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ROBERT ESTIENNE (1503–1559) was See also: Henri's second son
.
After his See also: father's See also: death he acted as assistant to his stepfather, and in this capacity superintended the printing of a Latin edition of the New Testament in 16mo (1523)
.
Some slight alterations which he had introduced into the text brought upon him the censures of the faculty of See also: theology
.
It was the first of a long series of disputes between him and that See also: body
.
It appears that he had intimate relations with the new Evangelical preachers almost from the beginning of the See also: movement, and that soon after this See also: time he definitely joined the Reformed See also: Church
.
In 1526 he entered into possession of his father's printing establishment, and adopted as his
See also: device the celebrated See also: olive-See also: tree (a reminiscence doubtless of his grandmother's See also: family of Montolivet), with the motto from the See also: epistle to the See also: Romans (xi
.
20), Noli altum sapere, sometimes with the addition sed time
.
In 1528 he married Perrette, a daughter of the See also: scholar and printer Josse Bade (Jodocus See also: Badius), and in the same See also: year he published his first Latin See also: Bible, an edition in folio, upon which he had been at See also: work for the last four years
.
In 1532 appeared his See also: Thesaurus linguae Latinae, a See also: dictionary of Latin words and phrases, upon which for two years he had toiled incessantly, with no other assistance than that of See also: Thierry of See also: Beauvais
.
A second edition, greatly enlarged and improved, appeared. in 1536, and a third, still further improved, in 3 vols. folio, in 1543
.
Though the Thesaurus is now superseded, its merits must not be forgotten
.
It was vastly See also: superior to anything of the kind that had appeared before; it formed the basis of future labours, and even as See also: late - as 1734 was considered worthy of being re-edited
.
In 1539 Robert was appointedSee also: king's printer for
See also: Hebrew and Latin, an office to which, after the death of See also: Conrad Neobar in 1540, he See also: united that of king's printer for See also: Greek
.
In 1541 he was entrusted by See also: Francis I. with the task of procuring from See also: Claude Garamond, the engraver and type-founder, three sets of Greek type for the royal See also: press
.
The See also: middle See also: size were the first ready, and with these Robert printed the editio princeps of the Ecclesiasticae Historiae of See also: Eusebius and others (1544)
.
The smallest size were first used for the 16mo edition of the New Testament known as the 0 mirificam (1546), while with the largest size was printed the magnificent folio of 1550
.
This edition involved the printer in fresh disputes with the faculty of theology, and towards the end of the following year he See also: left his native See also: town for ever, and took See also: refuge at See also: Geneva, where he published in 1552 a See also: caustic and effective answer to his persecutors under the title Ad censuras theologorum Parisiensium, quibus Biblia a R
.
Stephano, Typographo Regio, ex usa calumniose notarunt, eiusdem R
.
S. responsio
.
A French See also: translation, which is remarkable for the excellence of its See also: style, was published by him in the same year (printed in Renouard's Annales de l'imprimerie See also: des Estienne)
.
At Geneva Robert proved himself an ardent See also: partisan of See also: Calvin, several of whose See also: works he published
.
He died there on the 7t` of See also: September 1559
.
It is by his work in connexion with the Bible, and especially as an editor of the New Testament, that he is on the whole best known
.
The text of his New Testament of 155o, either in its See also: original See also: form or in such slightly modified form as it assumed in the See also: Elzevir text of 1634, remains to this See also: day the traditional text
.
But this is due rather to its typographical beauty than to any critical merit . The readings of the fifteenSee also: MSS. which Robert's son Henri had collated for the purpose were merely introduced into the margin
.
The text was still almost exactly that of See also: Erasmus
.
It was, however, the first edition ever published with a critical apparatus of any sort
.
Of the whole Bible Robert printed eleven editions—eight in Latin, two in Hebrew and one in French; while of the New Testament alone he printed twelve—five in Greek, five in Latin and two in French
.
In the Greek New Testament of 1551 (printed at Geneva) the See also: present division into verses was introduced for the first time
.
The editiones principes which issued from Robert's press were eight in number, viz
.
Eusebius, including the Praeparatio evangelica and the Demonstratio evangelica as well as the Historia ecclesiastica already mentioned (1544-1546), Moschopulus (1545), See also: Dionysius of See also: Halicarnassus (See also: February 1547), See also: Alexander Trallianus (
See also: January 1548), Dio Cassius (January 1548), See also: Justin See also: Martyr (1551), See also: Xiphilinus (1551), See also: Appian (1551), the last being completed, after Robert's departure from See also: Paris, by his See also: brother See also: Charles, and appearing under his name
.
Theseeditions, all in folio, except the Moschopulus, which is in 4t0, are unrivalled for beauty
.
Robert also printed numerous
See also: editions of Latin See also: classics, of which perhaps the folio Virgil of 1532 is the most noteworthy, and a large quantity of Latin grammars and other educational works, many of which were written by See also: Maturin Cordier, his friend and co-worker in the cause of humanism
.
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"Two editions of the Hebrew Bible were also printed by him--one with the Commentary of Kimchi on the minor prophets, in 13 vols. 4to (Paris, 1539-43), another in 10 vols. 16mo (ibid. 1544-46." M'Clintock, John and James Strong. "Cyclopaedia of Biblical, Theological, and Ecclesiastical Literature." Vol. IX, s.v. "Stephens" New York: Harper & Brothers, 1880.
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