See also:

• EDWARD

EDWARD See also:

• LINLEY, THOMAS (1732—1795)

LINLEY See also:

• EDWARD LINLEY SAMBOURNE (1844-1910)

SAMBOURNE (1844-1910)  , See also:

• ENGLISH

English draughtsman, illustrator and designer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London, on the 4th of See also:

• JANUARY

January 1844 . He was educated at the See also:

• CITY (through Fr. cite, from Lat. civitas)

City of London School, and also received a few months' See also:

• EDUCATION

education at the See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

South See also:

• KENSINGTON

Kensington School of See also:

• ART

Art . After a six years' " See also:

• GENTLEMAN (from Lat. gentilis, " belonging to a race or gens," and " man "; Fr. gentilhomme, Span. gentil hombre, Ital. gentil huomo, in its original and strict signification, a term denoting a man of good family, the Lat. generosus (its invariable transl

gentleman See also:

• APPRENTICESHIP (from Fr. apprendre, to learn)

apprenticeship " with See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• PENN, WILLIAM (1621–1670)
• PENN, WILLIAM (1644-1718)

Penn & Son, marine See also:

• ENGINEERS, MILITARY

engineers, See also:

• GREENWICH

Greenwich, his humorous and fanciful sketches made surreptitiously in the See also:

• DRAWING

drawing-See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office of that See also:

• FIRM

firm were shown to See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

Mark See also:

• LEMON
• LEMON, MARK (1809-1870)

Lemon, editor of See also:

• PUNCH

Punch, and at once secured him an invitation to draw for that See also:

• JOURNAL
• JOURNAL (through Fr. from late Lat. diurnalis, daily)

journal . In See also:

• APRIL

April 1867 appeared his first See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

sketch, " Pros and Cons," and from that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time his See also:

• WORK

work was regularly seen, with rare exceptions, in the weekly pages of Punch . In 1871 he was called to the Punch " table." At the beginning he made his name by his " social " drawings and especially by his highly elaborated initial letters . He See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew his first See also:

• POLITICAL

political See also:

• CARTOON (Ital. cartone, pasteboard)

cartoon, properly so=called, in 1884, and ten years later began regularly to See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design the weekly second cartoon, following See also:

• SIR

Sir John See also:

• TENNIEL, SIR JOHN (182o- )

Tenniel as See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief cartoonist in Igor . Examples of his best work in See also:

• BOOK

book See also:

• ILLUSTRATION

illustration are in Sir F . C . See also:

• BURNAND, SIR FRANCIS COWLEY (1836- )

Burnand's New See also:

• SANDFORD, JOHN DE (d. 1294)

Sandford and Merton (1872), and in See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• KINGSLEY, CHARLES (1819-1875)
• KINGSLEY, HENRY (183o-1876)
• KINGSLEY, MARY HENRIETTA (1862-1900)

Kingsley's See also:

• WATER

Water Babies (1885), which contains some of his most delicate and delightful drawings . The design for the Diploma for the See also:

• FISHERIES

Fisheries See also:

• EXHIBITION

Exhibition (1883) is of its See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind one of the most extra-See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

ordinary things in English art . As a political designer, while distinguished for wit and force, he was invariably refined and See also:

• GOOD, JOHN MASON (1764-1827)

good-humoured to the uttermost; yet it is essentially as an artist that he takes his highest See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place . He died on the 3rd of See also:

• AUGUST (originally Sextilis)

August 191o .

See M . H . Spielmann, The See also:

• HISTORY

History of Punch (London, 1895) .