See also:

• SCHONGAUER (or Suon), MARTIN (c. 1445-c. 1488)

SCHONGAUER (or Suon), See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

MARTIN (c. 1445-c. 1488)  , the most able engraver and painter of the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German school . His See also:

• FATHER

father was a See also:

• GOLDSMITH
• GOLDSMITH, LEWIS (c. 1763–1846)
• GOLDSMITH, OLIVER (1728–1774)

goldsmith named Casper, a native of See also:

• AUGSBURG
• AUGSBURG, CONFESSION OF
• AUGSBURG, WAR OF THE LEAGUE OF

Augsburg, who had settled at See also:

• COLMAR, or KOLMAR

Colmar, where the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• PART

part of See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin's See also:

• LIFE

life was spent.' See also:

• SCHONGAUER (or Suon), MARTIN (c. 1445-c. 1488)

Schongauer established at Colmar a very important school of See also:

• ENGRAVING

engraving, out of which See also:

• GREW, NEHEMIAH (1641-1712)

grew the " little masters" of the succeeding See also:

• GENERATION (from Lat. generare, to beget, procreate; genus, stock, race)

generation, and a large See also:

• GROUP

group of See also:

• NUREMBERG (Ger. Nurnberg)

Nuremberg artists . - As a painter, Schongauer was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of the Flemish See also:

• ROGER (d. 1139)
• ROGER (d. 1181)

Roger See also:

• VAN

van der See also:

• WEYDEN, ROGIER VAN DER

Weyden the See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

Elder, and his rare existing pictures closely resemble, both in splendour of See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour and exquisite minuteness of See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution, the best See also:

• WORKS

works of contemporary See also:

• ART

art in See also:

• FLANDERS (Flem. Vlaanderen)

Flanders . Among the very few paintings which can with certainty be attributed to him, the chief is a magnificent See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar-piece in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of St Martin at Colmar . The Colmar Museum 1 The date of Schongauer's See also:

• BIRTH (a word common in various forms to Teutonic languages from the root of the verb " to bear ")

birth is usually given wrongly as c . 142o; he was really See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born twenty-five or See also:

• THIRTY

thirty years later, and is mentioned by A . See also:

• DURER, ALBRECHT (1471-1528)

Durer as being a See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young apprentice in 1470 . His portrait in the See also:

• MUNICH (Ger. Munchen)

Munich Pinakothek is now known to be a copy by See also:

• BURGKMAIR, HANS

Burgkmair, painted after 151o, from an See also:

• ORIGINAL

original of 1483—not 1453 as has been supposed . The date (1499) for Schongauer's See also:

• DEATH

death,written on the back of the See also:

• PANEL (O. Fr. panel, mod. panneau, piece of cloth, from Med. Lat. pannellus, diminutive of pannus, cloth)

panel by Burgkmair, is obviously a blunder; see Hensler in See also:

• NAUMANN, GEORG AMADEUS CARL FRIEDRICH (1797-1873)

Naumann's Archiv (1867), p . 129, and Wurzbach, M . Schongauer (See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, 188o) . These contradict the view of Goutzwiller, in his Martin Schongauer et son ecole (See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, 1875) .

Cf . Schnaase, Gesch . M . Schongauers," in the Mittheil. der K . K . See also:

• COMMISSION (from Lat. commissio, committere)

Commission (1863), No . 7 . possesses eleven panels by him, and a small panel of " See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

David with See also:

• GOLIATH

Goliath's See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

Head" in the Munich See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery is attributed to him . The See also:

• MINIATURE

miniature See also:

• PAINTING

painting of the " Death of the Virgin " in the See also:

• ENGLISH

English See also:

• NATIONAL

National Gallery is probably the See also:

• WORK

work of some pupil.' In 1488 Schongauer died at Colmar, according to the See also:

• REGISTER

register of St Martin's church . Other authorities See also:

• STATE
• STATE, GREAT OFFICERS OF

state that his death occurred in 1491 . The See also:

• MAIN (from the Aryan root which appears in " may " and " might," and Lat. magnus, great)
• MAIN (Lat. Moenus)

main work of Schongauer's life was the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of a large number of beautiful engravings, which were largely sold, not only in See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany, but also in See also:

• ITALY
• ITALY (Italia)

Italy and even in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England . See also:

• VASARI, GIORGIO (1511-1571)

Vasari says that See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo copied one of his engravings—the " Trial of St See also:

• ANTHONY, SAINT
• ANTHONY, SUSAN BROWNELL (1820-1906)

Anthony."' Schongauer was known in Italy by the names " See also:

• BEL

Bel Martino " and " Martino d'Anversa." His subjects are always religious; more than 130 prints from See also:

• COPPER (symbol Cu, atomic weight 63.1, H=1, or 63.6, O = 16)

copper by his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand are known, and about too more are the production of his bottega.' Most of his pupils' plates as well as his own are signed M +S .

Among the most beautiful of Schongauer's engravings are the See also:

• SERIES (a Latin word from serere, to join)

series of the"See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

Passion"and the "Death and See also:

• CORONATION (Lat. corona, crown)

Coronation of the Virgin," and the series of the "See also:

• WISE, HENRY ALEXANDER (1806-1876)
• WISE, ISAAC MAYER (1819-1900)

Wise and Foolish Virgins." All are remarkable for their miniature-like treatment, their brilliant See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch, and their See also:

• CHROMATIC (Gr. xpcoµaruc6s, coloured, from xpwµa, colour)

chromatic force . Some, such as the " Death of the Virgin " and the " See also:

• ADORATION (Lat. ad, to, and os, mouth; i.e. " carrying to one's mouth ")

Adoration of the Magi " are richly-filled compositions of many figures, treated with much largeness of See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style in spite of their See also:

• MINUTE
• MINUTE (Lat. minutes, small; minuere, to make less)

minute See also:

• SCALE
• SCALE (1) A

scale . The See also:

• BRITISH

British Museum possesses a See also:

• FINE

fine collection of Schongauer's prints . Fine facsimiles of his engravings have been produced by Armand-See also:

• DURAND, ASHER BROWN (1796-1886)
• DURAND, GUILLAUME (d. 1334)
• DURAND, GUILLAUME (GUILLELMUS DURANDUS)

Durand with See also:

• TEXT (Lat. textum, woven fabric, from texere, to weave)

text by Duplessis (Paris, 1881) .