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CHRISTINA GEORGINA ROSSETTI (1830-1894)

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Originally appearing in Volume V23, Page 747 of the 1911 Encyclopedia Britannica.
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CHRISTINA GEORGINA See also:ROSSETTI (1830-1894)  , See also:English poet, was the youngest of the four See also:children of Gabriele See also:Rossetti (see the See also:article on her See also:brother See also:DANTE See also:GABRIEL ROSSETTI) . She was See also:born at 38 See also:Charlotte See also:Street, See also:Portland See also:Place, See also:London, on the 5th of See also:December 183o . She enjoyed the advantages and disadvantages of the See also:strange society of See also:Italian exiles and English eccentrics which her See also:father gathered about him, and she shared the studies of her gifted See also:elder brother and See also:sister . As See also:early as 1847 her grandfather, Gaetano Polidori, printed privately a See also:volume of her Verses, in which the richness of her See also:vision was already faintly prefigured . In 185o she contributed to The Germ seven pieces, including some of the finest of her lyrics . In her girlhood she had a See also:grave, religious beauty of feature, and sat as a See also:model not only to her brother Gabriel, but to See also:Holman See also:Hunt, to Madox See also:Brown and to See also:Millais . In 1853–54 See also:Christina Rossetti for nearly a See also:year helped her See also:mother to keep a See also:day-school at See also:Frome-Selwood, in See also:Somerset . Early in 1854 the Rossettis returned to London, and the father died . In poverty, in See also:ill-See also:health, in extreme quietness, she was now performing her See also:life-See also:work . She was twice sought in See also:marriage, but each See also:time, from religious scruples (she was a strong high-See also:church See also:Anglican), she refused her suitor; on the former of these occasions she sorrowed greatly, and her suffering is reflected in much of her early See also:song . In 1861 she saw See also:foreign countries for the first time, paying a six See also:weeks' visit to See also:Normandy and See also:Paris . In 1862 she published what was practically her earliest See also:book, Goblin See also:Market, and took her place at once among the poets of her See also:age .

In this volume, indeed, is still to be found a See also:

majority of her finest writings . The See also:Prince's Progress followed in 1866 . In 1867 she, with her See also:family, moved to 56 Euston Square, which became their See also:home for many years . Christina's See also:prose work See also:Commonplace appeared in 1870 . In See also:April 1871 her whole life was changed by a terrible affliction, known as " See also:Graves's disease "; for two years her life was in See also:constant danger . She had already composed her book of children's poems, entitled Sing-Song, which appeared in 1872 . After a See also:long convalescence, she published in 1874 two See also:works of See also:minor importance, Annus Domini and Speaking Likenesses . The former is the earliest of a See also:series of theological works in prose, of which the second was Seek and Find in 1899 . In 1881 she published a third collection of poems, A See also:Pageant, in which there was See also:evidence of slackening lyrical See also:power . She now gave herself almost entirely to religious disquisition . The most interesting and See also:personal of her prose publications (but it contained See also:verse also) was Time Flies (1885)—a sort of symbolic See also:diary or collection of brief homilies . In 1890 the S.P.C.K. published a volume of her religious verse .

She collected her poetical writings in 1891 . In 1892 she was led to publish a very bulky commentary on the See also:

Apocalypse, entitled The See also:Face of the Deep . After this she wrote little . Her last years were spent in retirement at 30 See also:Torrington Square, Bloomsbury, which was her home from 1876 to her See also:death . In 1892 her health See also:broke down finally, and she had to endure terrible suffering . From this she was released on the 29th of December 1894 . Her New Poems were published posthumously in 1896 . In spite of her See also:manifest limitations of sympathy and experience, Christina Rossetti takes See also:rank among the foremost poets of her time . In the purity and solidity of her finest lyrics, the glow and See also:music in which she See also:robes her moods of See also:melancholy See also:reverie, her extraordinary mixture of austerity with sweetness and of sanctity of See also:tone with sensuousness of See also:colour, Christina Rossetti, in her best pieces, may See also:challenge comparison with the most admirable of our poets . The See also:union of fixed religious faith with a hold upon See also:physical beauty and the richer parts of nature has been pointed to as the most See also:original feature of her See also:poetry . Hers was a cloistered spirit, timid, See also:nun-like, bowed down by suffering and humility; her See also:character was so retiring as to be almost invisible . All that we really need to know about her, See also:save that she was a See also:great See also:saint, was that she was a great poet .

(E . G.) See the Poetical Works of C . G . R., with Memoir by W . M . Rossetti (1903) . Also See also:

Edmund See also:Gosse's See also:Critical See also:Kit-Kats (1896) ; an article by See also:Ford Madox Hueffer in the Fortnightly See also:Review (See also:March 19o4); and another in The See also:Christian Society (Oct . 1904) . The Family Letters of Christina Rossetti were edited by W . M . Rossetti in 1908 .

End of Article: CHRISTINA GEORGINA ROSSETTI (1830-1894)
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