLE OF

Navarino, and two panoramas executed jointly by him and Stanfield, were among his last See also:

• WORK

work for the theatres . In 1829 he exhibited the " Departure of the Israelites from See also:

• EGYPT

Egypt," in which his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style first becomes apparent; three years afterwards he travelled in See also:

• SPAIN
• SPAIN (Espana)

Spain and Tangiers, returning in the end of 1833 with a See also:

• SUPPLY (through Fr. from Lat. supplere, to fill up)

supply of effective sketches, elaborated into attractive and popular paintings . His " Interior of See also:

• SEVILLE
• SEVILLE (Span. Sevilla, Lat. Ispalis or Hispalis, Moorish Ishbiliya)

Seville Cathedral " was exhibited in the British Institution in 1834, and sold for £300; and he executed a See also:

• FINE

fine See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• SPANISH

Spanish illustrations for the Landscape See also:

• ANNUAL

Annual of 1836, while in 1837 a selection of his Picturesque Sketches in Spain was reproduced by See also:

• LITHOGRAPHY (Gr. MOOS, a stone, and ypakecv, to write)

lithography . In 1838 See also:

• ROBERTS, DAVID (1796-1864)
• ROBERTS, FREDERICK SLEIGH ROBERTS, EARL

Roberts made a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long tour in the See also:

• EAST
• EAST, ALFRED (1849- )

East, and accumulated a vast collection of sketches of a class of scenery which had hitherto been hardly touched by British artists, and which appealed to the public with all the See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm of novelty . The next ten years of his See also:

• LIFE

life were mainly spent in elaborating these materials . An extensive series of drawings was litho-graphed by See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis Haghe in Sketches in the See also:

• HOLY

Holy See also:

• LAND

Land and See also:

• SYRIA

Syria, 1842-1849 .

In 1851, and again in 1853, Roberts visited See also:

• ITALY
• ITALY (Italia)

Italy, painting the " Ducal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace, See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice," bought by See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord Londesborough, the " Interior of the See also:

• BASILICA

Basilica of St See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter's, See also:

• ROME
• ROME (Roma)

Rome," " See also:

• CHRISTMAS (i.e. the Mass of Christ)

Christmas See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

Day, 1853," and " Rome from the See also:

• CONVENT (Lat. conventus, from convenire, to come together)

Convent of St Onofrio," presented to the Royal Scottish See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . His last See also:

• VOLUME

volume of illustrations, Italy, Classical, See also:

• HISTORICAL

Historical and Picturesque, was published in 185g . He also executed, by command of See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria, a picture of the opening of the See also:

• GREAT

Great Exhibition of 1851 . In 1839 he was elected an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate and in 1841 a full member of the Royal Academy; and in 1858 he was presented with the freedom of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city of Edinburgh . The last years of his life were occupied with a series of views of London from the See also:

• THAMES

Thames . He had executed six of these, and was at work upon a picture of St See also:

• PAUL
• PAUL (PAULUS)

Paul's Cathedral, when, on the 25th See also:

• NOVEMBER (Lat. novem, nine)

November 1864, he died suddenly of See also:

• APOPLEXY (Gr. arov n i.a, from aroaMvvew, to strike down, to stun)

apoplexy . A Life of Roberts, compiled from his See also:

• JOURNALS

journals and other See also:

• SOURCES

sources by See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James See also:

• BALLANTINE, WILLIAM (1812-1887)

Ballantine, with etchings and See also:

• PEN (Lat. penna, a feather, pen)

pen-and-See also:

• INK (from Late Lat. encaustum, Gr. gysavorov, the purple ink used by Greek and Roman emperors, from iyKaiew, to burn in)

ink sketches by the artist, appeared in Edinburgh in 1866 .