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KARL See also: German architect and painter, and professor in the See also: academy of See also: fine arts at Berlin from 1820, was See also: born at Neuruppin, in See also: Brandenburg, on the 13th of See also: March 1781
.
He was a pupil of
See also: Friedrich Gilly, the continuation of whose See also: work he undertook when his master died in 1800
.
In 1803 See also: Schinkel went to See also: Italy, returning to Berlin in 18o5
.
The See also: Napoleonic See also: wars interfered seriously with his work as architect, so that he took up landscape See also: painting, displaying a talent for the romantic delineation of natural scenery
.
In 1810 he See also: drew a See also: plan for the See also: mausoleum of See also: Queen Louise and in 1819 a brilliant sketch for the Berlin See also: cathedral in See also: Gothic See also: style
.
From 18o8 to 1814 he painted a number of dioramas for Gropins
.
From 1815 he devoted much See also: time to scene painting, examples of his work being still in use in the royal theatres of See also: Germany
.
Schinkel's See also: principal buildings are in Berlin and its neighbourhood
.
His merits are, however, best shown in his unexecuted plans for the transformation of the Acropolis into a royal palace, for the erection of the Orianda Palace in the See also: Crimea and for a monument to See also: Frederick the See also: Great
.
These and other designs may be studied in his Sammlung architektonischer Entwurfe (182o-1837, 3rd ed: 1857—1858) and his Werke der hoheren Baukunst (1845—1846, new ed
.
1874)
.
See the See also: biographies by Kugler, Bottischer, Quast, H
.
See also: Grimm, Waagen, Woetmann, Pecht, Dohme, and vol. xxviu. of the Kiinstlermonographie, by Ziller (See also: Leipzig, 1897)
.
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