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RICHARD NORMAN SHAW (1831– )

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Originally appearing in Volume V24, Page 814 of the 1911 Encyclopedia Britannica.
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RICHARD See also:NORMAN See also:SHAW (1831– )  , See also:British architect, was See also:born in See also:Edinburgh on the 7th of May 1831 . At the See also:age ofsixteen he went to See also:London and became a See also:pupil of See also:William See also:Burn . In Burn's See also:office he formed that friendship with William See also:Eden See also:Nesfield which so profoundly influenced the careers of both, and was thoroughly grounded in the See also:science of planning and in the classical See also:vernacular of the See also:period . He also attended the architectural See also:schools of the Royal See also:Academy, and devoted careful study both to See also:ancient and to the best contemporary buildings . In 1854, having finished his See also:term of See also:apprenticeship with Burn, he gained the See also:gold See also:medal and travelling studentship of the Royal Academy, and until 1856 travelled on the See also:continent, studying and See also:drawing old See also:work . On his return in 1856 he was requested by the See also:Council of the Royal Academy to publish his drawings . This work, entitled Architectural Sketches from the Continent, was issued in 1858 . In the meantime Nesfield was continuing his studies with See also:Anthony Salvin; Mr See also:Shaw also entered his office, and remained there until 1857, when he widened his experience by working for three years under See also:George See also:Edmund See also:Street . In 1863, after sixteen years of severe training, he began to practise . For a See also:short See also:time he and Nesfield joined forces, but their lines soon diverged . Mr Shaw's first work of importance was Leyes See also:Wood, in See also:Surrey, a See also:building of much originality, followed shortly afterwards by Cragside, for See also:Lord See also:Armstrong, which was begun in 1869 . From that time until he retired from active practice his See also:works followed one another in See also:quick See also:succession .

In 1872 Mr Shaw was elected an See also:

Associate of the Royal Academy, and a full member in 1877; he joined the " retired " See also:list towards the end of 19o1 . Other characteristic examples of Shaw's work are Preen See also:Manor, See also:Shropshire; New See also:Zealand See also:Chambers, Leadenhall Street; See also:Pierrepont, Wispers, and Merrist Wood, in Surrey; Lowther See also:Lodge, See also:Kensington; Adcote, in Shropshire; his houses at Kensington, See also:Chelsea, and at See also:Hampstead; Flete See also:House, See also:Devonshire; Greenham Lodge, See also:Berkshire; Dawpool, in See also:Cheshire; Bryanstone, in See also:Dorset See also:shire; Chesters, See also:Northumberland; New See also:Scotland Yard, on the See also:Thames See also:Embankment; besides several See also:fine works in See also:Liverpool and. the neighbourhood . He also built and restored several churches, the best known of which are St See also:John's See also:Church, See also:Leeds; St See also:Margaret's, See also:Ilkley, and All See also:Saints', See also:Leek . His See also:early buildings were most picturesque, and contrasted completely with the current work of the time . The use of " See also:half See also:timber " and See also:hanging tiles, the projectin g gables and massive chimneys, and the cunningly contrived bays an recessed fireplaces, together with the See also:complete freedom from the conventions and trammels of " See also:style," not only appealed to the artist, but gained at once a See also:place in public estimation . Judged in the See also:light of his later work, some of those early buildings appear almost too full of feature and See also:design; they show, however, very clearly that Mr Shaw, in discarding " See also:academic style," was not drifting See also:rudder-less on a See also:sea of See also:fancy . His buildings, although entirely See also:free from archaeological pedantry, were the outcome of much enthusiastic and intelligent study of old examples, and were based directly on old methods and traditions . As his See also:powers See also:developed, his buildings gained in dignity, and had an See also:air of serenity and a quiet homely See also:charm which were less conspicuous in his earlier works; the " half timber " was more sparingly used, and finally disappeared entirely . His work throughout is especially distinguished by treatment of See also:scheme . There Is nothing tentative or hesitating . His planning is invariably fine and full of ingenuity . Adcote (a beautiful drawing of which hangs in the Diploma See also:Gallery at See also:Burlington House) is perhaps the best example of the See also:series of his See also:country houses built between 187o and 1880 .

The elements are few but perfectly See also:

pro-portioned and combined, and the See also:scale throughout is consistent . The See also:Great See also:Hall is the keynote of the See also:plan, and is properly but not unduly emphasized . The grouping of the rooms See also:round the Hall is very ably managed—each See also:room is in its right position, and has its proper aspect . New Zealand Chambers, in Leadenhall Street, another work of about the same period (1870-1880), is a valuable example of Mr Shaw's versatility . Here he employed a completely different method of expression from any of his preceding works, in all of which there is a trace of " See also:Gothic " feeling . This is a See also:facade only of two storeys, divided by piers of See also:brickwork into three equal spaces, filled by shaped bays See also:rich with modelled See also:plaster; above, drawing the whole See also:composition together, is a finely enriched plaster See also:cove . An See also:attic See also:storey, roofed with three gables, completes the building, which is the See also:antithesis of the accepted type of See also:city offices; it is yet perfectly adapted to See also:modern uses . New Scotland Yard is undoubtedly Mr Shaw's finest and most complete work . The See also:plain See also:granite See also:base is not only subtly suggestive of the purposes of the building, but by dividing the height with a strongly marked See also:line gives a greater apparent width to the structure; it suggests also a See also:division of departments . By its See also:mass, too, it prevents the See also:eye from dwelling on the necessary irregularity of the See also:lower windows, which are not only different in See also:character from those of the upper storeys, but more numerous and quite irregularly spaced . The projecting See also:angle turrets are most happily conceived, and besides giving emphasis to the corners, See also:form the See also:main point of See also:interest in the composition of the rivertfront . The chimneys are not allowed to cut the See also:sky-line in all directions, but have been See also:drawn together into massive blocks, and Contribute much to the See also:general air of dignity and strength for which this building is remarkable .

