|
JACQUES See also: born at See also: Noyon in 1588, went to See also: Rome at an early age and worked there under a Frenchman named Anguille
.
Starting thus, See also: Sarrazin speedily obtained employment from See also: Cardinal Aldobrandini at See also: Frascati, where he won the friendship of Domenichino, with whom he afterwards worked on the high altar of St See also: Andrea della See also: Valle
.
His return to See also: Paris, where he married a niece of See also: Simon See also: Vouet, was signalized by a series of successes which attracted the See also: notice of Sublet See also: des Noyers, who entrusted to him the See also: work by which Sarrazin is best known, the decoration of the See also: great portal and the dome of the western See also: facade of the interior See also: court of the Louvre
.
The famous See also: Caryatides of the See also: attic show the profound study of Michelangelo's See also: art to which Sarrazin had devoted all the See also: time he could spare from See also: bread-winning whilst in Rome
.
He now executed many commissions from the See also: queen, and was an active See also: promoter of the foundation of the See also: Academy
.
The See also: mausoleum for the See also: heart of the See also: prince de Conde in the Jesuit See also: church of the Rue
See also: Saint See also: Antoine was his last considerable work (see Lenoir, Musa des monuments See also: francais, v
.
5); he died on the 3rd of See also: December 166o, whilst it was in progress, and the crucifix of the altar was actually completed by one of his pupils named Gros
.
|
|
|
[back] SARRACENIA |
[next] BERNARD SARRETTE (1765—1858) |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.