Online Encyclopedia

Search over 40,000 articles from the original, classic Encyclopedia Britannica, 11th Edition.

ROUBILIAC (more correctly ROUBILLAC),...

Online Encyclopedia
Originally appearing in Volume V23, Page 767 of the 1911 Encyclopedia Britannica.
Spread the word: del.icio.us del.icio.us it!

See also:

ROUBILIAC (more correctly ROUBILLAC), See also:LOUIS See also:FRANCOIS (1695-1762)  , See also:French sculptor, was See also:born at See also:Lyons and became a See also:pupil of Balthasar of See also:Dresden and of N . See also:Coustou . It is generally stated that he settled in See also:London about 1720, but as he took the second See also:grand See also:prize for See also:sculpture in 1730, while still a pupil of Coustou, it is unlikely that he visited See also:England at an earlier date . The date 1744, as given by Dussieux, is incorrect . He was at once patronized by See also:Walpole and soon became the most popular sculptor in England, superseding the success of the See also:Fleming Rysbraeck and even of See also:Scheemakers . He died on the 1th of See also:January 1762, and was buried in the See also:church of St See also:Martin-in-the-See also:Fields . See also:Roubiliac was largely employed for portrait statues and busts, and especially for sepulchral monuments . His See also:chief See also:works in See also:Westminster See also:Abbey are the monuments of See also:Handel, See also:Admiral See also:Warren, See also:Marshal See also:Wade, Mrs See also:Nightingale and the See also:duke of See also:Argyll, the last of these being the first See also:work which established Roubiliac's fame as a sculptor . The statues of See also:George I., See also:Sir See also:Isaac See also:Newton, and the duke of See also:Somerset at See also:Cambridge, and of George II. erected in See also:Golden Square, London, were also his work . Trinity See also:College, Cambridge, possesses a See also:series of busts of distinguished members of the college by him . Roubiliac possessed skill in See also:portraiture and was technically a See also:master, but lived at a See also:time when his See also:art had sunk to a See also:low ebb . His figures are frequently uneasy, devoid of dignity and sculpturesque breadth, and his draperies treated in a manner more suited to See also:painting than sculpture .

There are, .however, noteworthy exceptions, his bust of See also:

Pope, for example, reaching a high See also:standard . More often, however, his striving after dramatic effect detracts from repose of attitude . His most celebrated work, the Nightingale See also:monument, in Westminster Abbey, a marvel of technical skill, is saved from being ludicrous by its ghastly and even impressive hideousness . On this the dying wife is represented as sinking in the arms of her See also:husband, who in vain strives to See also:ward off a dart which See also:Death is aiming at her . The See also:lower See also:part of the monument, on which the two portrait figures stand, is shaped like a See also:tomb, out of the opening See also:door of which Death, as a See also:half-veiled See also:skeleton, is bursting forth . The celebrated bust of See also:Shakespeare, known as the See also:Davenant bust, in the See also:possession of the See also:Garrick See also:Club, London, must be attributed to Roubiliac . The statue of Shakespeare, a See also:commission from See also:David Garrick, and bequeathed by the actor to the See also:English nation, is in the See also:British Museum, and shows the See also:talent of the sculptor in a flattering See also:light . It is noteworthy that none of his work is recorded in See also:France, the See also:land of his See also:birth and See also:education . See Le See also:Roy de Sainte-Croix, See also:Vie et ouvrages de L . F . Roubillac, sculpteur lyonnais (1695–1762) (See also:Paris, 1882) . (An extremely rare work, of which a copy is in the See also:National Art Library, See also:Victoria and See also:Albert Museum, See also:South See also:Kensington, London.) See also:Allan See also:Cunningham, The Lives of the Most Eminent British Painters, Sculptors, and Architects, vol .

3, pp . 31–67 (London, 1830)—the fount of See also:

information of later See also:biographies . Dutton See also:Cook, Art in England (" A Sculptor's See also:Life in the Past See also:Century ") (London, 1869); See also:Austin See also:Dobson, The See also:Magazine of Art, " Little Roubiliac," vol . 17, pp . 202 and 231 (London, 1894) . See also J . T . See also:Smith, Nollekens and his Times (London, 1829 passim) . See also:Henry B . See also:Wheatley has also devoted See also:research to the work and life of Roubiliac . (M . H .

End of Article: ROUBILIAC (more correctly ROUBILLAC), LOUIS FRANCOIS (1695-1762)
[back]
ROUBAIX
[next]
JEAN ANTOINE ROUCHER (1745-1794)

Additional information and Comments

There are no comments yet for this article.
» Add information or comments to this article.
Please link directly to this article:
Highlight the code below, right click and select "copy." Paste it into a website, email, or other HTML document.