See also:

• HUBERT (HUCBERTUS, HUGBERTUS), ST (d. 727)

HUBERT See also:

• ROBERT
• ROBERT (1275—1343)
• HUBERT ROBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

ROBERT (1753-1808)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French artist, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1753, deserves to be remembered not so much for his skill as a painter as for the liveliness and point with which he treated the subjects he painted . The contrast between the ruins of See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient See also:

• ROME
• ROME (Roma)

Rome and the See also:

• LIFE

life of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time excited his keenest See also:

• INTEREST

interest; and, although he had started for See also:

• ITALY
• ITALY (Italia)

Italy on his own responsibility, the See also:

• CREDIT (Lat. credere, to believe)

credit he there acquired procured him the See also:

• PROTECTION

protection of the See also:

• MINISTER (Lat. minister, servant)

minister See also:

• MARIGNY, ENGUERRAND DE (1260-1315)
• MARIGNY, JEAN DE (d. 1350)

Marigny and an See also:

• OFFICIAL (Late Lat. QJicialis, for class. Lat. apparitor, from officium, office, duty)

official See also:

• ALLOWANCE (from "allow,' derived through 0. Fr. alouer from the two Lat. origins adlaudare, to praise, and allocare, to assign a place; so that the English word combined the general idea of "assigning with approval")

allowance . His incessant activity as an artist, his daring See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character, his many adventures, attracted See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general sympathy and admiration . In the See also:

• FOURTH

fourth See also:

• CANTO (from the Lat. cantus, a song)

canto of his L'See also:

• IMAGINATION

Imagination See also:

• DELILLE, JACQUES (1738–1813)

Delille celebrated See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert's miraculous See also:

• ESCAPE (in mid. Eng. eschape or escape, from the O. Fr. eschapper, modern echapper, and escaper, low Lat. escapium, from ex, out of, and cappa, cape, cloak; cf. for the sense development the Gr. iichueoOat, literally to put off one's clothes, hence to sli

escape when lost in the catacombs; later in life, when imprisoned during the Terror and marked for the See also:

• GUILLOTINE

guillotine, by a fatal See also:

• ACCIDENT
• ACCIDENT (from Lat. accidere, to happen)

accident another died in his See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place and Robert lived . The quantity of his See also:

• WORK

work is immense; the Louvre alone contains nine paintings by his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand and specimens are frequently to be met with in provincial museums and private collections . Robert's work has more or less of that scenic character which justified his selection by See also:

• VOLTAIRE, FRANCOIS MARIE AROUET DE (1694–1778)

Voltaire to paint the decorations of his See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre at Ferney . Robert died of See also:

• APOPLEXY (Gr. arov n i.a, from aroaMvvew, to strike down, to stun)

apoplexy on the 15th of See also:

• APRIL

April 18o8 . His work was much engraved by the See also:

• ABBE (Serbo-Croatian Rai))

abbe Le Non, with whom he had visited See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples in the See also:

• COMPANY

company of See also:

• FRAGONARD

Fragonard during his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early days; in Italy his work has also been frequently reproduced by See also:

• CHATELAIN (Med. Lat. castellanus, from castellum, a castle)

Chatelain, Lienard, Le Veau, and others . See C . See also:

• BLANC, (JEAN JOSEPH CHARLES) LOUIS (1811-1882)
• BLANC, MONT

Blanc, Hist. See also:

• DES

des peintres; Villot, See also:

• NOTICE

Notice des tableaux du Louvre; See also:

• JULIUS

Julius See also:

• MEYER, CHRISTIAN ERICH HERMANN VON (18or-1869)
• MEYER, HEINRICH AUGUST WILHELM (1800-1873)
• MEYER, JULIUS LOTHAR (183o-1895)
• MEYER, KONRAD FERDINAND (1825-1898)
• MEYER, VICTOR (1848-1897)
• MEYER, [MARIE] PAUL HYACINTHE (184o- )

Meyer, Gesch. mod. fr . Malerei .