AUGUSTIN

EUGENE

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• AUGUSTIN EUGENE SCRIBE (1791-1860, French dramatist, was born in Paris on the 24th of December 1791. His father was a silk merchant, and he was well educated, being destined for the bar. But, having a real gift for the theatre, a gift which unfortunately

SCRIBE (1791-1860,

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• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dramatist, was

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• BORN, IGNAZ, EDLER VON (1742–1791)

born in

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• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 24th of

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• DECEMBER (Lat. decent, ten)

December 1791. His

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• FATHER

father was a

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• SILK

silk

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• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

merchant, and he was well educated, being destined for the

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• BAR
• BAR (0. Fr. barre, Late Lat. barra, origin unknown)
• BAR, CONFEDERATION OF
• BAR, FRANCOIS DE (1538-1606)
• BAR, THE

bar. But, having a real

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• GIFT (a common Teutonic word, cf. Ger. die Gift, gift, das Gift, poison, formed from the Teut. stem gab-, to give, cf. Dutch geven, Ger. geben; in O. Eng. the word appears with initial y, the guttural of later English is due to Scandinavian influence)

gift for the

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• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre, a gift which unfortunately  was not allied with a corresponding literary power, he very soon began to write for the stage . His first piece, Le Pretendu sans le savoir, was produced without his name at the Varietes in 181o, and was a failure . Numerous other plays, written in collaboration with various authors, followed; but Scribe achieved no distinct success till 1815, when Une Nuit de la garde nationale, written in collaboration with Delestre-Poirson, made him famous . Thenceforward his fertility was unceasing and its results prodigious . He wrote every kind of drama—. vaudevilles, comedies, tragedies, opera-libretti . To the Gymnase theatre alone he is said to have furnished a hundred and fifty pieces before 183o . This extraordinary fecundity is explained by the systematic methods of collaboration which he established . He had a number of co-workers, one of whom supplied the story, another the dialogue, a third the jokes and so on . He is said in some cases to have sent sums of money for " copyright in ideas " to men who were unaware that he had taken suggestions from their work . Among his collaborators were Jean Henri Dupin (1787-1887), Germain Delavigne, Delestre-Poirson, Melesville (A . H . J .

Duveyrier), Marc-Antoine Desaugiers, Xavier Saintine and Gabriel Legouve . His debut in serious comedy was made at the Theatre Francais in 1822 with Valerie, the first of many successful pieces of the same kind . His industry was untiring and his knowledge both of the mechanism of the stage and of the tastes of the audience was wonderful . For purely theatrical ability he is unrivalled, and his plays are still regarded as models of dramatic construction . Moreover he was for fifty years the best exponent of the ideas of the French middle classes, so that he deserves respectful attention, even though his style be vulgar and his characters commonplace . He wrote a few novels, but none of any mark . The best-known of Scribe's pieces after his first successful one are Une Chaine (1842); Le Verre d'eau (1842); Adrienne Lecouvreur (1849), in conjunction with Legouve; Bertrand et Raton, ou l'art de conspirer; and the libretti of many of the most famous operas of the middle of the century, especially those of Auber and Meyerbeer . The books of La Muette de Portici, Fra Diavolo, Robert le Diable, and of Les Huguenots are wholly or in part by him . Scribe died in Paris on the loth of February 1861 . His fEuvres completes appeared in seventy-six volumes in 1874-'885 . See Legouve, Eugene Scribe (1874) .