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JACQUES See also: family, was See also: born at See also: Paris in 163o
.
He was remarkable as a painter of decorative landscapes and classic ruins, somewhat in the See also: style of Canaletto, but without his delicacy of touch; he appears also to have been influenced by Nicolas Poussin
.
While See also: young See also: Rousseau went to
See also: Rome, where he spent some years in See also: painting the See also: ancient ruins, together with the surrounding landscapes
.
He thus formed his style, which was artificial and conventionally decorative
.
His colouring for the most See also: part is unpleasing, partly owing to his violent treatment of skies with crude blues and orange, and his chiaroscuro usually is much exaggerated
.
On his return to Paris he soon became distinguished as a painter, and was employed by See also: Louis XIV. to decorate the walls of his palaces at St Germain and Marly
.
He was soon admitted a member of the French
See also: Academy of the See also: Fine Arts, but on the revocation of the edict of See also: Nantes he was obliged to take See also: refuge in See also: Holland, and his name was struck off the Academy
See also: roll
.
From Holland he was invited to See also: England by the duke of Montague, who employed him, together with other French painters, to paint the walls of his palace, Montague See also: House (on the site of which is now the See also: British Museum)
.
Rousseau was also employed to paint architectural subjects and landscapes in the palace of See also: Hampton See also: Court, where many of his decorative panels still exist
.
He spent the latter part of his See also: life in See also: London, where he died in 1693
.
Besides being a painter in oil and See also: fresco Rousseau was an etcher of some ability; many etchings by his See also: hand from the See also: works of the See also: Caracci and from his own designs still exist; they are vigorous, though coarse in execution
.
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