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See also: born at See also: Paris in 1753, deserves to be remembered not so much for his skill as a painter as for the liveliness and point with which he treated the subjects he painted
.
The contrast between the ruins of See also: ancient See also: Rome and the See also: life of his See also: time excited his keenest See also: interest; and, although he had started for See also: Italy on his own responsibility, the See also: credit he there acquired procured him the See also: protection of the See also: minister Marigny and an official allowance
.
His incessant activity as an artist, his daring character, his many adventures, attracted general sympathy and admiration
.
In the See also: fourth See also: canto of his L'See also: Imagination See also: Delille celebrated Robert's miraculous escape when lost in the catacombs; later in life, when imprisoned during the Terror and marked for the See also: guillotine, by a fatal accident another died in his place and Robert lived
.
The quantity of his See also: work is immense; the Louvre alone contains nine paintings by his See also: hand and specimens are frequently to be met with in provincial museums and private collections
.
Robert's work has more or less of that scenic character which justified his selection by Voltaire to paint the decorations of his theatre at Ferney
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Robert died of apoplexy on the 15th of See also: April 18o8
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His work was much engraved by the See also: abbe Le Non, with whom he had visited Naples in the See also: company of See also: Fragonard during his early days; in Italy his work has also been frequently reproduced by Chatelain, Lienard, Le Veau, and others
.
See C
.
Blanc, Hist. See also: des peintres; Villot, See also: Notice des tableaux du Louvre; See also: Julius See also: Meyer, Gesch. mod. fr
.
Malerei
.
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