See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• ROGERS, HENRY DARWIN (18o8—1866)
• ROGERS, JAMES EDWIN THOROLD (1823-1890)
• ROGERS, JOHN (1627–c. 1665)
• JOHN ROGERS (1829-1904)
• ROGERS, JOHN (c. 1500-1555)
• ROGERS, ROBERT (1727-1784?)
• ROGERS, S
• ROGERS, SAMUEL (1763-1855)
• ROGERS, WILLIAM (1819-1896)

ROGERS (1829-1904)  , See also:

• AMERICAN

American sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• SALEM

Salem, See also:

• MASSACHUSETTS (an Indian name, originally applied to a tribe of Indians)

Massachusetts, on the 3oth of See also:

• OCTOBER

October 1829 . In 1848 he became an apprentice in a See also:

• MACHINE
• MACHINE (through Fr. from Lat. form machina of Gr. µnxavil)

machine See also:

• SHOP

shop at See also:

• MANCHESTER
• MANCHESTER (popularly Manchester-by-the-Sea)
• MANCHESTER, EARLS AND DUKES OF

Manchester, New See also:

• HAMPSHIRE (or COUNTY OF SOUTHAMPTON, abbreviated HANTS)

Hampshire, and remained there for about ten years . During the latter See also:

• PART

part of this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he had done some modelling in See also:

• CLAY (from O. Eng. claeg, a word common in various forms to Teutonic languages, cf. Ger. Klei)
• CLAY, CASSIUS MARCELLUS (1810-1903)
• CLAY, CHARLES (1801–1893)
• CLAY, FREDERIC (1838–1889)
• CLAY, HENRY (1777–1852)

clay in his leisure See also:

• HOURS, CANONICAL

hours, and, having decided to become a sculptor, he spent eight months in See also:

• ROME
• ROME (Roma)

Rome and See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1858-59 . Becoming discouraged, he returned to See also:

• AMERICA

America and obtained employment as a draughtsman in the See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city surveyor of See also:

• CHICAGO
• CHICAGO, UNIVERSITY OF

Chicago; but soon afterwards, owing to the favourable reception of his See also:

• GROUP

group of small figures, " The Checker Players," he resumed sculptural See also:

• WORK

work, confining himself to these small figures, known as " See also:

• ROGERS, HENRY DARWIN (18o8—1866)
• ROGERS, JAMES EDWIN THOROLD (1823-1890)
• ROGERS, JOHN (1627–c. 1665)
• ROGERS, JOHN (1829-1904)
• ROGERS, JOHN (c. 1500-1555)
• ROGERS, ROBERT (1727-1784?)
• ROGERS, S
• ROGERS, SAMUEL (1763-1855)
• ROGERS, WILLIAM (1819-1896)

Rogers See also:

• GROUPS
• GROUPS, THEORY

Groups," which had an enormous popular success and were extensively reproduced . The See also:

• CIVIL

Civil See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

War in America gave him patriotic themes that increased his See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

vogue and prosperity, and in 1863 he became a See also:

• NATIONAL

National Academician . His subjects were See also:

• FAMILIAR (through the Fr. familier, from Lat. familiaris, of or belonging to the familia, family)

familiar scenes and incidents of See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home See also:

• LIFE

life known to the masses, and the reproductions of his groups were sold in the most remote districts as well as in the larger cities . He executed several life-sized statues, including " See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

General See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John F . See also:

• REYNOLDS, JOHN FULTON (182o-1863)
• REYNOLDS, SIR JOSHUA (1723-1792)
• REYNOLDS, WALTER (d. 1327)

Reynolds " and a seated figure of See also:

• LINCOLN
• LINCOLN, ABRAHAM (1809-1865)
• LINCOLN, EARLS OF

Lincoln, both in See also:

• PHILADELPHIA

Philadelphia; but it is by his statuettes that he is best remembered, and these were characterized by sentiment and human See also:

• INTEREST

interest rather than any genuine See also:

• ARTISTIC

artistic feeling . He died at New Haven, See also:

• CONNECTICUT

Connecticut, on the 27th of See also:

• JULY

July 1904 .