KARL See also:

• FRIEDRICH, JOHANN (1836— )

FRIEDRICH See also:

• KARL FRIEDRICH SCHINKEL (1781—1841)

SCHINKEL (1781—1841)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German architect and painter, and See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor in the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy of See also:

• FINE

fine arts at See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin from 1820, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Neuruppin, in See also:

• BRANDENBURG

Brandenburg, on the 13th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1781 . He was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• FRIEDRICH, JOHANN (1836— )

Friedrich Gilly, the continuation of whose See also:

• WORK

work he undertook when his See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master died in 1800 . In 1803 See also:

• SCHINKEL, KARL FRIEDRICH (1781—1841)

Schinkel went to See also:

• ITALY
• ITALY (Italia)

Italy, returning to Berlin in 18o5 . The See also:

• NAPOLEONIC

Napoleonic See also:

• WARS

wars interfered seriously with his work as architect, so that he took up landscape See also:

• PAINTING

painting, displaying a See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent for the romantic delineation of natural scenery . In 1810 he See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew a See also:

• PLAN
• PLAN (from Lat. planes, flat)

plan for the See also:

• MAUSOLEUM

mausoleum of See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• LOUISE [AUGUSTE WILHELMINE AMALIE LUISE] (1776-1810)

Louise and in 1819 a brilliant See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

sketch for the Berlin See also:

• CATHEDRAL

cathedral in See also:

• GOTHIC

Gothic See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style . From 18o8 to 1814 he painted a number of dioramas for Gropins . From 1815 he devoted much See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time to See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene painting, examples of his work being still in use in the royal theatres of See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany . Schinkel's See also:

• PRINCIPAL

principal buildings are in Berlin and its neighbourhood . His merits are, however, best shown in his unexecuted plans for the transformation of the See also:

• ACROPOLIS (Gr. aKpos, top, a6)Xts, city)

Acropolis into a royal See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace, for the erection of the Orianda Palace in the See also:

• CRIMEA (ancient Tauris or Tauric Chersonese, called by the Russians by the Tatar name Krym or Crim)

Crimea and for a See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

monument to See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

Frederick the See also:

• GREAT

Great . These and other designs may be studied in his Sammlung architektonischer Entwurfe (182o-1837, 3rd ed: 1857—1858) and his Werke der hoheren Baukunst (1845—1846, new ed . 1874) . See the See also:

• BIOGRAPHIES

biographies by Kugler, Bottischer, Quast, H .

See also:

• GRIMM, FRIEDRICH MELCHIOR, I
• GRIMM, JACOB LUDWIG CARL (1785-1863)
• GRIMM, WILHELM CARL (1786-1859)

Grimm, See also:

• WAAGEN, GUSTAV FRIEDRICH (1794-1868)
• WAAGEN, WILHELM HEINRICH (1841–1900)

Waagen, Woetmann, Pecht, Dohme, and vol. xxviu. of the Kiinstlermonographie, by Ziller (See also:

• LEIPZIG

Leipzig, 1897) .