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GIORGIO See also: Italian baritone vocalist, was See also: born in 181o
.
He learnt singing from his See also: father Domenico, who had been a celebrated tenor in his See also: time, and made his debut in 1831 at See also: Pavia
.
After singing in See also: Italy for some years with ever-growing success, he appeared for the first time in See also: England, in 1842, as See also: Henry
See also: Ashton in See also: Lucia di Lammermoor
.
His success was immediate, and he continued to be one of the most popular artists on the lyric stage until his retirement in 1866
.
His See also: voice was neither extensive in compass nor See also: fine in quality, but the See also: genius of his acting and the strength of his See also: personality fully atoned for his vocal defects
.
He was equally at home in See also: comedy and tragedy, and the two parts by which he is best remembered, Rigoletto and See also: Figaro, show conclusively the range of his talent
.
In his later years See also: Ronconi founded a school of singing at See also: Granada, and he also accepted the See also: post of professor of singing at the See also: Madrid Conservatoire
.
He died in 189o
.
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