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See also: Roman poet of the Augustan age
.
He was the friend of Virgil, after whose See also: death he and Plotius Tucca prepared the Aeneid for publication, and of Horace, for whom he and Virgil obtained an introduction to See also: Maecenas
.
Horace speaks of him as a master of epic and the only poet capable of celebrating the achievements of Vipsanius Agrippa (Odes, i
.
6); Virgil (under the name of Lycidas, Ed. ix
.
35) regrets that he had hitherto produced nothing comparable to the See also: work of Varius or Helvius See also: Cinna
.
From See also: Macrobius (Saturnalia, vi
.
1, 39; 2, 19) we learn that Varius composed an epic poem De Morte, some lines of which are quoted as having been imitated or appropriated by Virgil; Horace (Sat. i
.
1o, 43) probably alludes to another epic, and, according to the scholiast on Epistles, i
.
16, 27—29, these three lines are taken bodily from a See also: panegyric of Varius on See also: Augustus
.
But his most famous See also: literary production was the tragedy Thyestes, which Quintilian (Inst
.
Oral. x
.
1, 98) declares See also: fit to See also: rank with any of the See also: Greek tragedies
.
The didascalia (which is preserved in a See also: Paris MS.) informs us that it was produced at the See also: games celebrated (29 B.C.) by Augustus in honour of the victory at See also: Actium, and that Varius received a See also: present of a million sesterces from the emperor
.
Fragments in E
.
Bahrens, Frag
.
Poetarum Romanorum (1886); monographs by A
.
Weichert (1836) and R
.
Unger (187o, 1878, 1898) ; M
.
Schanz, Geschichte der romischen Litteratur (1899), ii. r; Teuffel, Hist. of Roman Literature (Eng. trans., 1900), 223
.
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