See also:

• MARIE

MARIE See also:

• MARIE SEEBACH (183o-1897)

SEEBACH (183o-1897)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German actress, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• RIGA (Esth. Ria-Lin)

Riga, in See also:

• RUSSIA
• RUSSIA (Rossiya)

Russia, on the 24th of See also:

• FEBRUARY

February 183o, being the daughter of an actor, Wilhelm See also:

• FRIEDRICH, JOHANN (1836— )

Friedrich See also:

• SEEBACH, MARIE (183o-1897)

Seebach (1798–1863) . After appearing first at See also:

• NUREMBERG (Ger. Nurnberg)

Nuremberg as Julie in See also:

• KEAN, EDMUND (1787–1833)

Kean, she played soubrette parts at See also:

• LUBECK

Lubeck, See also:

• DANZIG, or DANTSIC (Polish Gdansk)

Danzig and See also:

• CASSEL
• CASSEL, or KASSEL

Cassel . In 1852 she achieved her first See also:

• GREAT

great success at the Thaliatheater in See also:

• HAMBURG

Hamburg as Gretchen in See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe's See also:

• FAUST, or FAUSTUS

Faust, and she remained there until 1854, when she appeared in See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna . She then played in See also:

• MUNICH (Ger. Munchen)

Munich, establishing her reputation as a tragic actress with the roles of Jane See also:

• EYRE, EDWARD JOHN (1815-1901)
• EYRE, SIR JAMES (1734-1799)

Eyre and Adrienne See also:

• LECOUVREUR, ADRIENNE (1692-1730)

Lecouvreur . From 1855 to 1866 she was engaged at the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre at See also:

• HANOVER
• HANOVER (Ger. Hannover)

Hanover, and there in 1859 she married the See also:

• TENOR (through Fr. and It. from Lat. tenor, holding on, course, sense of a law, tone)

tenor See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert Niemann . In 1866 she followed her See also:

• HUSBAND

husband to See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin, but separated from him after two years . In 187o–1871 she visited the See also:

• UNITED

United States, and gave in seventeen cities no less than 16o performances—mostly of Faust; and in 1886 she accepted a permanent engagement at the Schauspielhaus in Berlin . She retired from the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage in 1897, and died on the 3rd of See also:

• AUGUST (originally Sextilis)

August of that See also:

• YEAR

year . In 1895 she endowed a See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home for poor actors and actresses at See also:

• WEIMAR

Weimar, called the See also:

• MARIE

Marie Seebach Stiftung . See Gensichen, Aus Marie Seebachs Leben (Berlin, 19oo) .