See also:

• MORITZ, KARL PHILIPP (1757-1793)

MORITZ VON See also:

• MORITZ VON SCHWIND (1804-1871)

SCHWIND (1804-1871)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna in 1804 . He received rudimentary training and led a joyous careless See also:

• LIFE

life in that See also:

• GAY, JOHN (1685-1732)
• GAY, MARIE FRANCOISE SOPHIE (1776-1852)
• GAY, WALTER (1856– )

gay See also:

• CAPITAL (i.e. capital stock or fund)
• CAPITAL (Lat. caput, head)

capital; among his companions was the composer See also:

• SCHUBERT, FRANZ PETER (1797-1828)

Schubert, whose songs he illustrated . In 1828 he removed to See also:

• MUNICH (Ger. Munchen)

Munich, and had the See also:

• ADVANTAGE

advantage of the friendship of the painter Schnorr and the guidance of See also:

• CORNELIUS
• CORNELIUS, CARL AUGUST PETER (1824-1874)
• CORNELIUS, PETER VON (1784–1867)

Cornelius, then director of the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy . In 1834 he received the See also:

• COMMISSION (from Lat. commissio, committere)

commission to decorate See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• LUDWIG, KARL FRIEDRICH WILHELM (1816—1895)
• LUDWIG, OTTO (1813-1865)

Ludwig's new See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace with See also:

• WALL (O. Eng. weal, weall, Mid. Eng. wal, wane, adapted from Lat. vallum, rampart; the original O. Eng. word for a wall was wag or tenth)
• WALL, RICHARD (1694-1778)

wall paintings illustrative of the poet See also:

• TIECK, JOHANN LUDWIG

Tieck . He also found in the same See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place congenial See also:

• SPORT (a contracted or shortened form of "disport," to amuse, divert oneself, O. Fr. se dis porter or deporter, to leave off work, hence to play, Lat. dis-, away, and portare, to carry; the origin of the meaning lies in the notion of turning away from ser

sport for his See also:

• FANCY (a shortened form, dating from the 15th century, of " fantasy," which is derived through the O. Fr. fantasie, modern fantaisie. from the Latinized form of the Gr. cbavraoia, Oavrai'ecv, Oat Pais, to show)

fancy in a " Kinderfries "; his ready See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand was likewise busy on almanacs, &c., and by his illustrations to See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe and other writers he gained See also:

• APPLAUSE (Lat. applaudere, to strike upon, clap)

applause and much employment . In the revival of See also:

• ART

art in See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany See also:

• SCHWIND, MORITZ VON (1804-1871)

Schwind held as his own the See also:

• SPHERE (Gr. vclsa?pa, a ball or globe)

sphere of poetic fancy . To him was entrusted in 1839, in the new Carisruhe academy, the embodiment in See also:

• FRESCO (Ital. for cool, " fresh ")

fresco of ideas thrown out by Goethe; he decorated a See also:

• VILLA

villa at See also:

• LEIPZIG

Leipzig with the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story of See also:

• CUPID (Cupido, " desire ")

Cupid and See also:

• PSYCHE (//vxi7)

Psyche, and further justified his See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of poet-painter by designs from the Niebelungenlied and See also:

• TASSO, TORQUATO (1544-1595)

Tasso's Gerusalemme for the walls of the See also:

• CASTLE
• CASTLE (Lat. castellum, a fort, diminutive of castra, a camp; Fr. chateau and chdtel)

castle of Hohenschwangau in Bavarian See also:

• TIROL (or TYROL 1)

Tirol . From the See also:

• YEAR

year 1844 See also:

• DATES

dates his See also:

• RESIDENCE (Latin residere, to remain behind, to dwell, reside)

residence in See also:

• FRANKFORT

Frankfort; to this See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period belong some of the best easel pictures, pre-eminently the Singers' Contest in the See also:

• WARTBURG, THE

Wartburg (1846), also designs for the Goethe celebration, likewise numerous See also:

• BOOK

book illustrations . The conceptions for the most See also:

• PART

part are better than the See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution . In 1847 Schwind returned to Munich on being appointed See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor in the academy . Eight years later his fame was at its height on the completion in the castle of the Wartburg of wall pictures illustrative of the Singers' Contest and of the See also:

• HISTORY

history of See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

Elizabeth of See also:

• HUNGARY
• HUNGARY (Hungarian Magyarorszdg)

Hungary . The compositions received universal praise, and at a See also:

• GRAND

grand musical festival in their See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour Schwind himself played among the violins .

In 1857 appeared his exceptionally mature "cyclus " of the Seven Ravens from See also:

• GRIMM, FRIEDRICH MELCHIOR, I
• GRIMM, JACOB LUDWIG CARL (1785-1863)
• GRIMM, WILHELM CARL (1786-1859)

Grimm's See also:

• FAIRY (Fr. fee, faerie; Prov. facia; Sp. hada; Ital. fata; med. Lat. fatare, to enchant, from Lat. fatum, fate, destiny)

fairy stories . In the same year he visited See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England to See also:

• REPORT (O.Fr. report or raport, modern rapport, from O.Fr. reporter, mod. rap porter, Lat. reportare, to bring back, in poetical use only, of bringing back an account, news, &c.)

report officially to King Ludwig on the See also:

• MANCHESTER
• MANCHESTER (popularly Manchester-by-the-Sea)
• MANCHESTER, EARLS AND DUKES OF

Manchester art treasures . And so diversified were his gifts that he turned his hand' to See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church windows and joined his old friend Schnorr in designs for the painted See also:

• GLASS
• GLASS (O.E. glees, cf. Ger. Glas, perhaps derived from an old Teutonic root gla-, a variant of glo-, having the general sense of shining, cf. " glare," " glow ")
• GLASS, STAINED

glass in See also:

• GLASGOW

Glasgow See also:

• CATHEDRAL

cathedral . Towards the See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close of his career, with broken See also:

• HEALTH

health and See also:

• POWERS, HIRAM (1805-1873)

powers on the wane, he revisited Vienna . To this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time belong the " cyclus " from the See also:

• LEGEND (through the French from the med. Lat. legenda, things to be read, from legere, to read)

legend of Melusine and the designs commemorative of See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief musicians which decorate the foyer of the new See also:

• OPERA (Italian for " work ")

opera See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house . Cornelius writes, " You have here translated the joyousness of See also:

• MUSIC

music into pictorial art." Schwind's See also:

• GENIUS (from Lat. genere, gignere)

genius was lyrical; he See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew See also:

• INSPIRATION (Lat. inspirare, breathe upon or into)

inspiration from See also:

• CHIVALRY (O. Fr. chevalerie, from Late Lat. caballerius)

chivalry, folk-See also:

• LORE
• LORE, AMBROISE DE (1396-1446)

lore, and the songs of the See also:

• PEOPLE

people; his art was decorative, but lacked scholastic training and technical skill . Schwind died at Munich in 1871, and was buried in the old Friedhof of the same See also:

• TOWN

town .