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See also: Farid-eddin Mahommed `Abdallah, the first See also: great See also: literary See also: genius of See also: modern See also: Persia, was See also: born in Rudag, a See also: village in Transoxiana, about 870-900
.
Most of his biographers assert that he was totally See also: blind, but the accurate knowledge of See also: colours shown in his poems makes this very doubtful
.
The fame of his accomplishments reached the ear of the Samanid Nasr II. See also: bin Ahmad, the ruler of Khorasan and Transoxiana (913-42), who invited the poet to his See also: court
.
Rudagi became his daily companion, See also: rose to the highest honours and amassed great See also: wealth
.
In spite of various predecessors, he well deserves the title of " See also: father of Persian literature," " the See also: Adam or Sultan of poets," since he was the first who impressed upon every See also: form of epic, lyric and didactic See also: poetry its See also: peculiar stamp and its individual character
.
He is also said to have been the founder of the " diwan "—that is, the typical form of the See also: complete collection of a poet's lyrical compositions in a more or less alphabetical See also: order which prevails to the See also: present See also: day among all See also: Mahommedan writers
.
Of the 1,300,000 verses attributed to him, there remain only 52 kasidas, ghazals and ruba'is; of his epic masterpieces we have nothing beyond a few stray lines in native dictionaries
.
But the most serious loss is that of his See also: translation of See also: Ibn Mokaffa's Arabic version of the old See also: Indian See also: fable See also: book Kalilah and Dimnah, which he put into Persian verse at the See also: request of his royal See also: patron
.
Numerous fragments, however, are preserved in the Persian See also: lexicon of Asadi of Tus (ed
.
P
.
See also: Horn, See also: Gottingen, 1897)
.
In his kasidas, all devoted to the praise of his See also: sovereign and friend, Rudagi has See also: left us unequalled See also: models of a refined and delicate taste, very different from the often bombastic compositions of later Persian encomiasts
.
His didactic odes and epigrams express in well-measured lines a sort of Epicurean philosophy of human See also: life and human happiness; more charming still are the purely lyrical pieces in glorification of love and See also: wine
.
Rudagi survived his royal friend, and died poor and forgotten by the See also: world
.
There is a complete edition of all the extant poems of Rudagi, in Persian text and metrical See also: German translation, together with a See also: biographical account, based on See also: forty-six Persian See also: MSS., in Dr H
.
Ethe's " Rudagi der Samanidendichter " (Gottinger Nachrichten, 1873, pp
.
663—742) ; see also his Neupersische Literatur " in Geiger's Grundriss der iranischen Philologie (H.); P
.
Horn, Gesch. der persischen Literatur (1901), p
.
73; E
.
G
.
See also: Browne, Literary
See also: History of Persia, i
.
(1902) ; C
.
J
.
Pickering, " A Persian See also: Chaucer " in See also: National Review (May 189o)
.
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