See also:

• LUDWIG, KARL FRIEDRICH WILHELM (1816—1895)
• LUDWIG, OTTO (1813-1865)

LUDWIG See also:

• MICHAEL
• MICHAEL (1596-1645)
• MICHAEL (Hebrew Sn,q, " Who is like God? ")

MICHAEL See also:

• LUDWIG MICHAEL SCHWANTHALER (1802-1848)

SCHWANTHALER (1802-1848)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• MUNICH (Ger. Munchen)

Munich on the 26th of See also:

• AUGUST (originally Sextilis)

August 1802 . His See also:

• FAMILY

family had been sculptors in See also:

• TIROL (or TYROL 1)

Tirol for three centuries; See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young See also:

• LUDWIG, KARL FRIEDRICH WILHELM (1816—1895)
• LUDWIG, OTTO (1813-1865)

Ludwig received his earliest lessons from his See also:

• FATHER

father, and the father had been instructed by the grandfather . The last to See also:

• BEAR
• BEAR, BLACK
• BEAR, BROWN
• BEAR, GRIZZLY
• BEAR, ISABELLINE
• BEAR, WHITE

bear the name was Xaver, who worked in his See also:

• COUSIN (Fr. cousin, Ital. cugino, Late Lat. cosinus, perhaps a popular and familiar abbreviation of consobrinus, which has the same sense in classical Latin)
• COUSIN, JEAN (1500-1590)
• COUSIN, VICTOR (1792–1867)

cousin Ludwig's studio and survived till 1854 . For successive generations the family lived by the See also:

• CARVING

carving of busts and sepulchral monuments, and from the See also:

• CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

condition of See also:

• MECHANICS

mechanics See also:

• ROSE
• ROSE (Rosa)
• ROSE, GEORGE (1744-1818)
• ROSE, HUGH JAMES (1795—1838)
• ROSE, WILLIAM STEWART (1775-1843)

rose to that of artists . From the Munich gymnasium See also:

• SCHWANTHALER, LUDWIG MICHAEL (1802-1848)

Schwanthaler passed as a student to the Munich See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy; at first he purposed to be a painter, but afterwards reverted to the plastic arts of his ancestors . His talents received timely encouragement by a See also:

• COMMISSION (from Lat. commissio, committere)

commission for an elaborate See also:

• SILVER

silver service for the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king's table . See also:

• CORNELIUS
• CORNELIUS, CARL AUGUST PETER (1824-1874)
• CORNELIUS, PETER VON (1784–1867)

Cornelius also befriended him; the See also:

• GREAT

great painter was occupied on designs for the decoration in See also:

• FRESCO (Ital. for cool, " fresh ")

fresco of the newly erected See also:

• GLYPTOTHEK (from Gr. y?tnrros, carved, and OiiKf, a place of storage)

Glyptothek, and at his See also:

• SUGGESTION

suggestion Schwanthaler was employed on the See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture within the halls . Thus arose between See also:

• PAINTING

painting, sculpture, and See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture that See also:

• UNION
• UNION (known locally as Union Hill and officially as Town of Union)

union and mutual support which characterized the revival of the arts in See also:

• BAVARIA (Ger. Bayern)

Bavaria . Schwanthaler in 1826 went to See also:

• ITALY
• ITALY (Italia)

Italy as a pensioner of the king, and on a second visit in 1832 See also:

• THORWALDSEN, BERTEL (1770.1844)

Thorwaldsen gave him kindly help . His skill was so See also:

• DEVELOPED

developed that on his return he was able to meet the extra-See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

ordinary demand for sculpture consequent on King Ludwig's See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion for See also:

• BUILDING

building new palaces, churches, galleries and museums, and he became the See also:

• FELLOW

fellow-worker of the architects Klenze, Gartner and Ohlmuller, and of the painters Cornelius, Schnorr and See also:

• HESS
• HESS, HEINRICH HERMANN JOSEF, FREIHERR VON (1788-1870)

Hess . Owing to the magnitude and multitude of the plastic products they turned out, over-pressure and haste in See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design and workmanship brought down the quality of the See also:

• ART

art . The See also:

• WORKS

works of Schwanthaler in Munich are so many and See also:

• MISCELLANEOUS

miscellaneous that they can only be briefly indicated .

The new See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace is peopled with his statues: the See also:

• THRONE

throne-See also:

• ROOM

room has twelve imposing gilt See also:

• BRONZE

bronze figures to ft. high; the same palace is also enriched with a See also:

• FRIEZE

frieze and with sundry other decorations modelled and painted from his drawings . The sculptor, like his contemporary painters, received help from trained pupils . The same prolific artist also furnished the old Pinakothek with twenty-five See also:

• MARBLES

marbles, commemorative of as many great painters; likewise he supplied a See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition for the See also:

• PEDIMENT (equivalents, Gr. &ros, Lat. fastigium, Fr. ponton)

pediment of the See also:

• EXHIBITION

exhibition building facing the Glyptothek, and executed sundry figures for the public library and the See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall of the marshals . Sacred art See also:

• LAY

lay outside his ordinary routine, yet in the churches of St Ludwig and St Mariahilf he gave See also:

• PROOF (in M. Eng. preove, proeve, preve, &°c., from O. Fr . prueve, proeve, &c., mod. preuve, Late. Lat. proba, probate, to prove, to test the goodness of anything, probus, good)

proof of the widest versatility . The Ruhmeshalle afforded further See also:

• GAUGE, or GAGE (Med. Lat. gauja, jaugia, Fr. jauge, perhaps connected with Fr. jale, a bowl, galon, gallon)

gauge of unexampled See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power of See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production; here alone is See also:

• WORK

work which, if adequately studied, might have occupied a lifetime; ninety-two metopes, and, conspicuously, the See also:

• COLOSSAL

colossal but feeble figure of Bavaria, 6o ft. high, See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank among the boldest experiments . A See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• LIFE

life of See also:

• FORTY

forty-six years did not permit serious undertakings beyond the Bavarian See also:

• CAPITAL (i.e. capital stock or fund)
• CAPITAL (Lat. caput, head)

capital, yet See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time was found for the See also:

• GROUPS
• GROUPS, THEORY

groups within the See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

north pediment of the Walhalla, Ratisbon, and also for numerous portrait statues, including those of See also:

• MOZART, WOLFGANG AMADEUS1 (1756–1791)

Mozart, See also:

• JEAN

Jean See also:

• PAUL
• PAUL (PAULUS)

Paul See also:

• RICHTER, ADRIAN LUDWIG (1803-1884)
• RICHTER, ERNST FRIEDRICH EDUARD (1808–1879)
• RICHTER, EUGEN (1839–1906)
• RICHTER, HANS (1843– )
• RICHTER, JEREMIAS BENJAMIN (1762–1807)
• RICHTER, JOHANN PAUL FRIEDRICH (1763–1825)

Richter, See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe and See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare . Schwanthaler died at Munich in 1848, and See also:

• LEFT

left by will to the Munich academy all his See also:

• MODELS

models and studies, which now See also:

• FORM (Lat. forma)

form the Schwanthaler Museum .