|
GIOVANNI See also: Italian composer, was See also: born in See also: Rome on the 28th of May 1843, of an Italian See also: father and an See also: English See also: mother
.
His early See also: education took place at Trevi, in See also: Umbria, and there he wrote some See also: church
See also: music, and obtained experience as a See also: singer and conductor
.
In 186o he settled in Rome, and definitely took up the See also: work of winning acceptance for the best See also: German music, which was at that See also: time neglected in See also: Italy
.
The influence and support of See also: Liszt, who was in Rome from 1861, was naturally of the greatest See also: advantage to him, and concerts were given in which See also: Sgambati conducted as well as played the piano
.
His composition, of this See also: period (1864–1865) included a quartet, two piano quintets, an octet, and an See also: overture
.
He conducted Liszt's See also: Dante See also: symphony in 1866, and made the acquaintance of Wagner's music for the first time at See also: Munich, whither he travelled in Liszt's See also: company
.
His first See also: album of songs appeared in 187o, and his first symphony was played at the Quirinal in 1881; this, as well as a piano concerto, was performed in the course of his first visit to See also: England in 1882; and at his second visit, in 1891, his Sinfonia epitalamio was given at the Philharmonic
.
His most extensive work, a See also: Requiem Mass, was performed in Rome 1901
.
His many piano-forte See also: works have won permanent success; but his influence on Italian musical taste has been perhaps greater than the merits of his compositions, which, though often poetical and generally effective, are often slight in See also: style
.
|
|
|
[back] SFPHD |
[next] SHABATS (also written Shabatz and Sabac) |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.