COSIMO See also:

• COSIMO ROSSELLI (1439—c. 1507)

ROSSELLI (1439—c. 1507)  , Florentine painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in 1439 . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of fourteen he became a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• NERI, PHILIP (FILIppo DE) (1515-1595)

Neri di Bicci, and in 146o he worked as assistant to his See also:

• COUSIN (Fr. cousin, Ital. cugino, Late Lat. cosinus, perhaps a popular and familiar abbreviation of consobrinus, which has the same sense in classical Latin)
• COUSIN, JEAN (1500-1590)
• COUSIN, VICTOR (1792–1867)

cousin Bernardo di Stefano See also:

• ROSSELLI, COSIMO (1439—c. 1507)

Rosselli . The first See also:

• WORK

work of Cosimo mentioned by See also:

• VASARI, GIORGIO (1511-1571)

Vasari exists in S . Ambrogio, in See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence, over the third See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar on the See also:

• LEFT

left . It is an " See also:

• ASSUMPTION, FEAST OF

Assumption of the Virgin," a youthful and feeble work . In the same See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church, on the See also:

• WALL (O. Eng. weal, weall, Mid. Eng. wal, wane, adapted from Lat. vallum, rampart; the original O. Eng. word for a wall was wag or tenth)
• WALL, RICHARD (1694-1778)

wall of one of the chapels, is a See also:

• FRESCO (Ital. for cool, " fresh ")

fresco by Cosimo which Vasari praises highly, especially for a portrait of the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young See also:

• SCHOLAR, SCHOLARSHIP

scholar See also:

• PICO

Pico of See also:

• MIRANDOLA

Mirandola . The See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene, a procession bearing a See also:

• MIRACLE (Lat. miraculum, from mirari, to wonder)

miracle-working See also:

• CHALICE (through a central O. Fr. form of the Lat. calix, calicis, cup)

chalice, is painted with much vigour and less mannerism than most of this artist's work . A picture painted by Rosselli for the church of the Annunziata, with figures of SS . See also:

• BARBARA, SAINT

Barbara, See also:

• MATTHEW, GOSPEL OF ST
• MATTHEW, ST (MaOOaior or MarOaIos, probably a shortened form of the Hebrew equivalent to Theodorus)
• MATTHEW, TOBIAS

Matthew and the Baptist, is in the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of Florence . Rosselli also spent some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in See also:

• LUCCA (anc. Luca)
• LUCCA, BAGNI DI (Baths of Lucca, formerly Bagno a Corsena)

Lucca, where he painted several altar-pieces for various churches . A picture attributed to him, taken from the church of S . See also:

• GIROLAMO (1450-1486)

Girolamo at See also:

• FIESOLE (anc. Faesulae, q.v.)

Fiesole, is now in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery of See also:

• LONDON

London .

It is a large See also:

• RETABLE (Fr. retable, a shortened form derived from Med. Lat. retrotabulum)

retable, with, in the centre, St See also:

• JEROME, JEROME KLAPKA (1859– )
• JEROME, ST (HIERONYMUS, in full EUSEBIUS SOPHRONIUS HIERONYMUS) (c. 340–420)

Jerome in the See also:

• WILDERNESS

wilderness kneeling before a crucifix, and at the sides See also:

• STANDING

standing figures of St See also:

• DAMASUS

Damasus and St See also:

• EUSEBIUS
• EUSEBIUS (Gr. EuOi/3tos, from ebaegils, pious, cf. the Latin name Pius)
• EUSEBIUS [OF CAESAREA] (c. 260-c. 340)
• EUSEBIUS [OF EMESA] (d. c. "36o)

Eusebius, St See also:

• PAOLO (GIROLAMO GASPARE)5 (1532-1600)

Paolo and St Eustachia; below is a See also:

• PREDELLA

predella with small subjects . Though dry and hard in treatment, the figures are designed with much dignity . The See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin Gallery possesses three pictures by Rosselli: "The Virgin in See also:

• GLORY (through the O. Fr. glorie, modern gloire, from Lat. gloria, cognate with Gr. KXebs, abets)

Glory," "The Entombment of See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ," and " The See also:

• MASSACRE

Massacre of the Innocents." In 148o Rosselli, together with the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief painters of Florence, was invited by See also:

• SIXTUS

Sixtus IV. to See also:

• ROME
• ROME (Roma)

Rome to assist in the See also:

• PAINTING

painting of the frescoes in the Sistine See also:

• CHAPEL

Chapel . Three of these were executed by him—" The Destruction of See also:

• PHARAOH (Par'oh)

Pharaoh's See also:

• ARMY
• ARMY (from Fr. armee, Lat. armata)

Army in the Red See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

Sea," " Christ See also:

• PREACHING (Fr. preecher, from Lat. praedicare, to proclaim)

Preaching by the See also:

• LAKE
• LAKE, GERARD LAKE, 1ST VISCOUNT (1744-1808)

Lake of See also:

• TIBERIAS

Tiberias," and " The Last Supper." The last of these is well preserved, but is a mediocre work . Vasari's See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story about the See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

pope admiring Rosselli's paintings more than those of his abler See also:

• BROTHER

brother painters has probably little See also:

• FOUNDATION (Lat. fundatio, from fundare, to found)

foundation . Rosselli's Sistine frescoes were partly painted by his assistant See also:

• PIERO (1443—1496)

Piero di Cosimo, who was so called after Cosimo Rosselli . His chief pupil was Fra Bartolommeo . According to Vasari, Rosselli died in 1484, but this is a See also:

• MISTAKE (i.e. take amiss)

mistake, as his will exists dated 25th of See also:

• NOVEMBER (Lat. novem, nine)

November 1506 (see Gaye, See also:

• CAR (Late Lat. carra)

Car. See also:

• TINED

tined. ii . 457 n.) . For an See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of Rosselli's Sistine frescoes, see Platner and See also:

• BUNSEN, CHRISTIAN CHARLES JOSIAS, BARON VON (1791-186o,)
• BUNSEN, ROBERT WILHELM VON (1811-1899)

Bunsen, Beschreibung der Stadt Rom, ii. pt. i.; and Rumohr, Italien . Forschungen, ii . 265 .