ANTON See also:

• ANTON SEIDL (1850-1898)

SEIDL (1850-1898)  , Hungarian operatic conductor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BUDAPEST

Budapest on the 7th of May 185o . He entered the See also:

• LEIPZIG

Leipzig Conservatorium in See also:

• OCTOBER

October 1870, and remained there until 1872, when he was summoned to See also:

• BAYREUTH, or BAIREUTH

Bayreuth as one of See also:

• WAGNER, ADOLF (1835- )
• WAGNER, RUDOLPH (1805-1864)
• WAGNER, WILHELM RICHARD (1813-1883)

Wagner's copyists . There he assisted to make the first See also:

• FAIR

fair copy of Der See also:

• RING (O.E. hring; a word common to Teutonic languages; and probably cognate with the Lat. circus, Gr. KtpKOS or KpLKOS, Skt'. chakra, wheel, circle, cf. also " harangue "); in art, a band of circular shape of varying sizes, made of any material and used f

Ring See also:

• DES

des Nibelungen . Thoroughly imbued with the Wagnerian spirit, it was natural that he should take a See also:

• PART

part in the first Bayreuth Festival in 1876 . His See also:

• CHANCE (through the O. Fr. cheance, from the Late Lat. cadentia, things happening, from cadere, to fall out, happen; cf. " case ")

chance as a conductor came when, on Wagner's recommendation, he was appointed to the Leipzig Stadt-Theater, where he remained until, in 1882; he went on tour with Angelo See also:

• NEUMANN, FRANZ ERNST (1798-1895)
• NEUMANN, KARL FRIEDRICH (1793-1870)

Neumann's Nibelungen Ring See also:

• COMPANY

company . To his conducting the critics attributed much of suchartistic success as attended the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of the Trilogy at Her See also:

• MAJESTY (Fr. majeste; Lat. majestas, grandeur, greatness, from the base mag-, as in magnus, great, major, greater, &c.)

Majesty's See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre in See also:

• LONDON

London in See also:

• JUNE

June of that See also:

• YEAR

year . In 1883 See also:

• SEIDL, ANTON (1850-1898)

Seidl went with Neumann to See also:

• BREMEN

Bremen, but two years later was appointed successor to See also:

• LEOPOLD (M.H. Ger. Liupolt; O.H. Ger. Liupald, from hut, Mod. Ger. Leute, " people," and paid, " bold," i.e. " bold for the people ")

Leopold Damrosch as conductor of the See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German See also:

• OPERA (Italian for " work ")

Opera in New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, and in the same year he married Fraul'ein Kraus, the distinguished See also:

• SINGER, SIMEON (1846-1906)

singer . In See also:

• AMERICA

America . Seidl's See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra became famous . In 1886 he was one of the conductors at Bayreuth, and in 1897 at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden, London, He died in New York on the 28th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1898 . See the memorial See also:

• VOLUME

volume prepared by H . T .

See also:

• FINCK, FRIEDRICH AUGUST VON (1718-1766)
• FINCK, HEINRICH (d. c. 1519)
• FINCK, HERMANN (1527—1558)

Finck, H . E . Krehbiel and others (New York, 1899) .