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See also:PAUL See also:SCARRON (1610-166o)
, See also:French poet, dramatist, novelist and See also:husband of Madame de See also:Maintenon, was baptized on the 4th of See also:July 1610
.
His See also:father, of the same name, was a member of the See also:parlement of See also:Paris
.
See also:Paul the younger became an See also:abbe when he was nineteen, and in 1633 entered the service of See also: Jodelet was the first of many French plays in which the See also:humour depends on the valet who takes the part of See also:master, an idea that Scarron borrowed from the See also:Spanish . After a See also:short visit to Le Mans in 1646, he returned to Paris, and worked hard for the bookseller See also:Quinet, calling his See also:works his " marquisat de Quinet." He had also a See also:pension from See also:Fouquet, and one from the See also:queen, which was withdrawn because he was suspected of Frondeur sentiments . When See also:Mazarin received the See also:dedication of Typhon coldly, Scarron changed it to a See also:burlesque on the See also:minister . In 1651 he definitely took the See also:side of the See also:Fronde in a Mazarinade, a violent pamphlet . He now had no resources but his " marquisat." In his See also:early years he had been something of a libertine . In 1649 a penniless See also:lady of See also:good See also:family, See also:Celeste Palaiseau, kept his See also:house in the See also:Rue d'Enfer, and tried to reform the See also:gay See also:company which assembled there . But in 1652, sixteen years after he had become almost entirely paralysed, he married a girl of much beauty and no See also:fortune, Frangoise d'See also:Aubigne, afterwards famous as Madame de Maintenon (q.v.) . Scarron had See also:long been able to endure See also:life only by the aid of See also:constant doses of See also:opium, and he died on the 6th of See also:October 166o . Scarron's See also:work is very abundant and very unequal . The piece most famous in his own See also:day, his Virgile See also:travesty (1648–1653), is now thought a somewhat ignoble See also:waste of singular See also:powers for burlesque . But the Roman comique (1651–1657) is a work the merit of which is denied by no competent See also:judge . Unfinished, and a little desultory, this See also:history of a See also:troop of strolling actors is almost the first French novel, in point of date, which shows real See also:power of See also:painting See also:manners and See also:character, and is singularly vivid .
It is in the See also:style of the Spanish See also:picaresque See also:romance, and furnished See also:Theophile See also:Gautier with the idea and with some of the details of his Capitaine Fracasse
.
Scarron also wrote some shorter novels: La Precaution inutile, which inspired See also:Sedaine's Gageure imprevue; See also:Les Hypocrites, to which Tartuffe owes something, and others
.
Of his plays Jodelet (1645) and See also:Don Japhet d'Armenie (1653) are the best
.
The most See also:complete edition of his works is by La Martiniere, 1737 (10 vols., See also:Amsterdam)
.
The Roman comique and the Eneide travestie were edited by See also:Victor Fournel in 1857 and 1858
.
Among the contemporary notices of Scarron, that contained in the Historiettes of See also:Tallemant See also:des Reaux is the most accurate
.
The most important See also:modern works on the subject are Scarron et le genre burlesque (1888) by Paul Morillot; a See also:biography by J
.
J
.
See also:Jusserand in See also:English, prefixed to his edition of The Comical Romance and other tales by Paul Scarron, done into English by Tom See also: |
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