See also:

• SIR

SIR See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES See also:

• SIR CHARLES SANTLEY (1834- )

SANTLEY (1834- )  , See also:

• ENGLISH

English vocalist, son of an organist at See also:

• LIVERPOOL
• LIVERPOOL, EARLS
• LIVERPOOL, EARLS OF

Liverpool, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 28th of See also:

• FEBRUARY

February 1834 . He was given a thorough musical See also:

• EDUCATION

education, and having determined to adopt the career of a See also:

• SINGER, SIMEON (1846-1906)

singer, he went in 1855 to See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan and studied under Gaetano Nava . He had a See also:

• FINE

fine baritone See also:

• VOICE (Fr. voix, from Lat. vox)

voice, and while in See also:

• ITALY
• ITALY (Italia)

Italy he began singing small parts in See also:

• OPERA (Italian for " work ")

opera . In 1857 he returned to See also:

• LONDON

London, and on 16th See also:

• NOVEMBER (Lat. novem, nine)

November made his first See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance in the See also:

• PART

part of See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

Adam in The Creation at St See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin's See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall . In 1858, after appearing in See also:

• JANUARY

January in The Creation, he sang the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title-part in See also:

• ELIJAH (a Hebrew name meaning " Yah[weh] is God ")

Elijah in See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March, both at See also:

• EXETER
• EXETER, EARL, MARQUESS AND DUKE OF

Exeter Hall . In I859 he sang at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden as Hoel in the opera Dinorah, and in 1862 he appeared in See also:

• ITALIAN

Italian opera in Il Trovatore . He was then engaged by Mapleson for Her See also:

• MAJESTY (Fr. majeste; Lat. majestas, grandeur, greatness, from the base mag-, as in magnus, great, major, greater, &c.)

Majesty's, and his See also:

• REGULAR

regular connexion with the English operatic See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage only ceased in 1870, when he sang as Vanderdecken in The Flying Dutchman . His last appearance in opera was in the same part with the Carl See also:

• ROSA, CARL AUGUST NICHOLAS (1843-1889)
• ROSA, MONTE
• ROSA, SALVATOR (1615-1673)

Rosa See also:

• COMPANY

Company at the See also:

• LYCEUM

Lyceum See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre in 1876 . Meanwhile, in 1861 he sang Elijah at the See also:

• BIRMINGHAM

Birmingham Festival, and in 1862 was engaged for the See also:

• HANDEL, GEORGE FREDERICK (1685–1759)

Handel Festival at the Crystal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace . At the musical festivals and on the See also:

• CONCERT (through the French from Lat. con-, with, and certare, to strive)

concert stage his success was immense . In such songs as " To Anthea," " See also:

• SIMON, ABRAHAM (1622-1692)
• SIMON, JULES FRANCOIS (1814–1896)
• SIMON, RICHARD (1638–1712)
• SIMON, SIR JOHN (1816–1904)
• SIMON, THOMAS (c. 1623-1665)

Simon the Cellarer " or " Maid of See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens," he was unapproachable, and his See also:

• ORATORIO

oratorio singing carried on the finesttraditions of his See also:

• ART

art . He was knighted in 1907 .

In 1858 See also:

• SANTLEY, SIR CHARLES (1834- )

Santley married Gertrude See also:

• KEMBLE
• KEMBLE, JOHN MITCHELL (1807-1857)

Kemble, and their daughter, Edith Santley, had a See also:

• GREAT

great success as a concert singer .