Phoenix-squares

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Simple See also:roofs of ample span complete a composition conspicuous for its breadth and unity . Mr Shaw's See also:influence on his See also:generation can only be adequately gauged by a comparison of current work with that which was in See also:vogue when he began his career . The works of See also:Pugin, See also:Scott, and others, and the architectural literature of the time, had turned the thoughts both of architects and the public towards a " revived Gothic." Before he entered the See also:field, this teaching had hardened into a creed . Mr Shaw was not content to hold so limited a view, and with characteristic courage threw over these artificial barriers and struck out a line of his own . The rapidity with which he conceived and created new types, and as it were set a new See also:fashion in' building, compelled admiration for his See also:genius, and swelled the ranks of his adherents . It is largely owing to him that there is now a distinct tendency to approach See also:architecture as the See also:art of Building rather than as the art of Designing, and the study of old work as one of methods and expressions which are for all time, rather than as a means of learning a See also:language of forms proper only to their period . SHAW-See also:KENNEDY, See also:SIR See also:JAMES (1788-1865), British soldier and military writer, was the son of See also:Captain John Shaw, of See also:Dalton, See also:Kirkcudbrightshire . Joining the 43rd (See also:Monmouthshire) Light See also:Infantry in 1805, he first saw service in the See also:Copenhagen Expedition of 1807 as a See also:lieutenant, and under Sir See also:David See also:Baird took See also:part in the See also:Corunna See also:Campaign of 1808-9 . In the See also:retreat Shaw contracted a See also:fever, from the effects of which he never fully recovered . The 43rd was again engaged in the See also:Douro and Talavera See also:Campaigns, and Shaw became See also:adjutant of his now famous See also:regiment at the See also:battle of Talavera . As See also:Robert See also:Craufurd's aide-de-See also:camp he was on the See also:staff of the Light Division at the Coa and the Agueda, and with another officer prepared and edited the " See also:Standing Orders of the Light Division " (printed in See also:Home's Precis of Modern See also:Tactics, pp . 257-277), which serve as a See also:model to this See also:day .

He was wounded at See also:

Almeida in 181o, but rejoined Craufurd at the end of 1811 and was with his See also:chief at the See also:siege of See also:Ciudad Rodrigo in See also:January 1812 . At the great See also:assault of January 19th Shaw carried his general, mortally wounded, from the See also:glacis, and at See also:Badajoz, now once more with the 43rd, he displayed, at the lesser See also:breach, a gallantry which furnished his See also:brother officer William See also:Napier with the theme of one of his most glorious descriptive passages (See also:Peninsular See also:War, bk. xvi. ch . 'v.) . At the siege and the battle of See also:Salamanca, in the retreat from See also:Burgos, Shaw, still a subaltern, distinguished himself again and again, but he had to return to See also:England at the end of the See also:year, broken in See also:health . Once more in active service in 1815, as one of See also:Charles, See also:Alten's staff See also:officers, Captain Shaw, by his reconnoitring skill and See also:tactical See also:judgment was of the greatest assistance to Alten and to See also:Wellington, who promoted him See also:brevet-See also:major in See also:July, and brevet lieut.-See also:colonel in 1819 . During the occupation of See also:France by the allied See also:army Shaw was commandant of See also:Calais, and on his return to England was employed as a staff officer in the See also:North . In this capacity he was called upon to See also:deal with the See also:Manchester riots of 1819, and his memorandum on the methods to be adopted in dealing with See also:civil disorders embodied principles which have been recognized to the See also:present day . In 1820 he married, and in 1834, on succeeding, in right of his wife, to the See also:estate of Kirkmichael, he took the name of Kennedy . Two years later Colonel Shaw-Kennedy was entrusted with the organization of the Royal Irish Constabulary, which he raised and trained according to his own ideas . He remained inspector-general of the R.I.C. for two years, after which for ten years he led a retired country See also:life . 111 '1848, during the Chartist movements, he was suddenly called upon to command at Liverpool, and soon afterwards was offered successively a command in See also:Ireland and the governorship of See also:Mauritius . See also:Ill-health compelled him to decline these, as also the Scottish command a little later, and for the See also:rest of his life he was-practically an invalid .

He became full General in 1862 and was made K.C.B. a year later . In 1859, at the time of the See also:

Orsini See also:case, he published a remarkable See also:essay on The See also:Defence of Great See also:Britain and Ireland, and in 1865 appeared his famous Notes on See also:Waterloo, appended to which is a Plan for the defence of See also:Canada . He died the same year . See the autobiographical See also:notice in Notes on Waterloo, also the regimental See also:history of the 43rd and Napier, passim .

End of Article: RICHARD NORMAN SHAW (1831– )
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