See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

ANTONIO See also:

• ANTONIO ROSSELLINO (1427-c. 1479)

ROSSELLINO (1427-c. 1479)  , Florentine sculptor, was the son of Matteo di Domenico Gamberelli, and had four See also:

• BROTHERS, RICHARD (1757-1824)

brothers, who all practised some See also:

• BRANCH (from the Fr. branche, late Lat. branca, an animal's paw)

branch of the See also:

• FINE

fine arts . Almost nothing is known about the See also:

• LIFE

life of See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio, but many of his See also:

• WORKS

works exist, and are full of religious sentiment, and executed with the utmost delicacy of See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch and technical skill . The See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of Antonio and his See also:

• BROTHER

brother Bernardo is a development of that of See also:

• DONATELLO (diminutive of Donato) (c. 1386-1466)

Donatello and See also:

• GHIBERTI, LORENZO (137$–1455)

Ghiberti; it possesses all the refinement and sweetness of the earlier masters, but is not equal to them in vigour or originality . Antonio's See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• WORK

work, still in perfect preservation, is the lovely See also:

• TOMB (Gr. Tuµ/3a, Tuµ(3os, probably allied to Lat. tumulus, literally a swelling, tumere, to swell)

tomb of a See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young See also:

• CARDINAL (Lat. cardinalis)

cardinal See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince of See also:

• PORTUGAL

Portugal, who died in 1459 . It occupies one See also:

• SIDE
• SIDE (mod. Eski Adalia)

side of a small See also:

• CHAPEL

chapel, also built by See also:

• ROSSELLINO, ANTONIO (1427-c. 1479)

Rossellino, on the See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

north of the See also:

• NAVE

nave of See also:

• SAN

San Miniato al See also:

• MONTE

Monte.' The recumbent effigy of the cardinal rests on a handsome See also:

• SARCOPHAGUS (Gr. vapsorg yos, literally " flesh-eating," from vapt, flesh, ¢ayeiv, to eat)

sarcophagus, and over it, under the See also:

• ARCH
• ARCH, JOSEPH (1826– )

arch which frames the whole, is a beautiful See also:

• RELIEF

relief of the Madonna between two flying angels . The tomb was begun in 1461 and finished in 1466; Antonio received four See also:

• HUNDRED

hundred and twenty-five See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold florins for it . A See also:

• REPRODUCTION

reproduction of this tomb with slight See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

Marble Relief by Antonio Rossellino . alterations, and of course a different effigy, was made by Antonio for the wife of Antonio See also:

• PICCOLOMINI
• PICCOLOMINI, OCTAVIO, PRINCE (1599-1656)

Piccolomini, See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• AMALFI

Amalfi, in the ' Illustrated by Gonnelli, Mon . Sepol. della Tosca•,aa (See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence, 1819), pl. See also:

• XXIII

xxiii.See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of S . Maria del Monte at See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples, where it still exists . For the same church he also executed some delicate reliefs, which perhaps err in being too pictorial in style, especially in the treatment of the backgrounds . A fine medallion relief by him in marble, originally modelled in terra-See also:

• COTTA
• COTTA, BERNHARD VON (1808—1879)
• COTTA, GAIUS AURELIUS (c. 124—73 B.c.)

cotta, is preserved in the Bargello at Florence (see fig.) .