See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

ALEXANDER See also:

• ALEXANDER SCOTT (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

SCOTT (fl. 1550)  , Scottish poet, was probably a See also:

• LOTHIAN

Lothian See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man, but particulars of his origin and of his See also:

• LIFE

life are entirely wanting . It is only by gathering together a few scraps of See also:

• INTERNAL

internal See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

evidence that we learn that his poems were written between 1545 and 1568 (the date of the See also:

• BANNATYNE, GEORGE (1545—? 1608)

Bannatyne MS., the cnly MS. authority for the See also:

• TEXT (Lat. textum, woven fabric, from texere, to weave)

text) . See also:

• ALLAN, DAVID (1744–1796)
• ALLAN, SIR HUGH (1810–1882)
• ALLAN, SIR WILLIAM (1782–1850)

Allan See also:

• RAMSAY, ALLAN (1686-1758)
• RAMSAY, ALLAN (1713-1784)
• RAMSAY, ANDREW MICHAEL (1686-1743)
• RAMSAY, DAVID (1749—1815)
• RAMSAY, SIR WILLIAM (1852– )
• RAMSAY, SIR WILLIAM MITCHELL (185r– )

Ramsay was the first to bring See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott's See also:

• WORK

work to the See also:

• NOTICE

notice of See also:

• MODERN

modern readers, by See also:

• PRINTING (from Lat. imprimere, O. Fr. empreindre)

printing some of the poems in his Ever See also:

• GREEN, A
• GREEN, ALEXANDER HENRY (1832—1896)
• GREEN, DUFF (1791—1875)
• GREEN, JOHN RICHARD (1837—1883)
• GREEN, MATTHEW (1696-1737)
• GREEN, THOMAS HILL (1836-1882)
• GREEN, VALENTINE (1739–1813)
• GREEN, WILLIAM HENRY (.1825–1900)

Green . In a copy of verses ("Some Few of the Contents ") on;,the Bannatyne MS., he thus refers to Scott: " Licht skirtit lasses, and the girnand wyfe, See also:

• FLEMING, PAUL (1609-1640)
• FLEMING, RICHARD (d. 1431)
• FLEMING, SIR SANDFORD (1827- )
• FLEMING, SIR THOMAS (1S44-1613)

Fleming and See also:

• SCOT, MICHAEL (? 1175-1232)

Scot haif painted to the lyfe . Scot, sweit tunged Scot, quha sings the welcum hame To See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary, our maist bony soverane See also:

• DAME
• DAME (through the Fr. from Lat. domina, mistress, lady, the feminine of dominus, master, lord)

dame; How lyflie he and amorous See also:

• STUART, ARABELLA (1575-1615)
• STUART, GILBERT (1755-x828)
• STUART, JAMES EWELL BROWN (1833-1864)
• STUART, JOHN
• STUART, MOSES (1780-1852)
• STUART, SIR JOHN, COUNT

Stuart sing ! Quhen lufe and bewtie bid them spred the wing." The See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

sketch is just, for Scott's poems See also:

• DEAL

deal chiefly with See also:

• FEMALE

female See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character and with See also:

• PASSION (post-classical Lat. passio, formed from pati, passus, to suffer, endure)

passion of a strongly erotic type . He is " sweit tunged," for his technique is always See also:

• GOOD, JOHN MASON (1764-1827)

good, and his lyrical See also:

• MEASURES

measures show remarkable accomplishment . In this respect he holds his own with the best of the " makars" represented in the Bannatyne MS . In what may appear excessive coarseness to See also:

• PRESENT

present-See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste, he makes good claim to See also:

• RIVAL

rival See also:

• DUNBAR, GEORGE (1774—1851)
• DUNBAR, PAUL LAURENCE (1872–1906)
• DUNBAR, WILLIAM (c. 1460-c. 1520)

Dunbar and his contemporaries . The poems referred to by Ramsay are "Ane Ballat maid to the Derisioun and Scorne of Wantoun Wemen," " Ane New Yeir See also:

• GIFT (a common Teutonic word, cf. Ger. die Gift, gift, das Gift, poison, formed from the Teut. stem gab-, to give, cf. Dutch geven, Ger. geben; in O. Eng. the word appears with initial y, the guttural of later English is due to Scandinavian influence)

Gift to the See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen Mary quhen scho come first Hame, 1562," and some or all of his amorous songs (about 30 in number) . Of these " To luve unluvit," " Ladeis, be See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

war," and " Lo, quhat it is to lufe " are favourable examples of his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style . No See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early Scots poet comes nearer the quality of the See also:

• CAROLINE
• CAROLINE (1683-1737)

Caroline love-lyric .

His Justing and Debait vp at the See also:

• DRUM (early forms drome or dromme, a word common to many Teut. languages, cf. Dan. tromme, Ger. Trommel: the word is ultimately the same as " trumpet," and is probably onomatopoeic in origin; it appears late in Eng. about the middle of the 16th century)

Drum betwix W [illiam] Adamsone and Johine Sym follows the See also:

• LITERARY

literary tradition of Peblis to the See also:

• PLAY

Play and Christis See also:

• KIRK, SIR JOHN (1832- )

Kirk on the Grene . He has See also:

• LEFT

left See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse-renderings of the 1st and 5oth See also:

• PSALMS, BOOK
• PSALMS, BOOK OF, or PSALTER

Psalms . The first collected edition was printed by D . See also:

• LAING, ALEXANDER GORDON (1793–1826)
• LAING, DAVID (1793–1878)
• LAING, MALCOLM (1762-1818)
• LAING, SAMUEL (1810-1897)

Laing in 1821; a second was issued privately at See also:

• GLASGOW

Glasgow in 1882 . The latest edition is that by See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James Cranstoun (Scottish Text Society, I vol., 1896) . (G . G .