ARY See also:

• ARY SCHEFFER (1795-1858)

SCHEFFER (1795-1858)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter of Dutch extraction, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• DORT, SYNOD OF

Dort on the loth of See also:

• FEBRUARY

February 1745 . After the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• DEATH

death of his See also:

• FATHER

father, a poor painter, Ary was taken to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris and placed in the studio of See also:

• GUERIN, JEAN BAPTISTE PAULIN (1783-1855)
• GUERIN, PIERRE NARCISSE, BARON (1774-1833)

Guerin by his See also:

• MOTHER

mother, a woman of See also:

• GREAT

great See also:

• ENERGY (from the Gr. ivipyela; iv, in, ipyov, work)

energy and See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character . The moment at which See also:

• SCHEFFER, ARY (1795-1858)

Scheffer See also:

• LEFT

left Guerin coincided with the commencement of the Romantic See also:

• MOVEMENT

movement . He had little sympathy with the directions given to it by either of its most conspicuous representatives, See also:

• SIGALON, XAVIER (1788–1837)

Sigalon, See also:

• DELACROIX, FERDINAND VICTOR EUGENE (1798-1863)

Delacroix or See also:

• GERICAULT, JEAN LOUIS ANDRE THEODORE (1791-1824)

Gericault, and made various tentative efforts—" Gaston de See also:

• FOIX

Foix " (1824), " Suliot See also:

• WOMEN

Women " (1827)—before he found his own path . Immediately after the See also:

• EXHIBITION

exhibition of the last-named See also:

• WORK

work he turned to See also:

• BYRON, GEORGE GORDON BYRON, 6TH BARON (1788-1824)
• BYRON, HENRY JAMES (1834-1884)
• BYRON, HON
• BYRON, JOHN BYRON

Byron and See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe, selecting from See also:

• FAUST, or FAUSTUS

Faust a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• SERIES (a Latin word from serere, to join)

series of subjects which had an extraordinary See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

vogue . Of these, we may mention " See also:

• MARGARET
• MARGARET (1283–1290)
• MARGARET (1353-1412)
• MARGARET (1489–1541)
• MARGARET, ST (c. 1045–1093)
• MARGARET, ST (SANCTA MARGARITA)

Margaret at her See also:

• WHEEL (0. Eng. hweol, hweohl, &c., cognate with Icel. hjol, Dan. hiul, the Indo-European root is seen in Sanskrit chakra, Gr. r in Aos, circle, whence " cycle ")
• WHEEL, BREAKING ON THE

Wheel "; " Faust Doubting "; " Margaret at the Sabbat "; " Margaret Leaving See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church "; the " See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden Walk "; and lastly, perhaps the most popular of all, " Margaret at the Well." The two"See also:

• MIGNONS, LES

Mignons " appeared in 1836; and " Francesca da See also:

• RIMINI

Rimini," which is on the whole Scheffer's best work, belongs to the same See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period . He now turned to religious subjects: " Christus Consolator " (1836) was followed by " Christus Remunerator," " The Shepherds Led by the See also:

• STAR

Star " (1837), " The Magi Laying Down their Crowns," " See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ in the Garden of See also:

• OLIVES, MOUNT OF, or MOUNT OLIVET ("Opus 'EXc uwos or riov 'EXauav; mod. Jebel-et-Tur)

Olives," " Christ bearing his See also:

• CROSS

Cross," " Christ Interred " (1845), " St See also:

• AUGUSTINE, SAINT (354-430)
• AUGUSTINE, SAINT (d. c.613)

Augustine and'Monica " (1846), after which he ceased to exhibit, but, shut up in his studio, continued to produce much which was first seen by the See also:

• OUTER

outer See also:

• WORLD

world after his death, which took See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place at See also:

• ARGENTEUIL

Argenteuil on the 15th of See also:

• JUNE

June 1858 . At the See also:

• POSTHUMOUS

posthumous exhibition of his See also:

• WORKS

works there figured the " Sorrows of the See also:

• EARTH
• EARTH (a word common to Teutonic languages, cf. Ger. Erde, Dutch aarde, Swed. and Dan. jord; outside Teutonic it appears only in the Gr. 'pq'e, on the ground; it has been connected by some etymologists with the Aryan root ar-, to plough, which is seen in
• EARTH, FIGURE OF
• EARTH, FIGURE OF THE

Earth," and the " See also:

• ANGEL

Angel Announcing the Resurrection," which he had left unfinished . Amongst his numerous portraits those of La Fayette, See also:

• BERANGER, PIERRE JEAN DE (178o-1857)

Beranger, Lamartine and See also:

• MARIE

Marie Amelie were the most noteworthy . His reputation, much shaken by this posthumous exhibition, was further undermined by the See also:

• SALE
• SALE, GEORGE (c. 1697-1736)
• SALE, SIR ROBERT HENRY (1782—1845)

sale of the Paturle See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, which contained many of his most celebrated achievements; the See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm and facility of their See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition could not See also:

• SAVE, or SAVA (Ger. Sau; Hungarian Szdva; Lat. Savus)

save them from the condemnation provoked by their poor and earthy See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour and vapid sentiment . Scheffer, who married the widow of See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

General Baudrand, was only made See also:

• COMMANDER

commander of the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour in 1848—that is, after he had wholly withdrawn from the See also:

• SALON

Salon . His See also:

• BROTHER

brother See also:

• HENRI

Henri, born at the See also:

• HAGUE, THE (in Dutch, 's Gravenhage, or, abbreviated, den Haag; in Fr. La Haye; and in Late Lat. Haga Comitis)

Hague on the 27th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1798, was also a fertile painter .

See See also:

• VITET, LUDOVIC (1802-1873)

Vitet's See also:

• NOTICE

notice (1861) prefixed to See also:

• BINGHAM, JOSEPH (1668-1723)

Bingham's publication of works of A . Scheffer; Etex, Ary Scheffer; Mrs See also:

• GROTE, GEORGE (1794–1871)

Grote, See also:

• LIFE

Life of A . Scheffer (i86o) .