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TOMMASO See also: Italian actor, was See also: born at Milan on the 1st of See also: January 1829
.
His See also: father and See also: mother were both actors, and Tommaso first appeared when he was barely fourteen as Pasquino in See also: Goldoni's See also: Donne curiose
.
In 1847 he joined the See also: company of Adelaide See also: Ristori, who was then at the beginning of her brilliant career
.
It was with her as Elettra that he won his first success in tragedy, playing the title role in Alfiero's Oreste at the Teatro See also: Valle in See also: Rome
.
He fought in the cause of Italian independence in 1849; otherwise his See also: life was an unbroken series of successes in his See also: art
.
He acted frequently in See also: England, and made five visits to See also: America, his first in 1873 and his last in 1889
.
In 1886 he played there Othello to the Iago of Edwin See also: Booth
.
Apart from Othello, which he played for the first See also: time at See also: Vicenza in See also: June 1856, his most famous impersonations included See also: Conrad in Paolo See also: Giacometti's La Morte civile, Egisto in See also: Alfieri's See also: Merope, See also: Saul in Alfieri's Saul, Paolo in Silvio See also: Pellico's Francesca da See also: Rimini, Oedipus in Nicolini's See also: play of thatname, See also: Macbeth and See also: King
See also: Lear
.
See also: Salvini retired from the stage in 189o, but in January 1902 took See also: part in the celebration in Rome of Ristori's eightieth birthday (see the Century See also: Magazine for June 1902, vol. lxiii.)
.
Salvini published a See also: volume entitled Ricordi, anedotti ed inapressioni (Milan, 1895)
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Some idea of his career may be gathered from Leaves from the Autobiography of Tommaso Salvini (See also: London, 1893)
.
His son Allessandro (1861–1896), also an actor, had several notable successes in America, particularly as D'Artagnan in The Three Guardsrhen
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