See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES HAZELWOOD See also:

• SHANNON
• CHARLES HAZELWOOD SHANNON (1865- )
• SHANNON, JAMES JEBUSA (1862- )

SHANNON (1865- )  , See also:

• ENGLISH

English artist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• SLEAFORD

Sleaford in See also:

• LINCOLNSHIRE

Lincolnshire, the son of the Rev . See also:

• FREDERIC, HAROLD (1856-1898)

Frederic See also:

• SHANNON
• SHANNON, CHARLES HAZELWOOD (1865- )
• SHANNON, JAMES JEBUSA (1862- )

Shannon, He attended the See also:

• LAMBETH

Lambeth school of See also:

• ART

art, and was subsequently considerably influenced by his friend See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles Ricketts and by the example of the See also:

• GREAT

great Venetians . In his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• WORK

work he was addicted to a heavy See also:

• LOW, SETH (1850- )
• LOW, WILL HICOK (1853- )

low See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone, which he abandoned subsequently for dearer and more transparent See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour . He achieved great success with his portraits and his Giorgionesque figure compositions, which are marked by a classic sense of See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, and with his etchings and lithographic designs . The See also:

• DUBLIN

Dublin Municipal See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery owns his circular See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition " The Bunch of Grapes " and " The See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady with the See also:

• GREEN, A
• GREEN, ALEXANDER HENRY (1832—1896)
• GREEN, DUFF (1791—1875)
• GREEN, JOHN RICHARD (1837—1883)
• GREEN, MATTHEW (1696-1737)
• GREEN, THOMAS HILL (1836-1882)
• GREEN, VALENTINE (1739–1813)
• GREEN, WILLIAM HENRY (.1825–1900)

Green See also:

• FAN (Lat. vannus; Fr. eventail)

Fan " (portrait of Mrs Hacon) . His " Study in See also:

• GREY, CHARLES GREY, 2ND EARL (1764-1845)
• GREY, HENRY GREY, 3RD EARL (1802-1894)
• GREY, LADY JANE (1537-1554)
• GREY, SIR EDWARD
• GREY, SIR GEORGE (1812–1898)

Grey " is at the See also:

• MUNICH (Ger. Munchen)

Munich Gallery, a " Portrait of Mr Staats See also:

• FORBES
• FORBES, ALEXANDER PENROSE (1817-1875)
• FORBES, ARCHIBALD (1838-1900)
• FORBES, DAVID (1828--1876)
• FORBES, DUNCAN
• FORBES, EDWARD (1815—1854)
• FORBES, JAMES DAVID (1809—1868)
• FORBES, SIR JOHN (1787—1861)

Forbes " at See also:

• BREMEN

Bremen, and a " Souvenir of See also:

• VAN

Van Dyck " at See also:

• MELBOURNE
• MELBOURNE, WILLIAM LAMB, 2ND VISCOUNT (1779-1848)

Melbourne . One of his most remarkable pictures is " The See also:

• TOILET

Toilet of See also:

• VENUS

Venus " in the collection of See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord Northcliffe . See also:

• COMPLETE

Complete sets of his lithographs and etchings have been acquired by the See also:

• BRITISH

British Museum and the See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin and See also:

• DRESDEN

Dresden See also:

• PRINT

print rooms . He was awarded a first-class See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal at Munich in 1895 and a first-class See also:

• SILVER

silver medal in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1900 .