See also:

• ALFRED

ALFRED PHILIPPE See also:

• ROLL (O. Fr. rolle, roulle, mod. role, Lat. rotulus, dim. of rota, wheel)
• ALFRED PHILIPPE ROLL (1846– )

ROLL (1846– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 1st of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1846 . See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

Pupil of Ger6me and See also:

• BONNAT

Bonnat at the Ecole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux Arts, he made his debut at the See also:

• SALON

Salon in 1870 with " Environs of See also:

• BACCARAT

Baccarat " and " Evening," and attracted the widest See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention in 1875 by his See also:

• COLOSSAL

colossal See also:

• PAINTING

painting of " The See also:

• FLOOD (in O. Eng. flod, a word common to Teutonic languages, cf. Ger. Flut, Dutch vloed, from the same root as is seen in " flow," " float ")
• FLOOD, HENRY (1732-1791)

Flood at See also:

• TOULOUSE
• TOULOUSE, LOUIS ALEXANDRE DE BOURBON, COUNT OF (1678-1737)

Toulouse " (now at the See also:

• HAVRE
• HAVRE, LE

Havre Museum) . All his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• WORK

work is imbued with the spirit of romanticism under the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• GERICAULT, JEAN LOUIS ANDRE THEODORE (1791-1824)

Gericault, whilst his See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour tended to Bolognese heaviness with a strong leaning towards dark shadows in the flesh painting, in which he closely followed See also:

• COURBET, GUSTAVE (1819-1877)

Courbet . In 1877 he showed at the Salon the " Fete of See also:

• SILENUS

Silenus " (now at the See also:

• GHENT (Flem. Gent, Fr. Gand)

Ghent Museum), a painting of such vivid colour and exuberant See also:

• LIFE

life that it recalls the work of See also:

• JORDAENS, JACOB (1593-1678)

Jordaens . About this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time he began to devote himself to the realistic rendering of See also:

• MODERN

modern life, especially among the working classes, and together with romantic subjects he abandoned his earlier heavy colouring, and devoted himself to the study of See also:

• FREE

free See also:

• LIGHT

light . His " Miners' Strike " of 188o (now at the See also:

• VALENCIENNES

Valenciennes Museum) placed him in the front See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank of modern French painters, and from that date his career was one of continuous and brilliant success . He became " See also:

• OFFICIAL (Late Lat. QJicialis, for class. Lat. apparitor, from officium, office, duty)

official painter " to the French See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government, and was entrusted with numerous commissions for the decoration of public buildings and for commemorative pictures, like the " See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

President See also:

• CARNOT, LAZARE EIPPOLYTE (18ot-1888)
• CARNOT, MARIE FRANCOIS SADI (1837-1894)
• CARNOT, SADI NICOLAS LEONHARD (1796-1832)

Carnot at See also:

• VERSAILLES

Versailles at the See also:

• CENTENARY (from Lat. centenarius, of or belonging to a hundred, from centeni, distributive of centum, hundred)

Centenary of the Etats Generaux " (now at Versailles See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace), and " The Tzar and President See also:

• FAURE, FRANCOIS FELIX (1841–18gg)

Faure laying the See also:

• FOUNDATION (Lat. fundatio, from fundare, to found)

Foundation See also:

• STONE
• STONE (0. Eng. shin; the word is common to Teutonic languages, cf. Ger. Stein, Du. steen, Dan. and Swed. sten; the root is also seen in Gr. aria, pebble)
• STONE, CHARLES POMEROY (1824-1887)
• STONE, EDWARD JAMES (1831-1897)
• STONE, FRANK (1800-1859)
• STONE, GEORGE (1708—1764)
• STONE, LUCY [BLACKWELL] (1818-1893)
• STONE, MARCUS (184o— )
• STONE, NICHOLAS (1586-1647)

Stone of the See also:

• ALEXANDRE, NOEL (NATALIS ALEXANDER) (1639-1724)

Alexandre III . See also:

• BRIDGE

Bridge." For the Hotel de Ville he executed " The Pleasures of Life " and " The Rosetime of Youth." Besides the pictures already mentioned, a vast number of his See also:

• WORKS

works are to be found in the public galleries of See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France . The museum of the Hotel de Ville in Paris owns his " See also:

• NATIONAL

National Fete at Paris in 188o "; the See also:

• COGNAC

Cognac Museum, " Labour, Works at Suresnes "; the Luxembourg, his " See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

War " and " Manda Lametrie, See also:

• FARM

farm-See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand." At See also:

• AVIGNON

Avignon Museum is the " See also:

• DON
• DON (anc. Tanais)

Don Juan and Haidee "; at See also:

• LAVAL
• LAVAL, ANDRE DE, SEIGNEUR DE LOHEAC (c. 1408-1485)

Laval Museum, " See also:

• HALT

Halt ! "; at See also:

• FONTAINEBLEAU

Fontainebleau Palace, " In See also:

• NORMANDY

Normandy "; at See also:

• PAU

Pau Museum, " Roubey, cementer"; and at the Museum of See also:

• GENEVA
• GENEVA (Fr. Geneve, Ger. Genf, Ital. Ginevra, Late Lat. Gebenna, though Genava in good Latin)
• GENEVA, LAKE OF

Geneva, " Marianne Offrey, crieuse de vert." In See also:

• PORTRAITURE

portraiture he is known by his " Yves See also:

• GUYOT, ARNOLD HENRY (18o7–1884)
• GUYOT, YVES (1843– )

Guyot," " See also:

• COQUELIN, BENOIT CONSTANT (1841-1909)

Coquelin See also:

• CADET (through the Fr. from the Late Lat. capitettum, a diminutive of caput, head, through the Provencal form capdet)

cadet," " Jules See also:

• SIMON, ABRAHAM (1622-1692)
• SIMON, JULES FRANCOIS (1814–1896)
• SIMON, RICHARD (1638–1712)
• SIMON, SIR JOHN (1816–1904)
• SIMON, THOMAS (c. 1623-1665)

Simon," &c., but his greatest success was the See also:

• GROUP

group of " Fritz Thaulow and his Wife." In 1905 he replaced Carolus-See also:

• DURAN
• DURAN, AGUSTIN (1789-1862)

Duran as president of the Societe Nationale des Beaux-Arts, of which he was one of the founders .