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See also: man of letters, was See also: born at Paisley on the 12th of See also: September 1856
.
His was a See also: double See also: personality, for during his lifetime he was known solely by a series of poetical and critical See also: works of See also: great, but not of outstanding merit, while from 1894 onwards he published, with elaborate precautions of secrecy, under the name of " Fiona Macleod," a series of stories and sketches in poetical See also: prose which made him perhaps the most conspicuous Scottish writer of the See also: modern Gaelic See also: renaissance
.
His early See also: life: was spent chiefly in the W. See also: highlands of Scotland, and after leaving See also: Glasgow University he went to See also: Australia in 1877 in See also: search of See also: health
.
After a cruise in the Pacific he settled for some See also: time in See also: London as clerk to a See also: bank, became an intimate of the Ressettis, and began to contribute to the See also: Pall Mall See also: Gazette and' other See also: journals
.
In 1885 he became See also: art critic to the Glasgow Herald
.
He spent much time abroad, in See also: France and See also: Italy, and travelled extensively in See also: America and See also: Africa
.
In ' 1885 he married-' his See also: cousin, See also: Elizabeth Amelia
See also: Sharp, who helped him in much of his See also: literary See also: work and collaborated with him in compiling the See also: Lyra Celtica (1896)
.
His volumes of verse were The Human See also: Inheritance (1882), See also: Earth's Voices (r884), Romantic See also: Ballads and Poems of Fantasy (1886), Sospiri 'di See also: Roma (1891), Flower o' the See also: Vine (1894), Sospiri d' Italia (1906)
.
See also: William Sharp was the general editor of the "
See also: Canterbury Poets " series
.
He.Was a discriminating anthologist, and his Sonnets of the Century (x886), to which he prefixed a useful See also: treatise on the sonnet, ran through many See also: editions
.
This was followed by See also: American Sonnets (1889)
.
He wrote See also: biographies of See also: Dante See also: Gabriel Rossetti (r88a)' of Shelley (1887), of Heinrich See also: Heine (1888), of Robert See also: Browning (1890), and edited the See also: memoirs of See also: Joseph See also: Severn (1892)
.
The most notable of his novels was Silence See also: Farm (1899)
.
During the later years of his life he was obliged for reasons of health to spend all his winters abroad
.
The secret of his authorship of the " Fiona Macleod " books was faithfully kept until his See also: death, which took place at the See also: Castello di Manlaee, See also: Sicily, on the 12th of See also: December 1905
.
As See also: late as the 13th of May 1899 Fiona
.
Macleod had written to the See also: Athenaeum stating' that she wrote only under that name and that it was her own.' She began to publish her tales and sketches of the See also: primitive See also: Celtic See also: world in 1894 with Pharais: A See also: Romance of the Isles
.
They found only a limited public, though an enthusiastic one
.
The earlier volumes include The See also: Mountain Lovers (1895), The Sin-Eater (1895), The Washer of the See also: Ford and other Legendary Moralities (1896), &c
.
In 1897 a collected edition of the shorter 'See also: stone, with some new ones, was issued as Spiritual Tales, Barbaric Tales and Tragic Romances
.
Later volumes are The Dominion
of Dreams (1899); The Divine Adventure:
See also: Iona: and other Studies in Spiritual See also: History (1900), and Winged Destiny (1904)
.
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