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MICHEL See also: born at See also: Paris on the 4th of See also: July 1719
.
His See also: father, who was an architect, died when See also: Sedaine was quite See also: young, leaving no See also: fortune, and the boy began See also: life as a See also: mason's labourer
.
He was at last taken as pupil by an architect whose kindness he eventually repaid by the help he was able to give to his benefactor's See also: grandson, the painter See also: David
.
Meanwhile he had done his best to repair his deficiencies of See also: education, and in 1750 he published a Recueil de pieces fugitives, which included fables, songs and pastorals
.
His especial talent was, however, for See also: light See also: opera
.
He produced Le Diable d quatre (1756), the See also: music being by several composers; Blaise le Savetier (1759), for the music of Danican Philidor; On ne s'avise jamais de tout (1761) and others with See also: Pierre Alexandre de Monsigny; Aucassin et Nicolette (1780), See also: Richard Cceur de See also: Lion (1784), and See also: Amphitryon (1788) with See also: Andre See also: Gretry
.
Sedaine's vaudevilles and operettas attracted the See also: attention of See also: Diderot, and two plays of his were accepted and performed at the Theatre See also: Francais
.
The first and longest, the Philosophe sans le savoir, was acted in 1765; the second, a lively one-See also: act piece, La Gageure imprevue in 1768
.
These two at once took their place as stock pieces and are still ranked among the best French plays, each of its class
.
Except these two pieces little or nothing of his has kept the stage or the shelves, but Sedaine may be regarded as the See also: literary ancestor of Scribe and See also: Dumas
.
He had the See also: practical knowledge of the theatre, which enabled him to carry out the ideas of Diderot and give him claims to be regarded as the real founder of the domestic drama in See also: France
.
Sedaine, who became a member of the See also: Academy (1786), and secretary for architecture of the See also: fine arts division, died at Paris on the 17th of May 1797
.
He wrote two See also: historical dramas, See also: Raymond V. comte de Toulouse, and Maillard, ou Paris sauve
.
His cuvres (1826) contain a See also: notice of his life by See also: Ducis
.
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